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    Insurgencies. Constituent Power and the Modern State

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    Red Water

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    Graphic Europe. An Alternative Guide to 31 European Cities

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    The Soul At Work. From Alienation to Autonomy

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    Now is the Time. Art and Theory in the 21st Century

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    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

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    The Emancipated Spectator

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    Zone des Übergangs. Vom Ende des Postkommunismus

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    Souto de Moura 2005-2009. Theatres of the World.

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    Architecture's Desire. Reading the Late Avant-Garde

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    Open City. Designing Coexistence

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    Kino des Minimalismus

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    Extra. Enzyklopädie der experimentellen Druckveredelung

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    Adventures of Perception. Cinema as Exploration. Essays/…

  • Radical Philosophy

    157 - September/October 2009

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    My Wonderful World of Fashion. A Book for Drawing, Creating…

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    Mittelmeer Anämie - Damaskus, Beirut, Kairo

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    A Precarious Existence. Vulnerability in the Public Domain

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    Christian Kerez 2000-2009

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    Smoke Gets in Your Eyes

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    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

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    Unfolded. Papier in Design, Kunst, Architektur und Industrie

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    Dissolving Absolute Structures

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    Listening to Grasshoppers. Field Notes on Democracy

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    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

Correspondence. The Foundation of the Situationist International. June 1957 - August 1960

This volume traces the dynamic first years of the Situationist International movement - a cultural avant-garde that continues to inspire new generations of artists, theorists, and writers more than half a century later. Debord's letters - published here for the first time in English - provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Circumstances, personalities, and ambitions all come into play as the group develops its strategy of anarchic, conceptual, but highly political "intervention."
Brilliantly conceived, this collection of letters offers the best available introduction to the Situationist International movement by detailing, through original documents, how the group formed and defined its cultural mission: to bring about, "by any means possible, even artistic," a complete transformation of personal life within the Society of the Spectacle.


Guy Debord
Correspondence. The Foundation of the Situationist International. June 1957 - August 1960
MIT Press, 2009