Direkt zum Inhalt

Warenkorb

  • Kaoru Takahashi (Hg.)

    Hello! UK Graphics. Graphic Design in the UK since the 1980s

  • Bruce Jenkins

    Gordon Matta-Clark. Conical Intersect

  • Andreas Gelhard

    Kritik der Kompetenz

  • Klanten, Hellige (Hg.)

    The Modernist

  • Lars Spuybroek

    Textile Tectonics. Research and Design

  • Josep Lluís Mateo

    After Crisis. Contemporary Architectural Conditions

  • Louis Luthi

    On the Self-reflexive Page

  • Jan Kempemaers

    Spomenik

  • Vilém Flusser

    Dinge und Undinge. Phänomenologische Skizzen

  • O.M. Ungers

    Morphologie City Metaphors

  • Lisa Taylor & Gardeners of Seattle…

    Your Farm in the City

  • Hassenpflug, Giersig, Stratmann

    Reading the City. Stadt lesen

  • Butler, Habermas, Taylor, West

    The Power of Religion in the Public Sphere

  • Richard Fairfield

    The Modern Utopian. Alternative Communities of the 60s and…

  • Jochen Rädeker, Kirsten Dietz

    Reporting. Unternehmenskommunikation als Imageträger

  • Lorey, Nigro, Raunig (Hg.)

    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

  • Jimini Hignett

    The Detroit Diary

  • Klanten, Mollard, Hübner (Hg.)

    Behind the Zines. Self-Publishing Culture

  • Tom Holert

    Civic City Cahier 3. Distributed Agency, Design’s…

  • El Croquis 154

    Aires Mateus 2002-2011

  • Paul Van Beek, Charles Vermaas

    Landscapology. Learning to Landscape the City

  • Jan Ole Arps

    Frühschicht. Linke Fabrikintervention in den 70er Jahren

  • Detlef Mertins, Architecture Words 7

    Modernity Unbound

  • Gunter Reski, Marcus Weber (Hg.)

    Captain Pamphile. Ein Bildroman

  • Amy Allen (Hg.)

    Democracy in What State?

  • D. Hauptmann, W. Neidich (Hg.)

    Cognitive Architecture. From Biopolitics to NooPolitics

  • Stefan Sagmeister

    Sagmeister: Another Book about Promotion and Sales Material

  • Enzo Mari

    The Intellectual Work. Sixty Paperweights

  • Bettina Allamoda

    Catwalk to History - A Sourcebook

  • Peter Petschek, Siegfried Gaß (Hg.)

    Schatten konstruieren. Pergolen, Zelte, Pavillons, Seile,…

  • Will Jones (Hg.)

    Architects' Sketchbooks

  • Arno Brandlhuber, Silvan Linden (Hg.)

    Disko 16-19. u.a. The New Deathstrip, Townhouse

  • Martin Ebner, Florian Zeyfang (Hg.)

    Poor Man’s Expression

  • El Croquis 151

    Sou Fujimoto 2003-2010

  • Caleb Kelly (Hg.)

    Sound (Documents of Contemporary Art)

  • Terry Myers (Hg.)

    Painting (Documents of Contemporary Art)

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    Inaesthetics 2

  • Nancy Holt

    Time Outs

  • Slinkachu

    Big Bad City

  • Ed Annink, Max Bruinsma

    Lovely Language. Words Divide Images Unite

  • Gwen Allen

    Artists' Magazines. An Alternative Space for Art [pb]

  • Michaela Meise

    Preis dem Todesüberwinder

  • C. Menke, J. Rebentisch (Hg.)

    Kreation und Depression. Freiheit im gegenwärtigen…

  • Gregory Sholette

    Dark Matter. Art and Politics in the Age of Enterprise…

  • Drawing Center (Hg.)

    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

  • Margit Rosen (Hg.)

    A Little-Known Story about a Movement

  • Fundación Cisneros/Colección Patricia…

    Tomás Maldonado in Conversation with María Amalia García

  • JA79

    Junya Ishigami

  • Gert Urhahn

    The Spontaneous City

  • Sharon Zukin

    Naked City. The Death and Life of Authentic Urban Places

  • El Croquis 152/153

    Herzog & de Meuron 2005-2010

  • Guy de Cointet

    TSNX C24VA7ME A play by Dr Hun

  • Klanten, Ehmann, Bolhöfer (Hg.)

    My Green City

  • Bippus, Huber, Richter (Hg.)

    "Mit-Sein". Gemeinschaft – ontologische und…

  • Paul Virilio, Philippe Petit

    Cyberwelt, die wissentlich schlimmste Politik

  • Corbett, Elms, Kapsalis (Hg.)

    Traveling the Spaceways. Sun Ra, the Astro Black and other…

  • Ingmar Bergman

    Laterna Magica. Mein Leben. Autobiographie

  • Chris Kraus

    Where Art Belongs

  • The Institute of Social Hypocrisy

    The Sound Of Downloading Makes Me Want To Upload

  • Ed Annink, Max Bruinsma (Hg.)

    Gerd Arntz. Graphic Designer

  • Schubert, Schütz, Streich (Hg.)

    Something Fantastic. A Manifesto by Three Young Architects…

  • Diarmuid Costello, Margaret Iversen (Hg…

    Photography After Conceptual Art

  • Österreichische Gesellschaft für…

    Umbau 25. Architektur im Ausverkauf. Architecture for Sale

  • Steven Heller, Lita Talarico

    Graphic. Inside the Sketchbooks of the World's Great G…

  • Nils Röller

    Magnetismus. Eine Geschichte der Orientierung

  • n+1 (Hg.)

    What was the Hipster? A Sociological Investigation

  • Peter Hook

    The Hacienda. How Not to Run a Club

  • Buchanan, Doordan, Margolin (Hg.)

    The Designed World. Images, Objects, Environments

  • Tony Fry

    Design as Politics

  • Hans Venhuizen

    Game Urbanism. Manual for Cultural Spatial Planning

  • Gary Indiana

    Last Seen Entering the Biltmore. Plays, Short Fiction,…

  • Amos Vogel

    Film as a Subversive Art

  • Iris Holtkamp, Jan-Eric Stephan

    Closing Down — All Stock Reduced — The Role of Design in…

  • Tom Holert, Marion von Osten (Hg.)

    Das Erziehungsbild. Die visuelle Kultur des Pädagogischen

  • Beatriz Colomina, Craig Buckley (Hg.)

    Clip, Stamp, Fold. The Radical Architecture of Little…

  • Giovanna Borasi (Hg.)

    Journeys. How Travelling Fruit, Ideas and Buildings…

  • Keith Moskow, Robert Linn

    Small Scale. Creative Solutions for Better City Living

  • Slavoj Zizek, Costas Douzinas (Hg.)

    The Idea of Communism

  • Christian Hundertmark (C100)

    The Art Of Rebellion 3. The Book about Streetart

  • Christoph Dreher (Hg.)

    Autorenserien. Die Neuerfindung des Fernsehens

  • Charles Jencks (Hg.)

    The Post-Modern Reader (AD Reader)

  • AA School of Architecture

    AA Book. Projects Review 2010

  • Bill Moggridge

    Designing Media

  • Aaron Levy, William Menking (Hg.)

    Architecture on Display. On the History of the Venice…

  • Gui Bonsiepe

    Civic City Cahier 2. Design and Democracy

  • Pepin Press (Hg.)

    Web Design Index by Content 5

  • John Kelsey

    Rich Texts. Selected Writing for Art

  • Kitayama, Tsukamoto, Nishizawa

    Tokyo Metabolizing

  • Stephen Willats

    Art Society Feedback

  • Avermaete, Karakayali, Von Osten (Hg.)

    Colonial Modern. Aesthetics of the Past, Rebellions for the…

  • St. Buijs, W. Tan, D. Tunas (Hg.)

    Megacities. Exploring a sustainable Future

  • Maia Francisco

    Fontology. Free Fonts Source Book

  • Peggy Buth

    Katalog. Desire in Represention

  • Creischer, Hinderer, Siekmann (Hg.)

    Das Potosí-Prinzip

  • Juan Maria Songel

    A Conversation with Frei Otto

  • Vito Campanelli

    Web Aesthetics. How Digital Media Affect Culture and…

  • Danielle Pario Perra

    Low Cost Design

  • Alice Foxley

    Distance and Engagement

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5