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  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

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    The Pleasures and Sorrows of Work

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    Tom Burr

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

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  • Katarina Bonnevier

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  • Mark Borthwick

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  • Peter Halley

    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

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    William Eggleston. Democratic Camera. Photographs and Video…

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  • Claude Schnaidt

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  • Sangeeta Ray

    Gayatri Chakravorty Spivak. In Other Words

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    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

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    Resonant Bodies, Voices, Memories

  • Justine Frank, Roee Rosen

    Sweet Sweat

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  • Stephen Walker

    Gordon Matta-Clark. Art, Architecture and the Attack on…

  • Sven-Olov Wallenstein

    Biopolitics and the Emergence of Modern Architecture

  • Jules Romains

    Donogoo Tonka or the Miracles of Science. A Cinematographic…

  • David Leatherbarrow

    Architecture Oriented Otherwise

  • Loretta Lorance

    Becoming Bucky Fuller

  • Karin Bijsterveld

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  • Carsten Nicolai

    Grid Index

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    Starship - The Early Years 1998 - 2001

  • Alain Badiou

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  • Berlin Haushoch Magazin Nr. 3

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  • Hans Ulrich Obrist

    A Brief History of Curating

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    Spacecraft 2. More Fleeting Architecture and Hideouts

  • Aaron Rose (Hg.)

    Mike Mills. Graphics Films

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    Wohnmodelle. Experiment und Alltag

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    Nach Bourdieu. Visualität, Kunst und Politik

  • Nikolaj Miljutin

    Sozgorod. Faksimile der Erstausgabe von 1930

  • A. Deuber-Mankowsky, C. Holzhey, A.…

    Der Einsatz des Lebens

  • David J. Gibson

    The Wayfinding Handbook. Information Design for Public…

  • George E. Lewis

    A Power Stronger Than Itself. The AACM and American…

  • Nicholas Fox Weber

    Le Corbusier. A Life

  • Cesare Casarino, Antonio Negri

    In Praise of the Common. A Conversation on Philosophy and…

  • Dominikus Müller, Kito Nedo

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    Tangible. High Touch Visuals

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    Arbeit Zeit Raum. Bilder und Bauten der Arbeit im…

  • Lina Dokuzovic, Eduard Freudmann, Peter…

    Intersections. At the Crossroads of the Production of…

  • Christiane Paul (Hg.)

    New Media in the White Cube and Beyond. Curatorial Models…

  • Hedi El Kholti, Paul Gellman (Hg.)

    Animal Shelter. Art, Sex & Literature, Issue 1

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    Institutional Critique and After. SoCCAS Symposium Volume…

  • Guy Debord

    Correspondence. The Foundation of the Situationist…

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    Perspecta 41. Grand Tour. The Yale Architectural Journal

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    As a Weasel Sucks Eggs. An Essay on Melancholy and…

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    OASE 75. 25 years of critical Reflection on Architecture

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    Animal Spirits. A Bestiary of the Commons

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    Architecture Between Spectacle and Use

  • IDEA Magazine

    IDEA 332. How does graphic design CHANGE?

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  • Pauline Boudry, Renate Lorenz

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  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

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    Design für die reale Welt. Anleitungen für eine humane…

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Angela McRobbie

    The Aftermath of Feminism. Gender, Culture and Social Change

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    Allesdurchdringung. Texte, Essays, Gespräche über den Tanz

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  • David Crowley, Jane Pavitt (Hg.)

    Cold War Modern Design 1945-1970

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5