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    Listening to Grasshoppers. Field Notes on Democracy

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    Aesthetics and Its Discontents

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    The Discussions

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    Inaesthetik Nr.1. Politics of Art

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    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

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    20 Japanese Architects. Interviews and Photos

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    Time to Eat the Dog. The Real Guide to Sustainable Living

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    Das Haus und sein Buch

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    The Fundamentals of Landscape Architecture

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    Atlas of Graphic Designers

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Meaning Liam Gillick

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    A Guide to Democracy in America

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    Negative Diskriminierung. Jugendrevolten in den Pariser…

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    Reading Capital

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    Annette Kelm

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    Creative Space. Urban Homes of Artists and Innovators

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    Modes of Spectating

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    City of Disorder. How the Quality of Life Campaign…

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    The Pleasures and Sorrows of Work

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    Tom Burr

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

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    Tamla Motown. The Stories Behind The UK Singles

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    The North Will Rise Again. Manchester Music City 1976-1996

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    Behind Straight Curtains. Towards a Queer Feminist Theory…

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    Not in Fashion

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    To Petrarca

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    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

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    Di/Visions. Kultur und Politik des Nahen Ostens

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    Curating Architecture and the City

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    Nothing in My Pockets

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    Film Curatorship. Archives, Museums, and the Digital…

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    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

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    Voids. A Retrospective

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    Kunstausbildung. Aneignung und Vermittlung künstlerischer…

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    Logo a Lot

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    Neon Addict. The Fluorescent Color Book

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    Anders gesagt. Schriften 1950-2001

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    Gayatri Chakravorty Spivak. In Other Words

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    Multiple City. Stadtkonzepte 1908 I 2008

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    Naïve. Modernism and Folklore in Contemporary Graphic Design

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    Biopolitics and the Emergence of Modern Architecture

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    Architecture Oriented Otherwise

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    Becoming Bucky Fuller

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    Grid Index

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5