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    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

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    Nanotecture: Tiny Built Things

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    Cartography of Exhaustion. Nihilism Inside Out

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    Scenes from the Good Life. Nine investigations into the…

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    Publishing as Artistic Practice

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    Obsolescence. An Architectural History

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    80*81: What Happened?

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    The Use of Bodies

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    Der Sendermann / The Transmitter Man

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    Pirate Essays. A Reader on International Media Piracy

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    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

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    Concrete Concept. Brutalist Buildings Around the World

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    Vision and Reality

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    Sensing the City. A Companion to Urban Anthropology

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    Space of Production. Projects and Essays on Rationality,…

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    Sonorama: Listening to the view from the train

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    England's Hidden Reverse. Coil, Current 93, Nurse with…

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    Reformarchitektur. Die Konstituierung der Ästhetik der…

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    Best of Detail: Beton / Concrete

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    Private Utopia: Cultural Setting of the Interior in the…

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    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

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    Planetary Gentrification

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    The Radicality of Love

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    The Age of Collage Vol. 2: Contemporary Collage in Modern…

  • André Tavares

    The Anatomy of the Architectural Book

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    Die Kunst der Anderen. "Weltkunst" und die…

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    Kritik der Kreativität

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    Das leichte Haus. Utopie und Realität der Membranarchitektur

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    Migrating the Feminine

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 10

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    An Architektur 01-03

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    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

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    In The Realm of the Senses. A Materialist Theory of Seeing…

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    Disorientation: Bernard Rudofsky in the Empire of Signs.…

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    Künstlerische Forschung. Ein Handbuch

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    Die Zukunft der Architektur in 100 Bauwerken

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    Flusseriana: An Intellectual Toolbox

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    The Ministry of Nostalgia. Consuming Austerity

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    Better than de Kooning

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    Doppelleben. Kunst und Popmusik

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    Die Notwendigkeit von Irrtümern

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    Design Objects and the Museum

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    IDEA 373. Post Independent Magazine

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    And. Phenomenology of the End

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    Hot Modernism. Queensland Architecture 1945 - 1975

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    The Construction of Climate in Modern Architectural Culture…

Curatorial Activism. Towards an Ethics of Curating

Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women.Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's "Women Artists" at LACMA in the mid-1970s to Jean-Hubert Martin's "Carambolages" in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators.
Maura Reilly is a curator and arts writer, and executive director of the National Academy of Design in New York. As the founding curator of the Sackler Center for Feminist Art at the Brooklyn Museum, she launched the first exhibition and public programming space in the USA devoted entirely to feminist art, where she organized multiple exhibitions, including the permanent installation of Judy Chicago's Dinner Party and the blockbuster Global Feminisms (co-curated with Linda Nochlin.) Reilly has authored and edited many books and articles on contemporary art, including most recently Women Artists: The Linda Nochlin Reader (Thames & Hudson, 2015). She is the recipient of several prestigious awards, including a Lifetime Achievement Award from the Women's Caucus for Art, and in 2015 was voted one of the 50 most powerful people in the art world by both Blouin Art Info and Art+Auction. She received her MA and PhD from the Institute of Fine Arts at New York University.


Maura Reilly
Curatorial Activism. Towards an Ethics of Curating
Thames & Hudson, 2018, 9780500239704