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  • IDEA Magazine

    IDEA 393. MANGA bridges the world: The actualities of manga…

  • Joost Grootens

    Blind Maps and Blue Dots. The Blurring of the Producer-User…

  • Urs Stäheli

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  • Roberto Simanowski

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  • Ole Nymoen, Wolfgang M. Schmitt

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  • Rolando Vázquez

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  • Jayna Brown

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  • Ursula Schwitalla (Hg)

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  • Kathi Hofer

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  • Silvia Federici

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  • Nick Pinkerton

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  • Philipp Oswalt with Anthony Fontenot

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  • Hans Drexler

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  • Claudia Mareis, Nina Paim (Hg)

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  • Moisés Puente (Hg)

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  • Georges Perec

    Die dunkle Kammer. 124 Träume

  • Kristin Ross

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  • Victor Deupi, Jean-Francois Lejeune

    Cuban Modernism. Mid-Century Architecture 1940–1970

  • András Szántó

    The Future of the Museum

  • Tom Holert

    Politics of Learning, Politics of Space. Architecture and…

  • Eva von Redecker

    Revolution für das Leben. Philosophie der neuen…

  • Nina Prader, John Z. Komurki (Eds.)

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  • Herausgegeben:Bundesministerium des…

    70 Jahre Kunst am Bau in Deutschland

  • Philippe Askenazy

    Share the Wealth. How to End Rentier Capitalism

  • Andreas Malm

    How to Blow Up a Pipeline

  • Liam Campling and Alejandro Colás

    Capitalism and the Sea

  • Gerald Raunig

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  • Niki Kubaczek, Monika Mokre (Hg.)

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  • Manuel de la Pena Suarez

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  • SPACE10

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  • Anaïs Wiedenhöfer & Lena Wolfart

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  • A & P Smithson Hexenhaus-Archiv,…

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  • Emmanuelle Chiappone-Piriou (Ed.)

    Superstudio Migrazioni

  • Tim Ingold

    Eine kurze Geschichte der Linien

  • Renate Boere

    Beyond Design. Making Socially Relevant Projects Successful

  • Christoph Herndler, Florian Neuner (Hg.)

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  • Fredric Jameson

    The Benjamin Files

  • Adam Štěch

    Modern Architecture and Interiors

  • Gabrielle Kenndy (Hg)

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  • Diedrich Diederichsen, Oier Etxeberria…

    Cybernetics of the Poor

  • Paul Hegarty

    Annihilating Noise

  • John Beck

    Landscape as Weapon. Cultures of Exhaustion and Refusal

  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

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  • Brandon LaBelle

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  • Precarity Lab

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  • Céline Condorelli

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  • Annette Maechtel

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  • Ariella Masboungi (ed.)

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  • Mark Wigley

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  • Hans-Rudolf Meier

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    Critique and the Digital

  • Bradley Quinn

    The Fashion of Architecture

  • Florian Rötzer

    Sein und Wohnen. Philosophische Streifzüge zur Geschichte…

  • Andreas Dornbracht (Hg.)

    Statements V. Veronique Branquinho, Jeremy Scott, Raf…

  • Philipp Stamm

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  • Gemma Villegas

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  • Andreas H. Apelt, Ron Jagers

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  • Kengo Kuma

    Kengo Kuma. My Life as an Architect in Tokyo

  • Elske Rosenfeld, Suza Husse (Hg.)

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  • Lukas Feireiss, Tatjana Schneider,…

    Living the City. Of Cities, People and Stories

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    Die Bodenfrage. Klima, Ökonomie, Gemeinwohl

  • Caspar Stracke (Ed.)

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  • Kai van Eikels

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  • Hendrik Weber

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  • Tibor Joanelly

    Shinoharistics. An Essay About a House

  • Thomas Moynihan

    X-Risk. How Humanity Discovered Its Own Extinction

  • Bert Rebhandl

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  • Heide Schlüpmann

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  • IDEA Magazine

    IDEA 392. Type Design Now Experimental Type Designers and…

  • Francois Laruelle

    The Last Humanity. The New Ecological Science

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Degeyter - Architect

During the first ten years Arthur Degeyter built mainly classically inspired houses. The first ‘modern’ house he designed was for glass artist Michel Martens who later became his collaborator designing and manufacturing stained glass windows for Degeyters many churches. The architect executed a lot of commissions for the diocese of Bruges including renovations, restorations and newly constructed churches. Degeyter worked for small and big companies. His most representative realizations are the KI-centrum (Loppem), the offices of the National Bank in Bruges and the offices and storage sites of Vandecasteele Houtimport (Aalbeke). But the most important and largest part of the architect’s oeuvre is without any doubt houses. They bring out the stylistic diversity of the architect. He possessed the talent of keeping the old and embracing the new at the same time and respected local materials and traditions. He was an artist captured by beauty and inflamed by architecture. We see this mostly in his restorations and renovations. His approach is like a ‘Gesamtkunstwerk’ whereby interior, design and exterior are all part of the result. He was not limited to designing just a house or structure but contributed to the furniture and gardens too. His oeuvre is massif, he himself estimated around a thousand realizations. The majority of his work is situated in the West of Flanders but can be found in the whole of Flanders and occasionally a villa is located in The Netherlands, France or Spain. In 1992 the architectural office Arthur Degeyter ceased to exist. But the architect kept designing in collaboration with his son Jan for more than ten years after that.


Rita Gesquière (Hg)
Degeyter - Architect
MER. B&L, 2021, 978-94-6393-041-3