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  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    The Rest is Noise. Das 20. Jahrhundert hören

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    Weiss

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    The Emancipated Spectator

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    Yes is More. An Archicomic on Architectural Evolution

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  • Gui Bonsiepe

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  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

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    Geometrie des Verfahrens. Schriften zur Methode

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Claire Fontaine

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

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    Montagen des Realen. Photographie als Reflexionsmedium und…

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

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    Klaus Weber. Secession

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    A Brief History of Curating

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    IDEA 332. How does graphic design CHANGE?

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    Archäologie des Kinos, Gedächtnis des Jahrhunderts

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    Ryan McGinness

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    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Martina Löw

    Soziologie der Städte

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    Urban Transformations

  • Ralph Heidenreich, Stefan Heidenreich

    Mehr Geld

  • Sven Spieker

    The Big Archive. Art From Bureaucracy

  • Thomas Meinecke

    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

  • Susanne von Falkenhausen

    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • An Architektur

    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

  • Felix Guattari

    The Three Ecologies

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    An Architektur 19-21: Community Design. Involvement and…

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

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    Wissenschaft, Technik, Leben. Beiträge zur historischen…

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    Henri Lefebvre. Key Writings

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    Ulrike Ottinger. Eine Autobiografie

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    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

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    Writings on Cities

  • Henri Lefebvre

    The Production of Space

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    Big Bang Beijing. Urban Change in Beijing

  • John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

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    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

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    An Architektur 16-17

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    An Architektur 15 / FFM 11: Europäische…

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    An Architektur 14: Camp for Oppositional Architecture

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 10: Gemeinschaftsräume

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    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

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Deserting from the Culture Wars

(Basics Series, Bak Basis voor actuele kunst)
Artists and writers consider a tactical desertion from the “culture wars”—a refusal to be distracted, an embrace of the emancipatory understanding of culture.
Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of the “culture wars.” How are these culture wars defined and waged? Engaging in a theater of war that has been delineated by the enemy is a shortcut to defeat. Getting out of the reactive mode that produces little but a series of Pavlovian responses, this book proposes a tactical desertion from the culture wars as they are being waged today—a refusal to play the other side's war games, an unwillingness to be distracted.
The volunteer troops in the culture wars are often given marching orders by professional masters of propaganda. What, then, might artists and others who are professionally engaged with images and imaginaries, with narratives and assemblies, have to contribute to the collective discovery of different modes of living culture? Far from limiting the performance of culture to a one-sided speech act, to the abstract “right to say something,” an emancipatory understanding of culture needs to conceive of it as embodied and intersubjective—as a collective performance.
Contributors: Bini Adamczak, Kader Attia, Rose Hammer, Tom Holert, Charl Landvreugd and Sebastian Olma, Geert Lovink and Esmee Schoutens, Sven Lütticken, Diana McCarty, Dan McQuillan, Johannes Paul Raether, Natascha Sadr Haghighian, Jonas Staal


Maria Hlavajova, Sven Lutticken (Hg)
Deserting from the Culture Wars
MIT Press / BAK, 2020, 9780262539432
19,90 €