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  • A Prior #20

    The Research Issue

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    The Age of Disruption: Technology and Madness in…

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    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

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    The Withdrawal of the Red Army

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    Transboundary Design. Perspective of Yoshihisa Tanaka

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    Access for All. São Paulo's Architectural…

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    Die vergessenen Alternativen. Strukturalismus und…

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    The Architecture of Ruins: Designs on the Past, Present and…

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    Museums at the Post-Digital Turn

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    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

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    Mischa Kuball. res.o.nant

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    The New Populism: Democracy Stares into the Abyss

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    Aisthesis: Scenes from the Aesthetic Regime of Art

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    In the Mind but Not from There. Real Abstraction and…

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    Hidden Landscapes. The metropolitan garden as a multi-…

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    Ankersentrum (surviving in the ruinous ruin)

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    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

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    Critical Care. Architecture and Urbanism for a Broken Planet

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    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

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    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

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    Producing Futures: A Book on Post-Cyber-Feminisms

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    Museums at the Post-Digital Turn

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    Wohnen für Alle: Bautenkatalog

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    The Social Design Reader

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    Jill Johnston. The Disintegration of a Critic

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    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

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    Decoding Dictatorial Statues

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    Graphic Design Play Book: An Exploration of Visual Thinking

  • Danielle Child

    Working Aesthetics: Labour, Art and Capitalism

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    Sovereign Words. Indigenous Art, Curation and Criticism

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    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

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    Boden behalten - Stadt gestalten

  • Civic City Cahier 4

    Afterlives of Neoliberalism

  • Camila Marambio, Cecilia Vicuña

    Slow Down Fast, A Toda Raja

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    Virtual Reality: Edition Digital Culture 6

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    Sonic Writing: Technologies of Material, Symbolic, and…

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    Architekturpädagogiken: Ein Glossar

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    Uncanny Interfaces

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    Seeing Science: How Photography Reveals the Universe

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    XYZT

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    Comradeship: Curating, Art, and Politics in Post-Socialist…

  • Juan Serra Lluch

    Color for Architects

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    Junya Ishigami

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    Schools & Teachers

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    Sad by Design: On Platform Nihilism

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    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

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    The Smart Enough City: Putting Technology in Its Place to…

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    Make City. Stadt anders machen. A Compendium of Urban…

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    Future Histories: What Ada Lovelace, Tom Paine, and the…

  • Alex Bykov, Ievgeniia Gubkina

    Soviet Modernism. Brutalism. Post-Modernism

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    Recursivity and Contingency

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    Questions? Looking for answers in the middle of somewhere

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    In welcher Welt leben?: Ein Versuch über die Angst vor dem…

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    Unsorcery

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    AUDINT. Unsound : Undead

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    Fehler lesen. Korrektur als Textproduktion

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    Artist, Authorship & Legacy. A Reader

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    Almost Nothing. 100 Artists Comment on the Work of Mies van…

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    Geschichte einer Arbeit/ Unordnung herstellen

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    Entwürfe und Gefüge. William Forsythes choreographische…

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    New Dark Age: Technology and the End of the Future

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    Die Stadt als Architektur

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    Des-Habitat (revista das artes no Brasil)

Drawing on Architecture: The Object of Lines, 1970-1990

How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors,and institutions, and how this changed the understanding of architecture.
Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects andultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes.
Kauffman traces moments of critical importance to the evolution of the perception of architectural drawings, beginning with exhibitions that featured architectural drawings displayed in ways that did not elucidate buildings but treated them as meaningful objects in their own right. When architectural drawings were seen as having intrinsic value, they became collectible, and Kauffman chronicles early collectors, galleries, and sales. He discusses three key exhibitions at the Leo Castelli Gallery in New York; other galleries around the world that specialized in architectural drawings; the founding of architecture museums that understood and collected drawings as important cultural and historical artifacts; and the effect of the new significance of architectural drawings on architecture and architectural history.
Drawing on interviews with more than forty people directly involved with the events described and on extensive archival research, Kauffman shows how architectural drawings became the driving force in architectural debate in an era of change.


Jordan Kauffman
Drawing on Architecture: The Object of Lines, 1970-1990
MIT Press, 2018, 9780262037372
32,00 €