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  • Julia Bee, Irina Gradinari, Katrin…

    digital:gender – de:mapping affect. Eine spekulative…

  • Vladimir Safatle

    Zynismus und das Scheitern der Kritik

  • Philippe Lacoue-Labarthe, Jean-Luc Nancy

    Der Nazi-Mythos

  • Boris Groys

    Zum Kunstwerk werden

  • Luise Rellensmann, Alexander Stumm (Hg.)

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  • Marlon Miguel, Elena Vogman (eds.)

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  • Olya Kuzovkina

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  • Nadi Abusaada, Wesam Al Asali (eds.)

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  • Luc Boltanski, Arnaud Esquerre

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  • Nick Couldry

    The Space of the World. Can Human Solidarity Survive Social…

  • Mark Stoll

    Profit. An Environmental History

  • Guillaume Paoli

    Etwas Besseres als der Optimismus

  • Barragán Foundation

    Barragán Outside Barragán

  • Leila Taylor

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  • Wenke Seemann

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  • Henning Lundkvist

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  • Derek Jarman

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  • Scott Colman

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  • Marina Tabassum

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  • IDEA Magazine

    IDEA 408. Pixels Speak: Worlds of Tiny Dots and Design…

  • IDEA Magazine

    IDEA 407. Towards a Future Bound to Print Media: Those Who…

  • IDEA Magazine

    IDEA 406. Ikki Kobayashi - Life through Design Drawings

  • IDEA Magazine

    IDEA 405. Sneaking a Look. Cross Sections, Floor Plans…

  • Ludwig Heimbach (Hg.)

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  • Pascal Gielen

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  • Irene Revell, Sarah Shin (eds.)

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  • Ilaria Marotta, Andrea Baccin &…

    The Uncanny House

  • Enzo Traverso

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  • Irene V. Small

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  • Sandra Schäfer

    Contested Landscapes

  • Nina Franz

    Militärische Bildtechniken. Von der frühen Neuzeit bis ins…

  • Volker Pantenburg

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  • Justin Barton, Steve Goodman, Maya B.…

    Sonic Faction. Audio Essay as Medium and Method

  • Torsten Andreasen, Emma Sofie Brogaard…

    Finance Aesthetics. A Critical Glossary

  • Lucas Ferraço Nassif

    Unconscious/Television

  • Terry Farrell, Adam Nathaniel Furman

    Postmodernism. Architecture That Changed Our World

  • Natasha Aruri, Katleen De Flander,…

    Critical Mapping for Municipalist Mobilization. Housing…

  • Nida Abdullah, Chris Lee, Xinyi Li (…

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  • Cecilia Casabona, Ginevra Petrozzi (Eds…

    Death Design Data

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  • Rosi Braidotti

    Posthuman Knowledge and the Critical Posthumanities

  • Anna Colin

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  • Silvia Franceschini, Nikolaus Hirsch,…

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  • David Toop

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  • Daniel Berndt, Susanne Huber, Christian…

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  • Jorge Silvetti, Hg. von Nicolás Delgado…

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  • Giulio Bettini, Daniel Penzis

    Typostruktur. Sehnsucht nach architektonischer Relevanz

  • Laura U. Marks

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  • Emmanuele de Donno

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  • Julia Grosse, Jenny Schlenzka

    Rirkrit Tiravanija: On Making Less

  • Harry Vogt,  Martina Seeber (Hg.)

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  • Marion Hirte, Daniel Ott, Manos…

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  • Claire Bishop

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  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism and the Soviet…

  • Alexander Eisenschmidt

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  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

  • Anders Engberg-Pedersen

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    Constructive Disobedience

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  • !Mediengruppe Bitnik, Janez Fakin Janša

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  • Docomomo International (Ed)

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  • Ulrike Brückner, Bianca Herlo

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  • Folke Köbberling

    WOLLBAU. Wolle - Eine unterschätzte Ressource.

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  • Stellan Gulde (Ed.)

    Banal Buildings. Anthology

  • Franz Liebl

    Steakholder Management. Bausteine eines Culinary Turn in…

  • Urszula Kozminska, Nacho Ruiz Allen

    Time Matters

  • Anja Kaiser, Rebecca Stephany

    Glossary of Undisciplined Design

  • Ursula K. Le Guin

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  • Helmut Draxler

    Was tun? Was lassen? Politik als symbolische Form

Elmgreen & Dragset. Biography

With essays and interviews by Andrew Berardini, Iwona Blazwick, Susanne Christensen, Ruth Direktor, Bruce Willis Ferguson, Massimiliano Gioni, Martin Herbert, Shannon Jackson, Gunnar B. Kvaran, Quinn Latimer, Hans Ulrich Obrist, Marianne Torp
In conjunction with the exhibition ‘Elmgreen & Dragset – Biography’, two books, a reader and a picture book, are published to celebrate the artists’ almost twenty years of art-making. The picture book is published by Hatje Cantz and the reader by Archive Books.
‘Biography’ is the first major exhibition in Oslo by Elmgreen & Dragset. The show presents a wide selection of works from the artist duo’s complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards are shown together with recent projects, and all together they create a unique insight into the artists’ oeuvre.
Elmgreen & Dragset consider an exhibition to be a work of art in itself, with all its narrative, choreographic and social possibilities and 'Biography' will examine the very conditions of exhibiting. Works that initially arrived from very different contexts are here brought together and the new constellations of works generate altered readings and additional layers of meaning. When walking through the museum, one will experience environments which occur very realistic, just in order to end up in almost surreal and other worldly scenarios elsewhere in the exhibition. A durational live act is juxtaposed with a series of wall pieces, and existing sculptures find their place in the context of new site specific environments. Part of the museum’s main exhibition hall is transformed into a gay nightclub, where the public encounter the remnants of a party, witnessing an activity going on prior to the opening of the exhibition. Additionally, areas of the museum that are not normally used as exhibition spaces are included in Elmgreen & Dragset’s staging. Already in the museum’s cloakroom, the surprising elements that have been added to the existing architectural features will prepare the visitor for an exhibition that is also an immersive theatrical/filmic experience.
The exhibition at the Astrup Fearnley Museet is the first in a three-part exhibition series by Elmgreen & Dragset entitled 'Biography'. It will be followed by exhibitions at the National Gallery of Denmark in Copenhagen and at the Tel Aviv Museum of Art.


Gunnar B. Kvaran, Kjersti Solbakken (Ed.)
Elmgreen & Dragset. Biography
Archive Books, 2014, 978-3-943620-18-4
15,00 €