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  • Sabine Hark, Paula-Irene Villa

    The Future of Difference. Beyond the Toxic Entanglement of…

  • Adeena Mey, Anton Rey, François Bovier…

    Minor Cinema. Experimental Film in Switzerland

  • Max Haiven

    Revenge Capitalism. The Ghosts of Empire, the Demons of…

  • Data Chigholashvili, Nini…

    Tbilisi - It's Complicated. Onomatopee 173

  • Isa Genzken

    Isa Genzken. I Love New York, Crazy City

  • Raul Zelik

    Wir Untoten des Kapitals. Über politische Monster und einen…

  • Danielle Allen

    Politische Gleichheit

  • Silvia Henke, Dieter Mersch, Thomas…

    Manifest der künstlerischen Forschung / Manifesto of…

  • Dominique Hauderowicz, Kristian Ly…

    Age-Inclusive Public Space

  • Christian Werner

    Christian Werner. Everything Is So Democratic and Cool

  • Paulo Mendes da Rocha

    Designed Future or selected writings by Paulo Mendes da…

  • Moyra Davey

    Index Cards

  • Emanuele Coccia

    Sinnenleben

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    Arch+. The Property Issue: Politics of Space and Data.

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    Bedingungsloses Grundeinkommen. Grundlagentexte

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    Fully Automated Luxury Communism

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    Reinventing Daily Life

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  • Chus Martínez (Ed.)

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    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

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  • Franco La Cecla

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  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

  • Kevin Lotery

    The Long Front of Culture. The Independent Group and…

  • Matthew Gandy, Sandra Jasper (Hg)

    The Botanical City

  • Riccardo Badano, Rebecca Lewin, Natalia…

    Formafantasma Cambio

  • Rozemin Keshvani (Ed.)

    The Locked Room. Four Years that Shook Art Education, 1969–…

  • Nick Mauss

    Transmissions

  • Stanislaus von Moos, Martino Stierli

    Eyes That Saw: Architecture after Las Vegas

  • S. Delz, R. Hehl, P. Ventura

    Housing the Co-op. A Micro-political Manifesto

  • Sasha Costanza-Chock

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  • Mary Kaldor and Saskia Sassen (Ed)

    Cities at War. Global Insecurity and Urban Resistance

  • Claire Fontaine

    La Grève Humaine et l’art de créer la liberté

  • Christian Nae (Editor)

    Dan Mihaltianu. Canal Grande: The Capital Pool and the…

  • Hashim Sarkis, Roi Salgueiro Barrio,…

    The World as an Architectural Project.

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    The City as a Project

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    The Projectionists. Eadweard Muybridge and the Future…

  • Zoran Terzić

    Idiocracy. Denken und Handeln im Zeitalter des Idioten

  • Paul B. Preciado

    Ein Apartment auf dem Uranus. Chroniken eines Übergangs

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    Degrowth in Movement(s). Exploring Pathways for…

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  • Angela McRobbie

    Feminism and the Politics of Resilience. Essays on Gender,…

  • Gabriele Klein

    Pina Bausch’s Dance Theater. Company, Artistic Practices,…

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    Active Art

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    Poetry Jazz: Wax and Gold

  • Larry D. Busbea

    The Responsive Environment. Design, Aesthetics, and the…

  • Katherine Guinness

    Schizogenesis. The Art of Rosemarie Trockel

  • Giorgio Agamben

    Geschmack

  • Alain Badiou

    Migrants and Militants

  • Gregory Claeys

    Utopia. The History of an Idea

  • Frieda Grafe

    HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion /…

  • Etel Adnan

    Wir wurden kosmisch

  • D. R. McElroy

    Signs & Symbols of the World: Over 1,001 Visual Signs…

  • David Yaffe

    Joni Mitchell - Ein Porträt

  • Gloria Meynen

    Inseln und Meere. Zur Geschichte und Geografie fluider…

  • Leander Scholz

    Die Menge der Menschen

  • Jakob Hayner

    Warum Theater

  • Sylvia Lavin

    Architecture Itself and Other Postmodernist Myths

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    The Situationist International. A Critical Handbook

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    Entwerfen mit System

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    Novozän: Das kommende Zeitalter der Hyperintelligenz

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    Lebhafte Materie. Eine politische Ökologie der Dinge

  • Naomi Hennig, Anna-Lena Wenzel (Hg.)

    General Public 2005-2015

  • Holger Schulze

    Ubiquitäre Literatur. Eine Partikelpoetik

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  • Oliver Flügel-Martinsen

    Radikale Demokratietheorien zur Einführung

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    Theorien der Serie zur Einführung

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    Im Staub dieses Planeten: Horror der Philosophie

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    Some Reasons For Traveling To Albania

  • Ulrich Bröckling

    Postheroische Helden. Ein Zeitbild

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    Kunstfälschung. Das betrügliche Objekt der Begierde

  • Deborah Potts

    Broken Cities. Inside the Global Housing Crisis

  • Günther Vogt, Thomas Kissling (Hg.)

    Mutation und Morphose. Landschaft als Aggregat

  • Markus Miessen, Zoë Ritts (Hg.)

    Para-Plattformen. Die Raumpolitik des Rechtspopulismus

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  • Ludger Weß, Judith Schalansky (Hg.)

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    Afrotopia

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    Gesellschaftsspiele. Politisches Theater heute

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    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

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  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

  • Christopher Sweetapple, Hein-Jürgen Voß…

    Intersektionalität. Von der Antidiskriminierung zur…

  • Anneke Lubkowitz (Hg.)

    Psychogeografie

  • Florian Hertweck (Hg.)

    Architektur auf gemeinsamem Boden. Positionen und Modelle…

  • Roger Paez

    Operative Mapping. Maps as Design Tools

Elmgreen & Dragset. Biography

With essays and interviews by Andrew Berardini, Iwona Blazwick, Susanne Christensen, Ruth Direktor, Bruce Willis Ferguson, Massimiliano Gioni, Martin Herbert, Shannon Jackson, Gunnar B. Kvaran, Quinn Latimer, Hans Ulrich Obrist, Marianne Torp
In conjunction with the exhibition ‘Elmgreen & Dragset – Biography’, two books, a reader and a picture book, are published to celebrate the artists’ almost twenty years of art-making. The picture book is published by Hatje Cantz and the reader by Archive Books.
‘Biography’ is the first major exhibition in Oslo by Elmgreen & Dragset. The show presents a wide selection of works from the artist duo’s complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards are shown together with recent projects, and all together they create a unique insight into the artists’ oeuvre.
Elmgreen & Dragset consider an exhibition to be a work of art in itself, with all its narrative, choreographic and social possibilities and 'Biography' will examine the very conditions of exhibiting. Works that initially arrived from very different contexts are here brought together and the new constellations of works generate altered readings and additional layers of meaning. When walking through the museum, one will experience environments which occur very realistic, just in order to end up in almost surreal and other worldly scenarios elsewhere in the exhibition. A durational live act is juxtaposed with a series of wall pieces, and existing sculptures find their place in the context of new site specific environments. Part of the museum’s main exhibition hall is transformed into a gay nightclub, where the public encounter the remnants of a party, witnessing an activity going on prior to the opening of the exhibition. Additionally, areas of the museum that are not normally used as exhibition spaces are included in Elmgreen & Dragset’s staging. Already in the museum’s cloakroom, the surprising elements that have been added to the existing architectural features will prepare the visitor for an exhibition that is also an immersive theatrical/filmic experience.
The exhibition at the Astrup Fearnley Museet is the first in a three-part exhibition series by Elmgreen & Dragset entitled 'Biography'. It will be followed by exhibitions at the National Gallery of Denmark in Copenhagen and at the Tel Aviv Museum of Art.


Gunnar B. Kvaran, Kjersti Solbakken (Ed.)
Elmgreen & Dragset. Biography
Archive Books, 2014, 978-3-943620-18-4
15,00 €