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  • Hans Ulrich Obrist

    Kuratieren!

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    The Universe of Things. On Speculative Realism

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    The Experimenters. Chance and Design at Black Mountain…

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    Startup Berlin Guide

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    How to do things left

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    The Physiology of the Employee

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    Come Together. The Rise of Cooperative Art and Design

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    Public Collectors

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    Works 2001–2019

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    INAESTHETICS #4 Philosophy!

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    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

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    Thought by Hand. The Architecture of Flores & Prats

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    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Building as Ornament

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    Harry Glück: Wohnbauten

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    Museum of the Future

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    Aesthetics of the Flesh

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    The Fabric of Space. Water, Modernity, and the Urban…

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    Women's Work. Is Never Done

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    The Shape of Evidence. Contemporary Art and the Document (…

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    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

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    Curating Research

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    The Happy Fainting of Painting. Ein Reader zur…

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    The Long March Of Pop. Art Music and Design 1930-1995

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    Torpor (Roman)

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    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

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    The Idea of the Avant Garde And What It Means Today

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    Jean-Luc Godard/JLG: Selbstporträt im Dezember

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    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

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    Zipper Keeper 2015

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    Architecture, Politics, and Identity in Divided Berlin

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    Dächerstreit: Flachdach/Steildach

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    Textures of The Anthropocene. Grain Vapor Ray

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    The Past's Threshold. Essays on Photography

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    Other Planes of There

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    Folklore U.S.

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    Hystericizing Germany

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    Aki Kaurismäki über Kaurismäki

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    Utopien vermeiden. Avoiding Utopias

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    Can Jokes Bring Down Governments? Memes, Design and…

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    Interplay. Neoconceptual Art of the 1980s

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    Retracing the Expanded Field

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    Soziologie der Weltraumfahrt

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    IN A QU*A*RE TIME AND PLACE

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    Psychopolitik. Neoliberalismus und die neuen Machttechniken

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    Building with Air

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    Die Sprachen der Banlieues

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    Portikus Printing Plant and Portikus Sounds

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    The Grand Domestic Revolution Handbook

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    My Belgrade (2nd Edition)

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    The Intervals of Cinema

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    OK DJ

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    Preservation Is Overtaking Us (Gsapp Transcripts)

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    Performance Projections. Film and The Body in Action

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    ElectriCity. Elektronische Musik aus Düsseldorf

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    Lygia Clark. The Abandonment of Art

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    The Choreographic

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    The Universal Addressability of Dumb Things

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    Designing Everyday Life

Fanged Noumena. Collected Writings 1987-2007

The magnitude of Nick Land's influence upon contemporary experimental production is yet to be fully comprehended. Whilst Fanged Noumena goes some way to provide an aetiology of Land's philosophical virulence, those seeking a cure for the 'disease of the earth' are advised to look elsewhere ...
(Jake Chapman)
Land had the most brilliantly seductive and meteoric mind, endlessly imaginative and capable of adopting, inhabiting and discarding any philosophical position. With him - and rightly so - philosophy infected every area of life, and sheer vitality of life reverberated in his thinking.
I see Fanged Noumena as a kind of righteous revenge. Nick was dismissed by professional philosophers because they simply didn't want to think and preferred their turgid academic complacency. I always admired him for his unwavering desire to take thought to its absolute limit and then see how much harder one could push.
(Simon Critchley)
These extraordinary texts, superheated compounds of severe abstraction and scabrous wit, testify to a uniquely penetrating intelligence, fusing transcendental philosophy, number theory, geophysics, biology, cryptography and occultism into startlingly cohesive but increasingly delirious theory-fictions.
(Ray Brassier)
This is theory as cyberpunk fiction: Deleuze-Guattari's concept of capitalism as the virtual unnameable Thing that haunts all previous formations pulp-welded to the timebending of the Terminator films. Land's machinic theory-poetry parallelled the digital intensities of 90s jungle, techno and doomcore, anticipating 'impending human extinction becoming accessible as a dance-floor'.
Mark Fisher (K-Punk)
In the last half of the twentieth century, academics talked endlessly about the outside, but no-one went there. Land, by exemplary contrast, made experiments in the unknown unavoidable for a philosophy caught in the abstractive howl of post-political cybernetics. Fanged Noumena demonstrates how Land ruined a generation of intellectuals for merely academic philosophy, by opening a speculative singularity where the future used to be.
(Iain Hamilton Grant)
Fanged Noumena brings together the writings of Nick Land for the first time. During the 1990s Land's unique philosophical work, variously described as 'rabid nihilism', 'mad black deleuzianism' and 'cybergothic', developed perhaps the only rigorous and culturally-engaged escape route out of the malaise of 'continental philosophy' - a route which was implacably blocked by the academy. However, Land's work has continued to exert an influence, both through the British 'speculative realist' philosophers who studied with him, and through the many cultural producers - artists, musicians, filmmakers, bloggers - who have been invigorated by his uncompromising and abrasive philosophical vision.
Beginning with Land's early radical rereadings of Heidegger, Nietzsche, Kant and Bataille, the volume then collects together the papers, talks and articles of the mid-90s - long the subject of rumour and vague legend (including some work which has never previously appeared in print) - in which Land developed his futuristic theory-fiction of cybercapitalism gone amok; and ends with his enigmatic later writings in which Ballardian fictions, poetics, cryptography, anthropology, grammatology and the occult are smeared into unrecognisable hybrids.
Fanged Noumena allows a dizzying perspective on the entire trajectory of this provocative and influential thinker's work, and will introduce his unique voice to a new generation of readers.


Nick Land
Fanged Noumena. Collected Writings 1987-2007
Urbanomic, 2011, 978-0-9553087-8-9