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  • Daniel Johnston

    Where are the ducks when you need them?

  • Daniel Birnbaum, Sven-Olov Wallenstein

    Spacing Philosophy: Lyotard and the Idea of the Exhibition

  • Roland Meyer

    Operative Porträts. Eine Bildgeschichte der…

  • A. Juppien, R. Zemp

    Vokabular des Zwischenraums: Gestaltungsmöglichkeiten von…

  • Paul O'Neill, Simon Sheikh, Lucy…

    Curating after the Global: Roadmaps for the Present

  • Maya Vinitsky (Ed.)

    Solar Guerrilla: Constructive Responses to Climate Change

  • Annette Jael Lehmann

    Tacit Knowledge. Feminism / Post Studio (Post Studio /…

  • G. Cachin (Hg.)

    Bobst Graphic. 1972 - 1981

  • H. Bodenschatz, D. Brantz

    Grünfrage und Stadtentwicklung. 100 Jahre Groß-Berlin

  • Christoph Cox

    Sonic Flux: Sound, Art, and Metaphysics

  • Rosi Braidotti, Simone Bignall (eds.)

    Posthuman Ecologies. Complexity and Process after Deleuze

  • T. Garcia, V. Normand (Hg)

    Theater, Garden, Bestiary: A Materialist History of…

  • David Byrne

    Wie Musik wirkt

  • James Bridle

    New Dark Age: Der Sieg der Technologie und das Ende der…

  • Sabine Breitwieser (Ed.)

    E.A.T. - Experiments in Arts and Technology

  • Richard Buckminster Fuller

    R. Buckminster Fuller. Nine Chains to the Moon. An…

  • Ulrike Bernard

    Wuan Wandeln

  • Jenelle Porter

    Less Is a Bore: Maximalist Art & Design

  • Agata Toromanoff

    Impossible Design: Außergewöhnliche Designobjekte der…

  • C. Leonard, L. Khonsary (Hg)

    The Halifax Conference. Oct. 5&6 1970

  • Birgit Rieger, Claudia Wahjudi

    Berlin Interviews. 16 Künstlerinnen und Künstler über eine…

  • Paolo Cirio

    Evidentiary Realism. Investigative, Forensic, Documentary…

  • Robert Kronenburg

    This Must Be The Place: An Architectural History of Popular…

  • Oliver Marchart

    Conflictual Aesthetics: Artistic Activism and the Public…

  • Jürgen Hasse, Sara F. Levin

    Betäubte Orte: Erkundungen im Verdeckten

  • Alexandra Klei

    Wie das Bauhaus nach Tel Aviv kam: Re-Konstruktion einer…

  • Sarah Banet-Weiser

    Empowered. Popular Feminism and Popular Misogyny

  • Stephen Prina

    As He Remembered It

  • Christoforos Savva

    Untimely, Again

  • Barbagallo, Beuret, Harvie (Hg.)

    Commoning with George Caffentzis and Silvia Federici

  • A Prior #20

    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

  • C. Profanter, H. Andersen, J. Eckhardt…

    The Middle Matter. Sound as Interstice

  • I. Galuzin, G. Severianova (Eds.)

    The Withdrawal of the Red Army

  • IDEA #381

    Transboundary Design. Perspective of Yoshihisa Tanaka

  • Andres Lepik, Daniel Talesnik (Hg)

    Access for All. São Paulo's Architectural…

  • Isabelle Graw, Christoph Menke (eds.)

    The Value of Critique: Exploring the Interrelations of…

  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

  • P. Bogner, G. Zillner

    Frederick Kiesler: Face to Face with the Avant-Garde:…

  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • IDEA Magazine

    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

  • Gregor H. Lersch, Léontine Meijer-van…

    Mischa Kuball. res.o.nant

  • Marco Revelli

    The New Populism: Democracy Stares into the Abyss

  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

  • Tchoban Foundation

    Deutsche Filmarchitektur 1918–1933 – German Film…

  • Natascha Süder Happelmann

    Ankersentrum (surviving in the ruinous ruin)

  • HeK (House of Elecronics Basel)

    Entangled Realities: Living with Artificial Intelligence /…

  • Alain Ehrenberg

    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

  • Rosi Braidotti

    Posthuman Knowledge

  • Klaus-Martin Bresgott

    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

  • Jochen Volz, Gabi Ngcobo (Eds.)

    We Are Many. Art, the Political and Multiple Truths

  • Fitz, Krasny, Architekturzentrum Wien (…

    Critical Care. Architecture and Urbanism for a Broken Planet

  • Anne Kockelkorn, Nina Zschocke (Hg)

    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

  • Troy Schaum (Ed.)

    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

  • Heike Munder (Ed.)

    Producing Futures: A Book on Post-Cyber-Feminisms

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • Victor Papanek

    Design for the Real World

  • Andreas, Jung, Schmal (Hg.)

    Wohnen für Alle: Bautenkatalog

  • Elizabeth Resnick

    The Social Design Reader

  • Anca Benera, Arnold Estefan

    DEBRISPHERE - Landscape as an Extension of the Military…

  • Fiona McGovern, Megan Francis Sullivan…

    Jill Johnston. The Disintegration of a Critic

  • Byung-Chul Han

    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

  • Camiel van Winkel

    Archive Species: Bodies, Habits, Practices

  • Ted Hyunhak Yoon

    Decoding Dictatorial Statues

  • Sophie Cure, Aurelien Farina

    Graphic Design Play Book: An Exploration of Visual Thinking

  • Danielle Child

    Working Aesthetics: Labour, Art and Capitalism

  • Katya Garcia-Anton

    Sovereign Words. Indigenous Art, Curation and Criticism

  • Monika Rinck

    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

  • Brigitta Gerber, Ulrich Kriese (Hg)

    Boden behalten - Stadt gestalten

  • Civic City Cahier 4

    Afterlives of Neoliberalism

  • Camila Marambio, Cecilia Vicuña

    Slow Down Fast, A Toda Raja

  • Dominik Landwehr (Hg.)

    Virtual Reality: Edition Digital Culture 6

  • Thor Magnusson

    Sonic Writing: Technologies of Material, Symbolic, and…

  • Biechteler, Käferstein, Hochschule…

    Architekturpädagogiken: Ein Glossar

  • Haenschel, Nelke, Planitzer (Hg.)

    Uncanny Interfaces

  • Jens Balzer

    Pop und Populismus: Über Verantwortung in der Musik

  • Lisa Baker

    Tiny Interiors: Compact Living Spaces

  • Marvin Heiferman

    Seeing Science: How Photography Reveals the Universe

  • Kristen Alvanson

    XYZT

  • Zdenke Badovinac

    Comradeship: Curating, Art, and Politics in Post-Socialist…

  • Juan Serra Lluch

    Color for Architects

  • 2G 78

    Junya Ishigami

  • OASE 102

    Schools & Teachers

  • Geert Lovink

    Sad by Design: On Platform Nihilism

  • Paul Mason

    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

  • Ben Green

    The Smart Enough City: Putting Technology in Its Place to…

  • Make_Shift (Hg.)

    Make City. Stadt anders machen. A Compendium of Urban…

  • Lizzie O'Shea

    Future Histories: What Ada Lovelace, Tom Paine, and the…

  • Alex Bykov, Ievgeniia Gubkina

    Soviet Modernism. Brutalism. Post-Modernism

Glitter Up the Dark. How Pop Music Broke the Binary

From the Beatles to Prince to Perfume Genius, "Glitter Up the Dark" takes a historical look at the voices that transcended gender and the ways music has subverted the gender binary.
Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. "Glitter Up the Dark" traces the history of this gender fluidity in pop music from the early twentieth century to the present day.
Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. "Glitter Up the Dark" takes a long look back at the path that led here.


Sasha Geffen
Glitter Up the Dark. How Pop Music Broke the Binary
University of Texas Press, 2020, 9781477318782