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  • Tara Rodgers

    Pink Noises. Women on Electronic Music and Sound

  • Brandon LaBelle

    Acoustic Territories. Sound Culture and Everyday Life.…

  • Sara De Bondt, Fraser Muggeridg

    The Form of the Book Book

  • Adolf Opel (Hg.)

    Adolf Loos. Gesammelte Schriften

  • Christoph Schäfer

    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Kenya Hara

    Weiss

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Knut Ebeling, Stephan Günzel (Hg.)

    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

  • Neil Brenner, Stuart Elden (Hg.)

    Henri Lefebvre. State, Space, World. Selected Essays

  • Louis Althusser, Etienne Balibar

    Reading Capital

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

  • Alex Farquharson, Clemens Krümmel,…

    Klaus Weber. Secession

  • Hans Ulrich Obrist

    A Brief History of Curating

  • IDEA Magazine

    IDEA 332. How does graphic design CHANGE?

  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Martina Löw

    Soziologie der Städte

  • Ilka & Andreas Ruby (Hg.)

    Urban Transformations

  • Ralph Heidenreich, Stefan Heidenreich

    Mehr Geld

  • Sven Spieker

    The Big Archive. Art From Bureaucracy

  • Thomas Meinecke

    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

  • Susanne von Falkenhausen

    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • An Architektur

    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

  • Felix Guattari

    The Three Ecologies

  • An Architektur

    An Architektur 19-21: Community Design. Involvement and…

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

  • Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • Henri Lefebvre

    Writings on Cities

  • Henri Lefebvre

    The Production of Space

  • Hiromasa Shirai, André Schmidt (Hg.)

    Big Bang Beijing. Urban Change in Beijing

  • John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • An Architektur

    An Architektur 16-17

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • An Architektur

    An Architektur 01-03

  • Pro qm

    Gutschein / Voucher

Global Activism: Art and Conflict in the 21st Century

Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power -- in that case, the reciprocal support among Arab dictators and Western democracies -- can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel "performative democracy" -- at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century. global aCtIVISm (the capitalized letters form the Latin word civis, emphasizing the power of citizens) describes and documents politically inspired art -- global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Essays by leading thinkers -- including Noam Chomsky, Antonio Negri, Peter Sloterdijk, and Slavoj Zizek -- consider the emerging role of the citizen in the new performative democracy. The essays are followed by images of art objects, illustrations, documents, and other material (first shown in an exhibition at ZKM Center for Art and Media, Karlsruhe) as well as case studies by artists and activists. Essays byCan Altay, Sruti Bala and Veronika Zangl, Tatiana Bazzichelli, Olaf Bertram-Nothnagel, Angela Bonadies, Robin Celikates, Korhan Gumus, Dietrich Heissenbuttel, Bruno Latour, Sarah Maske, Ugo Mattei, Graham Meikle, Andre Mesquita, Marcus Michaelsen, Walter D. Mignolo, MTL, Antonio Negri, Dimitris Papadopoulos, Vassilis Tsianos and Margarita Tsomou, Rita Raley, Arman and Arash T. Riahi, Martha Rosler, Peter Sloterdijk, Karl-Peter Sommermann, Guido Strack, Jackie Sumell, Zixue Tai, Tatiana Volkova, Christoph Wachter and Mathias Jud, Dan S. Wang and Sarah Augusta Lewison, Peter Weibel, Ahmad Zatari, Bo Zheng, Ragip Zik, Slavoj Zizek. Interviews withAmmar Abo Bakr and Ganzeer, Younes Belghazi and Hadeer Elmahdawy, Erdem Gunduz, Joulia Strauss


Peter Weibel (Ed.)
Global Activism: Art and Conflict in the 21st Century
MIT Press, 2015, 9780262526890