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  • Lars Spuybroek (Hg.)

    The Architecture of Variation (Research & Design)

  • Gerrit Terstiege (Hg.)

    The Making of Design. Vom Modell zum fertigen Produkt

  • Alexandra Gerstein (Hg.)

    Beyond Bloomsbury. Designs of the Omega Workshops 1913-19

  • Della Chuang

    Kyoteau. Bottled Memories

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    Wolfgang Hänsch. Architekt der Dresdner Moderne

  • Ken Hillis

    Online a Lot of the Time. Ritual, Fetish, Sign

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    Hertzianismus. Elektromagnetismus in Architektur, Design…

  • Barkow Leibinger

    An Atlas of Fabrication

  • Jacques Ranciere

    Aesthetics and Its Discontents

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    Bauhaus Streit. 1919-2009. Kontroversen und Kontrahenten.

  • Jon Savage

    The England's Dreaming Tapes

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    Inside the Photograph. Writings on Twentieth-Century…

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    The Urban Homestead. Your Guide to Self-sufficient Living…

  • Ian Wilson

    The Discussions

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    Cinephilia in the Age of Digital Reproduction. Film,…

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    Solution 11-167. The Book of Scotlands

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    Radical Nature. Art and Architecture for a Changing Planet…

  • Verein 100 Beste Plakate

    100 Beste Plakate 08. Deutschland - Österreich - Schweiz

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    Cosmic Wonder Light Source 3. Light Streams

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    Design Activism. Beautiful Strangeness for a Sustainable…

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    Workwear. Work Fashion Seduction

  • Shepard Fairey

    Obey. Supply & Demand. The Art of Shepard Fairey.

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

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    Home made electronic arts. Do-it-yourself Piratensender,…

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    Grey Gardens (with DVD)

  • Samuel Charters

    A Language of Song. Journeys in the Musical World of the…

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    Inaesthetik Nr.1. Politics of Art

  • Claire Fontaine

    Vivre, vaincre

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    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

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    Depesha. Russian Lifestyle Magazine

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    Guerilla Gardening. Ein botanisches Manifest

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    Bau der Gesellschaft. Architekturvortäge der ETH Zürich

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    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

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    20 Japanese Architects. Interviews and Photos

  • Robert and Brenda Vale

    Time to Eat the Dog. The Real Guide to Sustainable Living

  • Matthias Noell

    Das Haus und sein Buch

  • Tim Waterman

    The Fundamentals of Landscape Architecture

  • Maia Francisco

    Atlas of Graphic Designers

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    Henri Lefebvre. State, Space, World. Selected Essays

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    YouTube. Online Video and Participatory Culture

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    Prepare for Pictopia. Katalog zur Ausstellung im Haus der…

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    Meaning Liam Gillick

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    A Guide to Democracy in America

  • Jan Wehrheim

    Der Fremde und die Ordnung der Räume

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    Negative Diskriminierung. Jugendrevolten in den Pariser…

  • Louis Althusser, Etienne Balibar

    Reading Capital

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    Annette Kelm

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    The 3rd Person Archive

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    School Works. Beiträge zu vermittelnder, künstlerischer und…

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    Die Gesellschaft zur Emanzipation des Samples presents:…

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    Funktionale Klänge. Hörbare Daten, klingende Geräte und…

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    Creative Space. Urban Homes of Artists and Innovators

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    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

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    Tom Burr

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

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    Journal of Lesbian and Gay Studies. Intersex and After.…

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    Leonhard Euler. Die Geburt der Graphentheorie

  • Katarina Bonnevier

    Behind Straight Curtains. Towards a Queer Feminist Theory…

  • Mark Borthwick

    Not in Fashion

  • Jonas Mekas

    To Petrarca

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    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

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    Di/Visions. Kultur und Politik des Nahen Ostens

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    Curating Architecture and the City

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    Nothing in My Pockets

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    Film Curatorship. Archives, Museums, and the Digital…

  • Emilio Prini

    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

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    Voids. A Retrospective

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    William Eggleston. Democratic Camera. Photographs and Video…

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    Logo a Lot

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    Neon Addict. The Fluorescent Color Book

  • Claude Schnaidt

    Anders gesagt. Schriften 1950-2001

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    Gayatri Chakravorty Spivak. In Other Words

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    Multiple City. Stadtkonzepte 1908 I 2008

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    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

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    Resonant Bodies, Voices, Memories

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    Sweet Sweat

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    Naïve. Modernism and Folklore in Contemporary Graphic Design

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    Gordon Matta-Clark. Art, Architecture and the Attack on…

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    Biopolitics and the Emergence of Modern Architecture

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    Donogoo Tonka or the Miracles of Science. A Cinematographic…

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    Architecture Oriented Otherwise

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    Becoming Bucky Fuller

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    Mechanical Sound. Technology, Culture, and Public Problems…

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    Cat Seen (bwab #1)

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    Camps. A Guide to 21st-Century Space

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    Grid Index

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    Talking about Arabic (Dot-Font)

The Hacienda. How Not to Run a Club

Eine Achterbahnfahrt durch Erfolg, Geld, Verwirung und wahren Glauben - dies sind die verrückten und und spannenden Erinnerungen von Robert Hook, dem Mitbegründer der Bands Joy Division und New Order, an die Ära des Manchester Hacienda Clubs. Als junger naiver Musiker eröffneten er und seine Bandkollegen von New Order den Club - und erlebten eine Zeit, die weit trauriger, lustiger, furchterregender und seltsamer war, als man es sich vorstellen kann. Alle Protagonisten - Barney, Tony Wilson und Shaun Ryder - haben hier ihr Stelldichein, wenn Robert Hook erzählt, wie es wirklich gewesen ist.
Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid GBP20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.
http://www.cerysmaticfactory.info/the_hacienda_how_not_to_run_a_club.htm...


Peter Hook
The Hacienda. How Not to Run a Club
Simon and Schuster , 2010, 978-1847391773