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  • Kersten Geers, Joris Kritis, Jelena…

    Architecture Without Content

  • Jussi Parikka

    A Geology of Media

  • Dieter Daniels, Sandra Naumann (Hg.)

    See this Sound. Audiovisuology. Compendium and Essays

  • A+t Research Group

    Why Density? - Debunking the Myth of the Cubic Watermelon

  • Olaf Gisbertz (Hg.)

    Bauen für die Massenkultur: Stadt- und Kongresshallen der…

  • Pascal Gielen, Niels Van Tomme (Eds.)

    Aesthetic Justice. Intersecting Artistic and Moral…

  • Andres Lepik, Hilde Strobl (Hg.)

    ZOOM! Architektur und Stadt im Bild. Picturing Architecture…

  • Inke Arns (Ed.)

    World of Matter

  • Pierre Hermé

    The Architecture of Taste

  • Silke Steets

    Der sinnhafte Aufbau der gebauten Welt. Eine…

  • SendPoints

    Art of the Book. Structure, Material and Technique

  • Anne Huffschmid

    Risse im Raum. Erinnerung, Gewalt und städtisches Leben in…

  • Markus Rathgeb

    Otl Aicher

  • Robin Mackay (Ed.)

    When Site Lost the Plot

  • Roberto Gigliotti (Ed.)

    Displayed Spaces. New Means of Architecture Presentation…

  • Vladimir Belogolovsky

    Conversations with Architects. In the Age of Celebrity

  • Deimantas Narkevičius

    Da capo. Fifteen Films

  • Günter Pfeifer, Per Brauneck

    Wohnhäuser. Eine Typologie

  • Valerio Olgiati (Ed.)

    The Images of Architects

  • Klaus Ronneberger

    Peripherie und Ungleichzeitigkeit. Pier Paolo Pasolini,…

  • Le Corbusier

    Städtebau

  • Lovink, Tkacz, De Vries (Eds.)

    MoneyLab Reader. An Intervention in Digital Economy

  • Ezio Manzini

    Design, When Everybody Designs. An Introduction to Design…

  • Paulina Olowska

    Alphabet

  • Diogo Seixas Lopes

    Melancholy and Architecture: On Aldo Rossi

  • Eva B. Ottillinger (Hg.)

    Küchen / Möbel. Design und Geschichte

  • Clog 13

    Guggenheim

  • Thomas Düllo, Studiengang Gesellschafts…

    texturen Nr. 2 — Spielen

  • A+U 523

    Juliaan Lampens

  • Emanuele Piccardo

    Beyond Environment

  • Klaus Bädicker

    Gerade zur Krummen zieht's ihn. Die Sophienstraße und…

  • Yona Friedman

    Architecture with the people, by the people, for the people

  • Triisberg, Krikortz, Henriksson (Ed.)

    Art Workers. Material Conditions and Labour Struggles in…

  • Gin Müller

    Possen des Performativen. Theater, Aktivismus und queere…

  • Dougal Sheridan (Hg)

    Translating Housing: Berlin - Belfast. Innovative Housing…

  • Irene Kurtishvili (Hg)

    Hotel Orient / Haus der Künstler

  • Jörg H. Gleiter, Ludger Schwarte (Hg.)

    Architektur und Philosophie. Grundlagen. Standpunkte.…

  • IGBK (Hg.)

    Dreams of Art Spaces Collected

  • Frances Holliss

    Beyond Live/Work. The Architecture of Home-Based Work

  • Marc Angélil & Sarah Nichols (Ed.)

    Reform! Essays on the Political Economy of Urban Form – Vol…

  • Tilman Baumgärtel

    Schleifen. Zur Geschichte und Ästhetik des Loops

  • Maurizio Lazzarato

    Governing by Debt

  • Slavs and Tatars

    Mirrors for Princes

  • Benjamin H. D. Buchloh

    Formalism and Historicity. Models and Methods in Twentieth-…

  • Blaine Brownell, Marc Swackhamer

    Hypernatural. Architecture's New Relationship with…

  • David Maroto, Joanna Zielińska (Ed.)

    Artist Novels. The Book Lovers Publication

  • Franco »Bifo« Berardi

    Der Aufstand. Über Poesie und Finanzwirtschaft

  • Claire Doherty (Ed.)

    Out of Time, Out of Place. Public Art (Now)

  • Anthony Gardner

    Politically Unbecoming. Postsocialist Art against Democracy

  • Monika Rinck

    Risiko und Idiotie. Streitschriften

  • Kristien Ring, AA Projects, SenStadtUm…

    Urban Living. Strategien für das zukünftige Wohnen

  • Annette Kelm

    Subjects and Objects

  • Lou Cantor, Clemens Jahn (Eds.)

    Turning Inward

  • Ina Conzen (Hg.)

    Oskar Schlemmer. Visionen einer neuen Welt

  • Shumon Basar, Douglas Coupland, Hans…

    The Age of Earthquakes. A Guide to the Extreme Present

  • Hilde van Gelder (Ed.)

    Allan Sekula. Ship of Fools/The Dockers' Museum

  • Lisa Lee (Ed.)

    Isa Genzken (October Files)

  • John Miller

    Mike Kelley. Educational Complex

  • David Adjaye

    Form, Heft, Material

  • Shumon Basar, Douglas Coupland, Hans…

    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

  • Bill Dietz

    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

  • Sigrid Weigel

    Grammatologie der Bilder

  • Joseph Vogl

    Der Souveränitätseffekt

  • Marco Ornella

    9999. An Alternative to One-Way Architecture

  • Manuel Herz (Ed.)

    African Modernism

  • Elisa van Joolen

    Elisa van Joolen. 11"x17" Reader

  • Gregoire Chamayou

    Drone Theory

  • Lisa Smirl

    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

  • Marc-Camille Chaimowicz

    Madame Bovary

  • Philipp Felsch

    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

  • Luis Carranza, Fernando Lara

    Modern Architecture in Latin America. Art, Technology, and…

  • Adrian George

    The Curator's Handbook. Museums, Commercial Galleries…

  • Renate Lorenz (Ed.)

    Not Now! Now! Chronopolitics, Art & Research

  • Anne Waak

    Hartz IV und wir

  • Anna-Sophie Springer & Etienne…

    Fantasies of the Library

  • Anna-Sophie Springer & Etienne…

    Land & Animal & Nonanimal

  • Raumlaborberlin (Ed.)

    Art City Lab. Neue Räume für die Kunst

  • Jean-Paul Martinon (Ed.)

    The Curatorial. A Philosophy of Curating

  • Ulrike Gerhardt, Susanne Husse (Hg.)

    The Forgotten Pioneer Movement: Guidebook

  • SCALE

    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

  • Susanne Hauser, Claus Dreyer (Hg.)

    Das Konkrete und die Architektur

  • Harald Bodenschatz, Piero Sassi, Max…

    Urbanism and Dictatorship. A European Perspective

  • Chris Tedjasukmana

    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

  • Isabell Lorey

    State of Insecurity. Government of the Precarious

  • Paolo Virno

    Deja Vu and the End of History

  • Robert Delaunay

    Sonia Delaunay. Fashion and Fabrics

  • Maria Zinfert (Hg.)

    Siegfried Kracauer. Fotoarchiv

  • Christian Thun-Hohenstein (Ed.)

    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

  • Olivia de Oliveira

    Lina Bo Bardi. Built Work. Obra construida

  • Eduard Sancho Pou

    Function Follows Strategy. Architects' Strategies from…

  • Orit Halpern

    Beautiful Data

  • Manfred Mohr, Margit Rosen

    Der Algorithmus des Manfred Mohr

  • Stephanie Kloss

    Weltausstellung

  • Robin Mackay (Ed.)

    Collapse: Philosophical Research and Development: Casino…

  • Gregory J. Markopoulos

    Film as Film. The Collected Writings of Gregory J.…

  • Andrea Büttner

    Immanuel Kant. Kritik der Urteilskraft

  • Andri Gerber

    Metageschichte der Architektur. Ein Lehrbuch für angehende…

The Hacienda. How Not to Run a Club

Eine Achterbahnfahrt durch Erfolg, Geld, Verwirung und wahren Glauben - dies sind die verrückten und und spannenden Erinnerungen von Robert Hook, dem Mitbegründer der Bands Joy Division und New Order, an die Ära des Manchester Hacienda Clubs. Als junger naiver Musiker eröffneten er und seine Bandkollegen von New Order den Club - und erlebten eine Zeit, die weit trauriger, lustiger, furchterregender und seltsamer war, als man es sich vorstellen kann. Alle Protagonisten - Barney, Tony Wilson und Shaun Ryder - haben hier ihr Stelldichein, wenn Robert Hook erzählt, wie es wirklich gewesen ist.
Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid GBP20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.
http://www.cerysmaticfactory.info/the_hacienda_how_not_to_run_a_club.htm...


Peter Hook
The Hacienda. How Not to Run a Club
Simon and Schuster , 2010, 978-1847391773