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  • Marie J. Aquilino

    Beyond Shelter. Architecture for Crisis

  • El Croquis 156

    Valerio Olgiati 1996-2011

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    The Possibility of an Absolute Architecture

  • Anne Mikoleit, Moritz Pürckhauer

    Urban Code. 100 Lessons for Understanding the City

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    I Read Where I Am. Exploring New Information Cultures

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    Notating the Cosmology 1973-2008

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    This is Hybrid. An analysis of mixed-use buildings by a+t

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    Disko 20-25 Architektur ohne Architektur

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    Utopie. Texts and Projects, 1967–1978

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    LIGNA. An Alle! Radio Theater Stadt

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    Strassenräume in Berlin, Shanghai, Tokyo, Zürich. Eine foto…

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    A Graphic Odyssey - Catalogue

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    Source. Music of the Avant-garde, 1966 - 1973

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    Infinite Space. Der Architekt John Launter. DVD

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    Architecture with the People, by the People

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    Civic City Cahier 5. Designing the Post-Political City and…

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    One Million Acres & No Zoning

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    Tarzans in the Media Forest

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    Destroy All Monsters Magazine 1976-1979

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    African Cities Reader II. Mobilities & Fixtures

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    On Horizons. A Critical Reader in Contemporary Art

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    All Over the Map. Writing on Buildings and Cities

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    German Fashion Design 1946-2012

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    Retromania. Pop Culture's Addiction to its Own Past

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    Landform Building

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    Representing Capital. A Reading of Volume One

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    Modell Autodidakt

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    Are You Working Too Much? Post-Fordism, Precarity, and the…

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    Paper & Cloth. Ready-to-Use Background Patterns(+DVD)

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    The Beach Beneath the Street. The Everyday Life and…

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    Activity (is to a group what content is to platform)

  • El Croquis 155

    Sanaa 2008-2011

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    Pioneers of the Downtown Scene

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    Expanded Cinema. Art, Performance, Film

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    Urban Asymmetries

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    Die Macht der Erkenntnis

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    Ai Weiwei Speaks

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    Open Design Now. (why design cannot remain exclusive)

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    Queer Spirits

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    Solution 214-238. The Book of Japans

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    Contemporary Art and Aesthetics

  • 2G N. 57

    Njiric+ Architekti

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    World Cinema and the Ethics of Realism

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    Typographic Matchmaking in the City

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    An Introduction to Architectural Theory. 1968 to the Present

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    G: An Avant-Garde Journal of Art, Architecture, Design and…

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    Alexander McQueen. Savage Beauty

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    Hommage à Berlin. Photographien

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    Book Worm

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    Locating the Producers. Durational Approaches to Public Art

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    Architecture in the Age of Empire / Architektur der neuen…

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    African Cities. Alternative Visions of Urban Theory and…

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    Architecture in Uniform. Designing and Building for the 2nd…

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    Replaycity. Improvisation als urbane Praxis

  • Hans Dickel, Lisa Puyplat (Hg.)

    Reading Susanne Kriemann

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    Shanzhai. Dekonstruktion auf Chinesisch

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    Hello! UK Graphics. Graphic Design in the UK since the 1980s

  • Bruce Jenkins

    Gordon Matta-Clark. Conical Intersect

  • Andreas Gelhard

    Kritik der Kompetenz

  • Klanten, Hellige (Hg.)

    The Modernist

  • Lars Spuybroek

    Textile Tectonics. Research and Design

  • Josep Lluís Mateo

    After Crisis. Contemporary Architectural Conditions

  • Louis Luthi

    On the Self-reflexive Page

  • Jan Kempemaers

    Spomenik

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    Dinge und Undinge. Phänomenologische Skizzen

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    Morphologie City Metaphors

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    Your Farm in the City

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    Reading the City. Stadt lesen

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    The Power of Religion in the Public Sphere

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    The Modern Utopian. Alternative Communities of the 60s and…

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    Reporting. Unternehmenskommunikation als Imageträger

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    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

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    The Detroit Diary

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    Behind the Zines. Self-Publishing Culture

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    Civic City Cahier 3. Distributed Agency, Design’s…

  • El Croquis 154

    Aires Mateus 2002-2011

  • Paul Van Beek, Charles Vermaas

    Landscapology. Learning to Landscape the City

  • Jan Ole Arps

    Frühschicht. Linke Fabrikintervention in den 70er Jahren

  • Detlef Mertins, Architecture Words 7

    Modernity Unbound

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    Captain Pamphile. Ein Bildroman

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    Democracy in What State?

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    Cognitive Architecture. From Biopolitics to NooPolitics

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    Sagmeister: Another Book about Promotion and Sales Material

  • Enzo Mari

    The Intellectual Work. Sixty Paperweights

  • Bettina Allamoda

    Catwalk to History - A Sourcebook

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    Schatten konstruieren. Pergolen, Zelte, Pavillons, Seile,…

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    Architects' Sketchbooks

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    Disko 16-19. u.a. The New Deathstrip, Townhouse

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    Poor Man’s Expression

  • El Croquis 151

    Sou Fujimoto 2003-2010

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    Sound (Documents of Contemporary Art)

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    Painting (Documents of Contemporary Art)

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    Inaesthetics 2

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    Time Outs

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    Big Bad City

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    Lovely Language. Words Divide Images Unite

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    Artists' Magazines. An Alternative Space for Art [pb]

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Hito Steyerl. I will Survive

Die Arbeiten und Texte von Hito Steyerl gehören zu den zentralen Positionen, wenn es um die aktuelle Reflexion der gesellschaftlichen Rolle von Kunst und Museum geht, um das Experimentieren mit medialen Präsentationsformen und um die kritische Auseinandersetzung beim Einsatz von künstlicher Intelligenz. In den letzten 30 Jahren verfolgt die Künstlerin die Mutationen von Kamerabildern, vom analogen Bild und seinen vielfältigen Montagen hin zum geteilten, flüssig werdenden digitalen Bild und den sich daraus ergebenden Implikationen für die Repräsentation von Kriegen, Genoziden, Kapitalströmen. »Wir haben es nicht mehr mit dem Virtuellen zu tun, sondern mit einer verwirrenden und möglicherweise fremden Konkretheit, die wir erst beginnen zu verstehen«, schreibt Brian Kuan Wood zu den digitalen Bildwelten, die die Künstlerin vorführt. Die Publikation erscheint anlässlich der Überblicksschau von Hito Steyerl, die im Herbst 2020 im Centre Pompidou, Paris, und in der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, stattfindet. Das Kooperationsprojekt wird von der Kulturstiftung des Bundes gefördert.
The positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. “We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,” writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl’s survey show, which will take place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. The cooperative project is funded by the German Federal Cultural Foundation. Hito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12


Florian Ebner, Susanne Gaensheimer, Doris Krystof, Marcella Lista
Hito Steyerl. I will Survive
Spector Books, 2020, 9783959053921