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  • Carola Dertnig, Diedrich Diederichsen,…

    Troubling Research. Performing Knowledge in the Arts

  • Filip Dujardin

    Fictions

  • Steven Cleeren

    Hugo Puttaert. Think in Colour: Visionandfactory

  • Kevin Bone

    Lessons from Modernism. Environmental Design Strategies in…

  • Maurizio Lazzarato

    Signs and Machines. Capitalism and the Production of…

  • Ueli Mäder

    Raum und Macht. Die Stadt zwischen Vision und Wirklichkeit…

  • Gabriel Orozco, Lily Luahana Cole

    Impossible Utopias

  • Kay von Keitz, Sabine Voggenreiter (Hg.)

    Architektur im Kontext. Architecture in Context

  • Michelle Cotton (Ed.)

    Aleksandra Domanovic. From yu to me

  • Selena Savic, Gordan Savicic (Ed.)

    Unpleasant Design

  • Justin McGuirk

    Radical Cities. Across Latin America in Search of a New…

  • Armen Avanessian, Robin Mackay (Ed.)

    #Accelerate: The Accelerationist Reader

  • Lukasz Stanek (Ed.)

    Team 10 East. Revisionist Architecture in Real Existing…

  • Tom Avermaete, Maristella Casciato

    Casablanca Chandigarh. A Report on Modernization

  • Max Jacobson, Shelley Brock

    Invitation to Architecture. Discovering Delight in the…

  • Stephen Cairns, Jane M. Jacobs

    Buildings Must Die. A Perverse View of Architecture

  • Kim Jong-il

    Kim Jong-il. De l'Architecture. Morceaux choisis. B2-…

  • Jay Swayze

    Le Meilleur des (deux) Mondes. Maisons et Jardins…

  • Styliane Philippou

    Modernisme et Vanité. Happy Days à Miami et la Havane. B2-…

  • Olaf Nicolai

    Szondi/Eden

  • Philipp Oswalt (Hg.)

    Dessau 1945. Moderne zerstört: Bauhaus Edition 45

  • Robert Maxwell

    Ancient Wisdom and Modern Knowhow. Learning to Live with…

  • David Campany (Ed.)

    Walker Evans. The Magazine Work

  • Marc Angelil, Rainer Hehl (Eds.)

    Empower! Essays on the Political Economy of Urban Form. Vol…

  • Sandu Publishing (Ed.)

    Collective Housing

  • Tom Wilkinson

    Bricks & Mortals. Ten Great Buildings and the People…

  • Stefan Römer

    Inter-esse

  • Architektur in Gebrauch

    AG1 – Great Arthur House, AG2 – Falkenhorst, AG3 –…

  • Anke Fesel, Chris Keller (Ed.)

    Berlin Wonderland. Wild Years Revisited, 1990–1996

  • Agata Pyzik

    Poor but Sexy. Culture Clashes in Europe East and West

  • Tom Holert

    Übergriffe. Zustände und Zuständigkeiten der…

  • Chantal Mouffe

    Agonistik. Die Welt politisch denken

  • Nicola Louise Markhus and Marte…

    Another Space: Textile Spaces

  • Heike Gfrereis, Johannes Kempf (Hg.)

    Reisen. Fotos von unterwegs

  • Little Global Cities

    Sarajevo

  • Lilli Kuschel

    Cool World

  • Judith Collins

    Sculpture Today

  • Natalie Czech

    I can not repeat what I hear

  • Stefan Banz

    Jeff Wall. Mit dem Auge des Geistes

  • Florian Pfeffer

    To Do. Die neue Rolle der Gestaltung in einer veränderten…

  • Ernesto Laclau

    The Rhetorical Foundations of Society

  • Miki Hirabayashi

    Cute Farm Animals

  • Daniel Albright

    Panaesthetics. On the Unity and Diversity of the Arts

  • Carola Dertnig, Felicitas Thun-…

    Performing the Sentence. Research and Teaching in…

  • Shundana Yusaf

    Broadcasting Buildings. Architecture on the Wireless, 1927-…

  • Bettina Knaup, Beatrice Ellen (Ed.)

    re.act.feminism. A Performing Archive

  • Andrew Dent, Leslie Sherr

    Material Innovation. Architecture

  • Yasmin Merican

    The Right to Brand

  • Pinar Yoldas

    An Ecosystem of Excess

  • Matthew Gandy, BJ Nilsen (Eds.)

    The Acoustic City

  • Quinn Latimer (Hg.)

    Akram Zaatari. Film as a Form of Writing

  • Steirischer Herbst, Florian Malzacher (…

    Truth Is Concrete. A Handbook for Artistic Strategies in…

  • Jan Svankmajer

    Touching and Imagining. An Introduction to Tactile Art

  • Marc Glöde

    Farbige Lichträume. Manifestationen einer Veränderung des…

  • Olaf Habelmann

    Die Trauben auf deinem Bauch bilden ein Muster

  • Nick Aikens (Ed.)

    Too Much World. The Films of Hito Steyerl

  • L.I.E. (Library of Independent Exchange)

    L.I.E. Lists of Ten Books

  • Malcolm Miles

    Eco-Aesthetics. Art, Literature and Architecture in a…

  • Nikolaus Hirsch, Markus Miessen (Ed.)

    Subtraction. Keller Easterling. Critical Spatial Practice 4

  • Tom Steinert

    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

  • Christine Ross

    The Past is the Present; It's the Future Too

  • Rachel Mader (Hg.)

    Radikal ambivalent. Engagement und Verantwortung in den…

  • Katharina Roters

    Hungarian Cubes. Subversive Ornamente im Sozialismus

  • John Paul Ricco

    The Decision Between Us. Art and Ethics in the Time of…

  • Ugo Mulas

    Cirque Calder

  • Adrian von Buttlar, Kerstin Wittmann-…

    Baukunst der Nachkriegsmoderne. Architekturführer Berlin…

  • Laura Bruns

    Stadt Selber Machen. Ein Handbuch

  • Michael Fried

    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

  • Henri Lefèbvre

    Die Revolution der Städte. La Revolution urbaine

  • Martin Pawley

    Theorie und Gestaltung im Zweiten Maschinenzeitalter

  • Roberto Gargiani, Anna Rosellini

    Le Corbusier. Béton Brut und der unbeschreibliche Raum (…

  • Hannah Feldman

    From a Nation Torn. Decolonizing Art and Representation in…

  • Conditional Design Team

    Conditional Design Workbook

  • HomeShop (Ed.)

    Appendix

  • Marketa Uhlirova (Ed.)

    Birds of Paradise. Costume as Cinematic Spectacle

  • Stasis. Academic Journal

    Social and Political Theory. No. 1

  • Pavlos Lefas

    Architecture. A Historical Perspective

  • Thomas Girst

    The Duchamp Dictionary

  • Christopher Dell

    Das Urbane. Wohnen. Leben. Produzieren

  • Cathrine Veikos

    Lina Bo Bardi. The Theory of Architectural Practice

  • Gustau Galfetti Gili

    My House, My Paradise. The Construction of the Ideal…

  • Dieter Rams

    Less but better. Weniger, aber besser

  • Matt Zoller Seitz

    The Wes Anderson Collection

  • Louis Martin (Ed.)

    On Architecture. Melvin Charney, a Critical Anthology

  • Adaptive Actions

    Heteropolis

  • Thomas Durisch (Hg.)

    Peter Zumthor. 1985–2013

  • Martin Conrads

    Ohne Mich

  • Gertrud Vogler

    La Défense. Métro, boulot, dodo

  • James Nisbet

    Ecologies, Environments, and Energy Systems in Art of the…

  • October Files 16

    John Knight

  • Stadt Zürich, Amt für Hochbauten (Hg.)

    Grundrissfibel. 50 Wettbewerbe im gemeinnützigen…

  • Paolo Belardi

    Why Architects Still Draw

  • Forensic Architecture (Ed.)

    Forensis. The Architecture of Public Truth

  • Liesbeth Huybrechts (Ed.)

    Participation Is Risky. Approaches to Joint Creative…

  • Clog 10

    Prisons

  • Sylvère Lotringer, David Morris (Ed.)

    Schizo-Culture

  • Judith Laister, Margarethe Makovec,…

    Die Kunst des urbanen Handelns. The Art of Urban…

  • Verena Gerlach

    Karbid. Berlin - De La Lettre Peinte.. / Von Schriftmalerei…

How I Became One of the Invisible (New Edition)

Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers.
Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.”
Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Edited by Chris Kraus
Introduction by Robert Dewhurst
Afterword by Rachel Kushner


David Rattray
How I Became One of the Invisible (New Edition)
Semiotext(e), 2019, 9781635900729