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  • Margit Rosen (Hg.)

    A Little-Known Story about a Movement

  • Fundación Cisneros/Colección Patricia…

    Tomás Maldonado in Conversation with María Amalia García

  • JA79

    Junya Ishigami

  • Gert Urhahn

    The Spontaneous City

  • Sharon Zukin

    Naked City. The Death and Life of Authentic Urban Places

  • El Croquis 152/153

    Herzog & de Meuron 2005-2010

  • Guy de Cointet

    TSNX C24VA7ME A play by Dr Hun

  • Klanten, Ehmann, Bolhöfer (Hg.)

    My Green City

  • Bippus, Huber, Richter (Hg.)

    "Mit-Sein". Gemeinschaft – ontologische und…

  • Paul Virilio, Philippe Petit

    Cyberwelt, die wissentlich schlimmste Politik

  • Corbett, Elms, Kapsalis (Hg.)

    Traveling the Spaceways. Sun Ra, the Astro Black and other…

  • Ingmar Bergman

    Laterna Magica. Mein Leben. Autobiographie

  • Chris Kraus

    Where Art Belongs

  • The Institute of Social Hypocrisy

    The Sound Of Downloading Makes Me Want To Upload

  • Ed Annink, Max Bruinsma (Hg.)

    Gerd Arntz. Graphic Designer

  • Schubert, Schütz, Streich (Hg.)

    Something Fantastic. A Manifesto by Three Young Architects…

  • Diarmuid Costello, Margaret Iversen (Hg…

    Photography After Conceptual Art

  • Österreichische Gesellschaft für…

    Umbau 25. Architektur im Ausverkauf. Architecture for Sale

  • Steven Heller, Lita Talarico

    Graphic. Inside the Sketchbooks of the World's Great G…

  • Nils Röller

    Magnetismus. Eine Geschichte der Orientierung

  • n+1 (Hg.)

    What was the Hipster? A Sociological Investigation

  • Peter Hook

    The Hacienda. How Not to Run a Club

  • Buchanan, Doordan, Margolin (Hg.)

    The Designed World. Images, Objects, Environments

  • Tony Fry

    Design as Politics

  • Hans Venhuizen

    Game Urbanism. Manual for Cultural Spatial Planning

  • Gary Indiana

    Last Seen Entering the Biltmore. Plays, Short Fiction,…

  • Amos Vogel

    Film as a Subversive Art

  • Iris Holtkamp, Jan-Eric Stephan

    Closing Down — All Stock Reduced — The Role of Design in…

  • Tom Holert, Marion von Osten (Hg.)

    Das Erziehungsbild. Die visuelle Kultur des Pädagogischen

  • Beatriz Colomina, Craig Buckley (Hg.)

    Clip, Stamp, Fold. The Radical Architecture of Little…

  • Giovanna Borasi (Hg.)

    Journeys. How Travelling Fruit, Ideas and Buildings…

  • Keith Moskow, Robert Linn

    Small Scale. Creative Solutions for Better City Living

  • Slavoj Zizek, Costas Douzinas (Hg.)

    The Idea of Communism

  • Christian Hundertmark (C100)

    The Art Of Rebellion 3. The Book about Streetart

  • Christoph Dreher (Hg.)

    Autorenserien. Die Neuerfindung des Fernsehens

  • Charles Jencks (Hg.)

    The Post-Modern Reader (AD Reader)

  • AA School of Architecture

    AA Book. Projects Review 2010

  • Bill Moggridge

    Designing Media

  • Aaron Levy, William Menking (Hg.)

    Architecture on Display. On the History of the Venice…

  • Gui Bonsiepe

    Civic City Cahier 2. Design and Democracy

  • Pepin Press (Hg.)

    Web Design Index by Content 5

  • John Kelsey

    Rich Texts. Selected Writing for Art

  • Kitayama, Tsukamoto, Nishizawa

    Tokyo Metabolizing

  • Stephen Willats

    Art Society Feedback

  • Avermaete, Karakayali, Von Osten (Hg.)

    Colonial Modern. Aesthetics of the Past, Rebellions for the…

  • St. Buijs, W. Tan, D. Tunas (Hg.)

    Megacities. Exploring a sustainable Future

  • Maia Francisco

    Fontology. Free Fonts Source Book

  • Peggy Buth

    Katalog. Desire in Represention

  • Creischer, Hinderer, Siekmann (Hg.)

    Das Potosí-Prinzip

  • Juan Maria Songel

    A Conversation with Frei Otto

  • Vito Campanelli

    Web Aesthetics. How Digital Media Affect Culture and…

  • Danielle Pario Perra

    Low Cost Design

  • Alice Foxley

    Distance and Engagement

  • Marnie Fogg

    Fashion Illustration, 1930 to 1970. From Harper's…

  • Markus Miessen

    The Nightmare of Participation

  • Zbynek Baladran, Vit Havranek (Hg.)

    Atlas of Transformation

  • Mike Jay

    High Society. Mind Altering Drugs in History and Culture

  • S. Gaensheimer, S. von Olfers (Hg.)

    Not in Fashion. Photography and Fashion in the 90s

  • Francis Alys

    A Story of Deception

  • Dominique Ghiggi

    Baumschule. Kultivierung des Stadtdschungels

  • Susan S. Fainstein

    The Just City

  • Teal Triggs

    Fanzines

  • Jan Verwoert

    Tell Me What You Want, What You Really, Really Want

  • Boris Groys

    History Becomes Form. Moscow Conceptualism

  • Brian Kuan Wood (Hg.)

    Selected Maria Lind Writing

  • Artspeak / Fillip Editions

    Judgment and Contemporary Art Criticism

  • Otto Neurath

    From Hieroglyphics to Isotype. A Visual Autobiography

  • Elisabeth Blum

    Atmosphäre. Hypothesen zum Prozess der räumlichen…

  • dérive 40/41

    Understanding Stadtforschung

  • James Nice

    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

  • Florian A. Schmidt, Peter Lasch,…

    Kritische Masse. Von Profis und Amateuren im Design

  • TwoPoints.Net (Hg.)

    Left, Right, Up, Down. Neue Ansätze für die Gestaltung von…

  • Tony Conrad, Jutta Koether, John Miller

    XXX Macarena LP

  • Paul Le Blanc, Helen C. Scott (Hg.)

    Socialism or Barbarism? The Selected Writings of Rosa…

  • Lyle Owerko

    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

  • S. Ehmann, R. Klanten (Hg.)

    Turning Pages. Editorial Design for Print Media

  • Jens Müller, Karen Weiland (Hg.)

    Kieler Woche. Geschichte eines Designwettbewerbs

  • Martino Stierli

    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

  • Harald Bodenschatz, Thomas Flierl (Hg.)

    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

  • T.J. Demos

    Dara Birnbaum. Technology/Transformation: Wonder Woman

  • C. S. Rabinowitz, N. Kovacs (Hg.)

    Assume Vivid Astro Focus

  • Michael Merrill

    Louis Kahn. On the Thoughtful Making of Spaces

  • Bettina Götz (Hg.)

    Abstract City #04. Urbanes Hausen

  • Rainald Goetz

    Elfter September. 2010

  • Jenelle Porter (Hg.)

    Dance with Camera

  • Todd Oldham

    Joan Jett

  • Umool Umool Vol.9

    The Rejected, the Recycled, the Regenerated

  • Margit Mayer

    Civic City Cahier 1. Social Movements in the (Post-)…

  • Anne Ring Petersen (Hg.)

    Contemporary Painting in Context

  • M. van Hal, S. Ovstebo, E. Filipovic (…

    The Biennial Reader

  • Laura Meseguer

    Typomag. Typography in Magazines

  • R. Klanten, A. Mollard (Hg.)

    Los Logos. Compass

  • Carsten Nicolai

    Moiré Index

IDEA 399. In the Design Field, Today: Thought and Practice of Branding Design around the World

Direction by Idea
Design by LABORATORIES (Kensaku Kato, Megumi Moriya)
Cooperation with Saki Ho, Min-Young Kim

Today, the society has matured, companies and designers are finding it difficult to differentiate products and services from the abundance of those on the market simply by offering products with high functionality and quality or beautiful forms. Therefore, how to design user experience will be increasingly required as a role of the designers. One of the places to practice design for this purpose is in the field of branding design, which is the subject of this feature.

A necessary condition for successful branding design would be designing the products and user experience with an ideology consistent withthe company’s philosophy and organizational operations. For example, a company must release products and services with transparency and sustainability, better social and environmental considerations, and its business must give people a sense of fulfillment and enrichment. In this increasingly complex field of branding design, Design Thinking is an approach that organizes the thinking processes and methods of realization of ideas developed by graphic designers and makes them applicable to people other than designers.

This approach has been attracting attention as a global trend since around 2010. It was introduced to Japan as an innovative idea for transforming business and brought a great response. Many books on Design Thinking have been released since then. Indeed, anyone can handle this method, but people might have misunderstood andregarded it as an instant business theory. Since many people have learned that “design is problemsolving”, it has created the misconception that any issue can be solved if there is a design. It is as if the design is the magic word….

When designers work on a project, they usually examine the object closely and conduct a thorough investigation before they create the actual thing or concept. Also, to realize the idea, designers need specialized skills and have to train them. Designers must see the project as a whole in a broad view at the same time they also must consider the minute details of the object. The seven design studios in Japan, Asia, Oceania, the Middle East, Europe, and the United States that cooperated with us for this feature go through this process thousands of times. They have continually proposed new ideas and exciting designs to clients and consumers.

Although they differ in organizational management and scale, they are all practitioners of humancentered design, for they not only fulfill the wishes of their clients but also explore comfortable manufacturing environments and work with enthusiasm. We would be happy if this feature could provide hints for reconsidering the ideas originally advocated in Design Thinking through how those designers work on each project, and updating Design Thinking into a better form.


IDEA Magazine
IDEA 399. In the Design Field, Today: Thought and Practice of Branding Design around the World
Seibundo Shinkosha, 2022, IDEA399 2022.9
36,00 €