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  • gerade nicht auf Lager
    Hg. von Nina Gerlach, Simon Vagts,…

    Zwischen Pixel und Pigment: Malerei in der postdigitalen…

  • Neda Atanasoski, Nassim Parvin (Hg)

    Technocreep and the Politics of Things Not Seen

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    Gio Ponti. More than One. Critic, Editor, Graphic Artist,…

  • Clare Croft

    Jill Johnston in Motion. Dance, Writing, and Lesbian Life

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    The Witch Studies Reader

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    Postwar Revisited. A Global Art History

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    More-Than-Human Aesthetics. Venturing Beyond the…

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    Beneath the Surface. Deep Listening, Buried Narratives, and…

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    Charlotte Malterre-Barthes / Eds.:…

    A Moratorium on New Construction. Charlotte Malterre-Barthes

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    Nils C. Kumkar

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    Home is Where the Heart Strives

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    Anamarija Batista, Julia Siedle

    Rethinking Obsolete Typologies. Transformation Potentials…

  • Yasmin Masri

    Near 2,143 McDonald’s via Google Street View: Looking…

  • Jairus Banaji

    Wanting Something Completely Different: 111 Vignettes of…

  • Rosa Barotsi

    Time and the Everyday in Slow Cinema

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  • Marek Poliks & Roberto Alonso…

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  • Birgit Wiens

    Bühne. Perspektiven der Szenografie und Performance Design…

  • Marcel Bächtiger

    Kino-Obsessionen - Le Corbusier, die Architektur und der…

  • Matas Petrikas

    The Joy of Electronic Music

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    In the Daylight of Our Existence. Architectural History and…

  • Rachel Pafe, Mimi Howard (eds.)

    Reading Roses in Constellation

  • Annette Krauss

    Unlearning Routines of the Impossible Casco

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    Dance Or Die: A History of Hardcore

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    Stevphen Shukaitis, Joanna Figiel

    The Wages of Dreamwork.

  • Brian Massumi

    Toward a Theory of Fascism for Anti-Fascist Life. A Process…

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    Rasheedah Phillips

    Dismantling the Master's Clock: On Race, Space, and…

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    Andy Crysell

    Selling The Night: When Club Culture Meets Brands,…

  • Paul Gilroy

    Schwarzer Atlantik Moderne und doppeltes Bewusstsein

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    Ereignis und Geschichte. Die Internationalen Ferienkurse…

  • dérive

    dérive N° 100 Zeit – Planung und Alltag (Juli - Sept 2025)…

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    The Educational Web: Reader

  • Redaktion Protocol

    Protocol 15. R.I.P. – remember me

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    Unearthing the Music

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    100 Words for Water. A Projective Ecosocial Vocabulary

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    Universal Prostitution and Modernist Abstraction. A…

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    What's Next for Mom and Dad's House?

  • Transforming Solidarities (Hg.)

    Solidaritäten transformieren. Praktiken und Infrastrukturen…

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    Anthony Dunne, Fiona Raby

    Not Here, Not Now. Speculative Thought, Impossibility, and…

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  • Hal Foster

    Fail Better. Reckonings with Artists and Critics

  • Charlotte Malterre-Barthes (Hg)

    On Architecture and Work. The Political Economy of Space…

  • Mario Asef, Golo Föllmer, Georg Klein,…

    Errant Sound Reader. Thoughts and Practies from the Berlin…

  • Katía Truijen and Brandon LaBelle (Eds)

    Epistemic Imaginaries. Learning as Festivity

  • gerade nicht auf Lager
    Brandon LaBelle

    Poetics of Listening: Inner Life, Social Transformation,…

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    Finance Aesthetics. A Critical Glossary

  • gerade nicht auf Lager
    IDEA Magazine

    Idea 410. Shaping Fear: Visualizing Terror and Unease in…

  • gerade nicht auf Lager
    IDEA Magazine

    Idea 409. In Search of Beautiful Books: Manuscripts from…

  • Spike

    Spike Art Magazine ISSUE 84 Vulgarity

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    Ricardo Bofill. Visions of Architecture

  • Ben Murphy

    Ears to the Ground. Adventures in Field Recording &…

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    Justin Patrick Moore

    The Radio Phonics Laboratory. Telecommunications, Speech…

  • Miriam Oesterreich

    Branching Out. Botanical Metaphors and Worlding Art History…

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    Esther Buss

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    Max Turnheim

    The Use of Space

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    Reading Ecologies: Transforming Publishing in Africa

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    Optically Suspicious

  • Egon Erwin Kisch

    Karl Marx in Karlsbad

  • Luc Merx

    Cairo’s Plaster Casts

  • Beatrice Leanza

    The New Design Museum. Co-creating the Present, Prototyping…

  • Hito Steyerl

    Medium Hot. Images in the Age of Heat

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    Martina Angelotti, Matteo Lucchetti,…

    Visible. Art as Policies for Care. Socially Engaged Art (…

  • Pierre Hourquet, Christophe Daviet-…

    Ken Isaacs. How to Build your Own Living Structures

  • Christa Blümlinger (Hg.)

    Teri Wehn Damisch: Transatlantic Crossings Between the Arts

  • gerade nicht auf Lager
    Pauline Oliveros

    Pauline Oliveros. Quantum Listening

  • Zasha Colah (Hg)

    Passing the fugitive on / das flüchtge weitergeben. 13.…

  • Christian Nirvana Damato

    Multiplication of Organs. Body, Technology, Identity, Desire

  • Akshar Gajjar, Sonal Mithal

    Living Together. More-Than-Human Ecologies for…

  • Klittern (aesopica)

  • Françoise Fromonot

    The House of Dr Koolhaas

  • Adria Daraban, Frédéric Schnee (Hg.)

    New Tools Vol. 1. Architectural Discourses on the…

  • Mark Webber (Hg.)

    The Afterimage Reader

  • Jack Self (Ed.)

    Real Review #16

  • Aleksandr Delev (Ed.)

    Silicity Protocols. Issue #5. Imagine

  • Nataša Bodrožić , Antonia Vodanović (…

    (DIS)TRUST THE STORYTELLER. THE CASE OF KRVAVICA CHILDREN…

  • cover Fabien Girardin, Julian Bleecker…

    The Manual of Design Fiction

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    Morgane Billuart

    Becoming the Product. The Critical Internet Researcher as a…

  • Melanie Isverding, Thomas Düllo,…

    texturen Nr. 9 - Schmucken

cover IDEA No.400

IDEA 400. Graphic Design Recollections & Records: Design Archives as a Creative Resource

Archiving—the act of preparing the past for future use through the organization of material and works collected and stored carefully—has been spearheaded throughout Japan mainly by art museums, museums, and university libraries. There has been a growing interest in archiving in the areas of culture and art. This has accompanied the wave of digitization and emergence of media art seen since the early 2000s, and has led to the emergence of businesses and organizations dealing in archival digitization, spurring deliberation on better ways to build and make use of enhanced creative databases.

Although poster collections and private archives of designers and artists who supported the dawn of modern design exist in museums across Europe and the United States, few parallels exist in Japan, and in many of those cases, there are no systems established at these design museums and design archives to make their stored resources available to the public. If we assume that the true purpose of an archive is to exist as an accumulation of useful, applicable wisdom, many design archives do not fall into this category: their major hurdle being lack of accessibility. Implementing a more accessible archive makes it possible to cultivate the historicized, systemized soil of design history for design research and criticism, which would lead directly to sowing the seeds of new creative activities. By extension, this will most certainly lead to regular harvests of wisdom that could cultivate better understanding of the resources collected and stored.

With this outlook in mind, this issue’s feature will introduce graphic design archives within Japan, including progressive examples. Though there are differences in the disposition and scale of materials in poster archives, individual designer archives, exhibition PR material archives, and typeface related material archives, we hope the feature—a record of the voices of those actually involved in archiving—will offer readers a chance to revisit the familiar issue of preserving design records. In addition, the latter half of this issue’s feature contains contributions and interviews offering a broader sense of archives in general. These have been compiled as topics that at some point may connect with future discussions, such as archival information from inside and outside Japan used in the field of historical research, how archival collections are perceived in an information-driven society, and the merit of paper media archives. The pages within this issue also contain a complete set of all IDEA cover designs from the very first all the way up to issue 399. It’s both an investigation into what an archive actually is, and also an enjoyable archive of IDEA itself.


IDEA Magazine
IDEA 400. Graphic Design Recollections & Records: Design Archives as a Creative Resource
Seibundo Shinkosha , 2022, IDEA400 2023.1
36,00 €