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  • Tiffany Potter, C.W. Marshall (Hg.)

    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

  • Jan Jelinek & Laura Mars Grp. (Hg.)

    Ursula Bogner. Pluto hat einen Mond

  • Luuk Boelens

    The Urban Connection. An Actor-Relational Approach to Urban…

  • Jürgen Mayer H., Neeraj Bathia (Hg.)

    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Atelier Bow-Wow

    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

  • Ericson, Frostner, Kyes, Teleman,…

    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

  • Viction:ary (Hg.)

    Colour Mania

  • Ziggy Hanaor

    Graphic Europe. An Alternative Guide to 31 European Cities

  • Nikolaos Kotsopoulos (Hg.)

    Krautrock. Cosmic Rock and its Legacy

  • Lucas Cappelli (Hg.)

    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

  • B. Steele, F. G. de Canales (Hg.)

    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

  • Christel Vesters (Hg.)

    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

  • Wouter Davidts, Kim Paice (Hg.)

    The Fall of the Studio. Artists at Work

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    Class Works. Weitere Beiträge zu vermittelnder,…

  • S. Komossa, K. Rouw, J. Hillen (Hg.)

    Colour in Contemporary Architecture

  • Jonathan Monk

    Blue Peter. Sixth Book

  • Jean-Luc Nancy

    Wahrheit der Demokratie

  • RoseLee Goldberg (Hg.)

    Everywhere and All at Once. Performa 07

  • Pascal Gielen, Paul De Bruyne (Hg.)

    Being an Artist in Post-Fordist Times. Arts in Society

  • Tim Rieniets, Jennifer Sigler, Kees…

    Open City. Designing Coexistence

  • Fredric Jameson

    Valences of the Dialectic

  • C. Parnet, P.-A. Boutang

    ABÉCÉDAIRE – Gilles Deleuze von A bis Z (3 DVD)

  • Johan Kugelberg (Hg.)

    The Velvet Underground. New York Art

  • Elisabeth Bronfen

    Crossmappings. Essays zur visuellen Kultur

  • Stephen Willats

    Doppelgänger

  • N. Grob, B. Kiefer, R. Mauer, J.…

    Kino des Minimalismus

  • Lars Müller (Hg.)

    Der Wind, das Licht ECM und das Bild

  • Ulrike Felsing

    Dynamische Erscheinungsbilder im kulturellen und…

  • Michael Hardt, Antonio Negri

    Commonwealth

  • Buckminster R. Fuller

    Education Automation: Comprehensive Learning for Emergent…

  • Buckminster R. Fuller

    Ideas and Integrities. A Spontaneous Autobiographical…

  • Steven Henry Madoff (Hg.)

    Art School. Propositions for the 21st Century

  • Simon Lamunière (Hg.)

    Utopics. Systems and Landmarks

  • Gerald Raunig, Gene Ray (Hg.)

    Art and Contemporary Critical Practice

  • Knut Ebeling, Stephan Günzel (Hg.)

    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Franziska Morlok, Till Beckmann

    Extra. Enzyklopädie der experimentellen Druckveredelung

  • Architectural Association (Hg.)

    AA Book. Projects Review 2009

  • Florian Idenburg (Hg.)

    The SANAA Studios 2006-2008. Learning from Japan

  • Simon Reynolds

    Totally Wired. Postpunk Interviews and Overviews

  • Paul Stiff (Hg.)

    Modern Typography in Britain. Graphic Design, Politics and…

  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Scott MacDonald

    Adventures of Perception. Cinema as Exploration. Essays/…

  • Radical Philosophy

    157 - September/October 2009

  • Nina Chakrabarti

    My Wonderful World of Fashion. A Book for Drawing, Creating…

  • Claudia Basrawi

    Mittelmeer Anämie - Damaskus, Beirut, Kairo

  • Rob Young (Hg.)

    The Wire Primers. A Guide to Modern Music

  • Charlotte Klonk

    Spaces of Experience. Art Gallery Interiors from 1800 to…

  • R. Klanten, S. Ehmann, B. Meyer (Hg.)

    Papercraft. Design and Art with Paper

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    def - drafts establishing future

  • Vince Aletti

    The Disco Files 1973-78. New York's Underground, Week…

  • Open 17

    A Precarious Existence. Vulnerability in the Public Domain

  • El Croquis 145

    Christian Kerez 2000-2009

  • Lutz Hieber, Stephan Moebius (Hg.)

    Avantgarden und Politik. Künstlerischer Aktivismus von Dada…

  • Wilfried Kuehn, Doreen Mende, Stephan…

    Displayer 03

  • Lutz Bacher

    Smoke Gets in Your Eyes

  • Design2context (Hg.)

    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

  • Petra Schmidt, Nicola Stattmann

    Unfolded. Papier in Design, Kunst, Architektur und Industrie

  • Mona Vatamanu, Florin Tudor

    Dissolving Absolute Structures

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Blätter für deutsche und internationale…

    Das Ende des Kasino-Kapitalismus? Globalisierung und Krise

  • N. Schüller, P. Wollenberg, K.…

    Urban Reports. Urban strategies and visions in mid-sized…

  • Arundhati Roy

    Listening to Grasshoppers. Field Notes on Democracy

  • Anne Verlhac (Hg.)

    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

  • Lars Spuybroek (Hg.)

    The Architecture of Variation (Research & Design)

Introduction to Civil War (Semiotexte)

"Society no longer exists, at least in the sense of a differentiated whole. There is only a tangle of norms and mechanisms through which THEY hold together the scattered tatters of the global biopolitical fabric, through which THEY prevent its violent disintegration. Empire is the administrator of this desolation, the supreme manager of a process of listless implosion."
(from Introduction to Civil War)
Society is not in crisis, society is at an end. The things we used to take for granted have all been vaporized. Politics was one of these things, a Greek invention that condenses around an equation: to hold a position means to take sides, and to take sides means to unleash civil war. Civil war, position, sides—these were all one word in the Greek: stasis. If the history of the modern state in all its forms—absolute, liberal, welfare—has been the continuous attempt to ward off this stasis, the great novelty of contemporary imperial power is its embrace of civil war as a technique of governance and disorder as a means of maintaining control. Where the modern state was founded on the institution of the law and its constellation of divisions, exclusions, and repressions, imperial power has replaced them with a network of norms and apparatuses that conspire in the production of the biopolitical citizens of Empire.
In their first book available in English, Tiqqun explores the possibility of a new practice of communism, finding a foundation for an ontology of the common in the politics of friendship and the free play of forms-of-life. They see the ruins of society as the ideal setting for the construction of the community to come. In other words: the situation is excellent. Now is not the time to lose courage.


Tiqqun
Introduction to Civil War (Semiotexte)
MIT Press, 2010, 978-1584350866