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    Working with Color. Library of 400 Combinations

  • Prem Krishnamurthy, Asad Raza (Hg)

    How Can We Gather Now?

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    Beneath the Surface. Deep Listening, Buried Narratives, and…

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    Zwischen Pixel und Pigment: Malerei in der postdigitalen…

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    Charlotte Malterre-Barthes / Eds.:…

    A Moratorium on New Construction. Charlotte Malterre-Barthes

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    Kunst, Spektakel und Revolution No. 9.

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    AUTO-CORRECT. The Fantasies and Failures of AI, Ethics, and…

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    Jessica Backsell

    Provoking the Freeport Magic: Art Assemblage in Late…

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    Henriette Waal, Clemens Driessen (Hg)

    Water Works. Eco-Social Design

  • Josephine Berry

    Planetary Realism. Art Against Apocalypse

  • Nils C. Kumkar

    Polarisierung. Die Ordnung der Politik

  • Clément Gilles, Coloco, Civic City (Hg)

    Planetary Gardener. Life First

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    Home is Where the Heart Strives

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    Chronograms of Architecture

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    Nick Axel, Javier Peña Ibáñez (eds.)

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    Exocapitalism. Economies with absolutely no limits

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    Birgit Wiens

    Bühne. Perspektiven der Szenografie und Performance Design…

  • Marcel Bächtiger

    Kino-Obsessionen - Le Corbusier, die Architektur und der…

  • Matas Petrikas

    The Joy of Electronic Music

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    In the Daylight of Our Existence. Architectural History and…

  • Rachel Pafe, Mimi Howard (eds.)

    Reading Roses in Constellation

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    Unlearning Routines of the Impossible Casco

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    Dance Or Die: A History of Hardcore

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    Stevphen Shukaitis, Joanna Figiel

    The Wages of Dreamwork.

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    Brian Massumi

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    Rasheedah Phillips

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  • Andy Crysell

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    Protocol 15. R.I.P. – remember me

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    Unearthing the Music

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    100 Words for Water. A Projective Ecosocial Vocabulary

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  • Jenny Schlenzka, Julia Grosse

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    Anthony Dunne, Fiona Raby

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    Stephanie Loveless (Ed.)

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    Hal Foster

    Fail Better. Reckonings with Artists and Critics

  • Charlotte Malterre-Barthes (Hg)

    On Architecture and Work. The Political Economy of Space…

  • Mario Asef, Golo Föllmer, Georg Klein,…

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  • Katía Truijen and Brandon LaBelle (Eds)

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    Brandon LaBelle

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  • IDEA Magazine

    Idea 410. Shaping Fear: Visualizing Terror and Unease in…

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    Idea 409. In Search of Beautiful Books: Manuscripts from…

  • Spike

    Spike Art Magazine ISSUE 84 Vulgarity

  • gestalten & Ricardo Bofill

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    Ben Murphy

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  • Miriam Oesterreich

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  • Anne Carson

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  • Esther Buss

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    Max Turnheim

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    Reading Ecologies: Transforming Publishing in Africa

  • Forty five degrees

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    Matrijaršija

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  • Luc Merx

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  • Hito Steyerl

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    Pauline Oliveros

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    The Manual of Design Fiction

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    Robert Klanten, Joe Gibbs

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    Stresstest. Der Deutsche Pavillon auf der 19.…

  • Erhard Schüttpelz

    Medium, Medium. Elemente einer Anthropologie

  • Omar El Akkad

    Eines Tages werden alle immer schon dagegen gewesen sein

  • Stefan Rettich, Sabine Tastel

    Die obsolete Stadt. Wege in die Zirkularität

  • Tavia Nyong'o

    Black Apocalypse. Afrofuturism at the End of the World

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    Évelyne Gayou

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Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118
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