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  • Hans Ulrich Obrist

    Kuratieren!

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    The Universe of Things. On Speculative Realism

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    The Experimenters. Chance and Design at Black Mountain…

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    How to do things left

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    The Physiology of the Employee

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    Come Together. The Rise of Cooperative Art and Design

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    Public Collectors

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    INAESTHETICS #4 Philosophy!

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    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

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    The Metabolic Landscape. Perception, Practice and the…

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    Thought by Hand. The Architecture of Flores & Prats

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    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Open Form. Space, Interaction, and the Tradition of Oskar…

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    Sigfried Kracauer. Photographic Archive

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    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

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    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

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    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

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    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

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    Women's Work. Is Never Done

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    The Shape of Evidence. Contemporary Art and the Document (…

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    New Management

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    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

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    Curating Research

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    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

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    Torpor (Roman)

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    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

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    The Idea of the Avant Garde And What It Means Today

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    Jean-Luc Godard/JLG: Selbstporträt im Dezember

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    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

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    Zipper Keeper 2015

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    Architecture, Politics, and Identity in Divided Berlin

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    Dächerstreit: Flachdach/Steildach

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    Textures of The Anthropocene. Grain Vapor Ray

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    The Past's Threshold. Essays on Photography

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    Bug Report. Digital war besser

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    Trouble in Paradise. From the End of History to the End of…

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    Other Planes of There

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    The Architecture of Use. Aesthetics and Function in…

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    Folklore U.S.

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    Hystericizing Germany

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    Utopien vermeiden. Avoiding Utopias

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    Can Jokes Bring Down Governments? Memes, Design and…

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    Interplay. Neoconceptual Art of the 1980s

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    The Architecture of Error. Matter, Measure, and the…

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    Retracing the Expanded Field

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    IN A QU*A*RE TIME AND PLACE

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    Psychopolitik. Neoliberalismus und die neuen Machttechniken

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    Portikus Printing Plant and Portikus Sounds

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    Lebbeus Woods, Architect

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    The Intervals of Cinema

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    Preservation Is Overtaking Us (Gsapp Transcripts)

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    Performance Projections. Film and The Body in Action

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    Lina Bo Bardi 100. Brasiliens alternativer Weg in die…

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    ElectriCity. Elektronische Musik aus Düsseldorf

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    Museum Off Museum

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    Lygia Clark. The Abandonment of Art

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    Fifties House. House & Garden

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    The Choreographic

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    The Universal Addressability of Dumb Things

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    Modetheorie. Klassische Texte aus vier Jahrhunderten

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    Interieur und Bildtapete. Narrative des Wohnens um 1800

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    Designing Everyday Life

Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118