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  • Morten Paul

    Suhrkamp Theorie. Eine Buchreihe im philosophischen…

  • David Vaner, Ilka Ruby (Hg.)

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  • Helen Thomas (Ed.)

    Architecture in Islamic Countries. Selections from the…

  • Carolin Amlinger, Oliver Nachtwey

    Gekränkte Freiheit. Aspekte des libertären Autoritarismus

  • Nicholas Mirzoeff

    White Sight. Visual Politics and Practices of Whiteness

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    Radical Sympathy

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    Earth and Beyond in Tumultuous Times. A Critical Atlas of…

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    Epistemic Artefacts. A Dialogical Reflection on Design…

  • Chris Lee

    Immutable. Designing History

  • common room, Cornelia Escher

    Negotiating Ungers 2 - The Oberhausen Institute and the…

  • Gülşah Stapel

    Recht auf Erbe in der Migrationsgesellschaft

  • James Bridle

    Die unfassbare Vielfalt des Seins

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  • dérive N° 90 (Jan-Mar/2023). Zeitschrift für Stadtforschung

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    New Extractivism

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    Dream Lovers. The Gamification of Relationships

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    Designing for Interdependence. A Poetics of Relating

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    Design History Beyond the Canon

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    Designing Cultures of Care

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    The Color of Modernism. Paints, Pigments, and the…

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    Deviant Design. The Ad Hoc, the Illicit, the Controversial

  • Felix Stalder, Janez Fakin Jansa (eds)

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    Marion von Osten: Knüppel aus dem Sack. Tyna Fritschy: Das…

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    Marion von Osten. In the Making: "In the Desert of…

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    Protocol 13. Adrenalin

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    Visible, Invisible

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    From Printing to Streaming. Cultural Production under…

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    Ökologien des Prekären. Zu einer Theorie des Haltens

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  • Marie-France Rafael

    Passing Images. Kunst in post-digitalen Zeiten

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    Democracy in the Political Present. A Queer-Feminist Theory

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    Mensch ohne Welt. Eine Soziologie spätmoderner…

  • Laura Tripaldi

    Parallel Minds. Discovering the Intelligence of Materials

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    Aussterben. Eine radikale Geschichte

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    Posthuman Studies Reader. Core Readings on Transhumanism,…

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    Mimetische Milieus. Eine Ästhetik der Reproduktion

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    Good night the pleasure was ours.

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    Brutalism as Found. Housing, Form, and Crisis at Robin Hood…

  • Andreas Schätzke

    Verzweigte Moderne. Beiträge zur Architektur des 20.…

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  • Judith Butler

    What World Is This? A Pandemic Phenomenology

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    The Black Technical Object. On Machine Learning and the…

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    Vers un art anthropocène

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    The Listening Biennial Reader. Vol. 1: Waves of Listening

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    Arch+ 250.The Great Repair. Politiken einer…

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    Architekturkritiken 1962-2003. Hermann Funke

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    Fashion as Creative Economy. Micro-Enterprises in London,…

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    Science Studies Meets Colonialism

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    The Invention of Green Colonialism

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    IDEA 400. Graphic Design Recollections & Records:…

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    Breathing Room. A dialogue with Lakuti & Tama Sumo. Ein…

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    Circular Design. Towards Regenerative Territories

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    Against the Commons: A Radical History of Urban Planning

  • Donika Luzhnica & Jonas König (ed.)

    Prishtina in 53 Buildings

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    Housing as Commons. Housing Alternatives as Response to the…

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    Sprengkraft Raum. Architektur um 1970 von Esther und Rudolf…

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    Kazuo Shinohara: The Umbrella House Project

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    Assembling a Black Counter Culture

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    The Beach Machine. Making and Operating the Mediterranean…

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    Make Do With Now: New directions in Japanese Architecture

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    ICC Berlin. Zara Pfeifer

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    Berlin. Urbane Architektur und Alltag seit 2009

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    Assuming Asymmetries. Conversations on Curating Public Art…

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    The Nature of Tomorrow. A History of the Environmental…

  • András Szántó

    Imagining the Future Museum. 21 Dialogues with Architects

Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118