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  • Maurizio Lazzarato

    Governing by Debt

  • Slavs and Tatars

    Mirrors for Princes

  • Benjamin H. D. Buchloh

    Formalism and Historicity. Models and Methods in Twentieth-…

  • Blaine Brownell, Marc Swackhamer

    Hypernatural. Architecture's New Relationship with…

  • David Maroto, Joanna Zielińska (Ed.)

    Artist Novels. The Book Lovers Publication

  • Franco »Bifo« Berardi

    Der Aufstand. Über Poesie und Finanzwirtschaft

  • Claire Doherty (Ed.)

    Out of Time, Out of Place. Public Art (Now)

  • Anthony Gardner

    Politically Unbecoming. Postsocialist Art against Democracy

  • Monika Rinck

    Risiko und Idiotie. Streitschriften

  • Kristien Ring, AA Projects, SenStadtUm…

    Urban Living. Strategien für das zukünftige Wohnen

  • Annette Kelm

    Subjects and Objects

  • Lou Cantor, Clemens Jahn (Eds.)

    Turning Inward

  • Ina Conzen (Hg.)

    Oskar Schlemmer. Visionen einer neuen Welt

  • Shumon Basar, Douglas Coupland, Hans…

    The Age of Earthquakes. A Guide to the Extreme Present

  • Hilde van Gelder (Ed.)

    Allan Sekula. Ship of Fools/The Dockers' Museum

  • Lisa Lee (Ed.)

    Isa Genzken (October Files)

  • John Miller

    Mike Kelley. Educational Complex

  • David Adjaye

    Form, Heft, Material

  • Shumon Basar, Douglas Coupland, Hans…

    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

  • Bill Dietz

    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

  • Sigrid Weigel

    Grammatologie der Bilder

  • Joseph Vogl

    Der Souveränitätseffekt

  • Marco Ornella

    9999. An Alternative to One-Way Architecture

  • Manuel Herz (Ed.)

    African Modernism

  • Elisa van Joolen

    Elisa van Joolen. 11"x17" Reader

  • Gregoire Chamayou

    Drone Theory

  • Lisa Smirl

    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

  • Marc-Camille Chaimowicz

    Madame Bovary

  • Philipp Felsch

    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

  • Luis Carranza, Fernando Lara

    Modern Architecture in Latin America. Art, Technology, and…

  • Adrian George

    The Curator's Handbook. Museums, Commercial Galleries…

  • Renate Lorenz (Ed.)

    Not Now! Now! Chronopolitics, Art & Research

  • Anne Waak

    Hartz IV und wir

  • Anna-Sophie Springer & Etienne…

    Fantasies of the Library

  • Anna-Sophie Springer & Etienne…

    Land & Animal & Nonanimal

  • Raumlaborberlin (Ed.)

    Art City Lab. Neue Räume für die Kunst

  • Jean-Paul Martinon (Ed.)

    The Curatorial. A Philosophy of Curating

  • Ulrike Gerhardt, Susanne Husse (Hg.)

    The Forgotten Pioneer Movement: Guidebook

  • SCALE

    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

  • Susanne Hauser, Claus Dreyer (Hg.)

    Das Konkrete und die Architektur

  • Harald Bodenschatz, Piero Sassi, Max…

    Urbanism and Dictatorship. A European Perspective

  • Chris Tedjasukmana

    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

  • Isabell Lorey

    State of Insecurity. Government of the Precarious

  • Paolo Virno

    Deja Vu and the End of History

  • Robert Delaunay

    Sonia Delaunay. Fashion and Fabrics

  • Maria Zinfert (Hg.)

    Siegfried Kracauer. Fotoarchiv

  • Christian Thun-Hohenstein (Ed.)

    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

  • Olivia de Oliveira

    Lina Bo Bardi. Built Work. Obra construida

  • Eduard Sancho Pou

    Function Follows Strategy. Architects' Strategies from…

  • Orit Halpern

    Beautiful Data

  • Manfred Mohr, Margit Rosen

    Der Algorithmus des Manfred Mohr

  • Stephanie Kloss

    Weltausstellung

  • Robin Mackay (Ed.)

    Collapse: Philosophical Research and Development: Casino…

  • Gregory J. Markopoulos

    Film as Film. The Collected Writings of Gregory J.…

  • Andrea Büttner

    Immanuel Kant. Kritik der Urteilskraft

  • Andri Gerber

    Metageschichte der Architektur. Ein Lehrbuch für angehende…

  • Hans Ulrich Obrist

    Kuratieren!

  • Steven Shaviro

    The Universe of Things. On Speculative Realism

  • Florian Böhm, Annahita Kamali

    Everything is Connected. Home Collection (Vitra)

  • Eva Diaz

    The Experimenters. Chance and Design at Black Mountain…

  • Berlin Projects

    Startup Berlin Guide

  • David Ostrowski

    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

  • S AM 12

    Translations

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

  • Marc Bedarida (Ed.)

    Le Corbusier. Aventures Photographiques

  • Markus Weisbeck, Mathias Schmitt,…

    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

  • Mark Leckey

    On Pleasure Bent

  • Axel Wieder, Florian Zeyfang (Eds.)

    Open Form. Space, Interaction, and the Tradition of Oskar…

  • Maria Zinfert (Hg.)

    Sigfried Kracauer. Photographic Archive

  • Clog

    World Trade Center

  • Marta Herford (Ed.)

    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

  • Hubertus Butin (Hg.)

    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

  • Reinhard Seiss

    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

  • Felix Ensslin, Charlotte Klink (Eds.)

    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

  • Simon Denny

    New Management

  • Henning Schmidgen

    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

  • Paul O'Neill & Mick Wilson (Ed…

    Curating Research

  • Hans-Jürgen Hafner, Gunter Reski (Hg.)

    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

  • Chris Kraus

    Torpor (Roman)

  • Gerald Raunig

    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

  • Marc James Léger (Ed.)

    The Idea of the Avant Garde And What It Means Today

  • Jean-Luc Godard

    Jean-Luc Godard/JLG: Selbstporträt im Dezember

  • Dombois, Fliescher, Mersch, Rintz (Hg.)

    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

Judgment and Contemporary Art Criticism

Over the course of the past decade, we have seen unrelenting levels of market speculation in contemporary and historical art at the same moment that global conflict and war has escalated and world economies have begun to crumble. Concurrent to these developments, there has been a new wave of interest directed toward the efficacy and function of art criticism. Judgment and Contemporary Art Criticism will engage with many of the key issues coming out of these conversations, specifically returning to the role of judgment and valuation in contemporary art writing.
Described by Joseph Koerner and Lisbet Rausing as the “troubled objects of criticism,” value and judgment are—and have always been—at the forefront of debates about the social function of the art critic. For many, the end of the twentieth century saw the mitigation of the importance of critical valuation established within high modernist discourses. Instead, many critics argued for a more open dialogue between texts and objects, pursuing modes of critique that allowed for the exploration of ambiguity and interpretation, thus detaching art writing from questions of quality.
With the start of the new millennium, a growing chorus of critics began to suggest that a return to judgment was a remedy to the cauterized state of contemporary art criticism. Yet can judgment operate within new modalities of writing that hold open a reflexive space for ambiguity and dialogue? How would these new forms read? If, as Boris Groys has claimed, critical discourse today is an attempt to “bridge the divide” between the “inherited older public office” of the critic who judged art “in the name of the public” and the “avant-garde’s betrayal of this office,” can new forms of criticism remake judgment anew, without explicit determinations of quality?
Participants
* Jo-Anne Birnie Danzker, Vancouver
* Jeff Derksen, Vancouver
* Diedrich Diederichsen, Berlin
* Maria Fusco, London
* Markus Miessen, Berlin
* Tom Morton, London
* John O’Brian, Vancouver
* Kristina Lee Podesva, Vancouver
* Jordan Strom, Vancouver
* William Wood, Vancouver
* Tirdad Zolghadr, Berlin


Artspeak / Fillip Editions
Judgment and Contemporary Art Criticism
Folio Series, 2010, 978-0-9738133-6-4