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  • Natalie Czech

    I can not repeat what I hear

  • Stefan Banz

    Jeff Wall. Mit dem Auge des Geistes

  • Florian Pfeffer

    To Do. Die neue Rolle der Gestaltung in einer veränderten…

  • Ernesto Laclau

    The Rhetorical Foundations of Society

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    Cute Farm Animals

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    Panaesthetics. On the Unity and Diversity of the Arts

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    Performing the Sentence. Research and Teaching in…

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    Broadcasting Buildings. Architecture on the Wireless, 1927-…

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    re.act.feminism. A Performing Archive

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    Material Innovation. Architecture

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    The Right to Brand

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    An Ecosystem of Excess

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    The Acoustic City

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    Akram Zaatari. Film as a Form of Writing

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    Truth Is Concrete. A Handbook for Artistic Strategies in…

  • Jan Svankmajer

    Touching and Imagining. An Introduction to Tactile Art

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    Farbige Lichträume. Manifestationen einer Veränderung des…

  • Olaf Habelmann

    Die Trauben auf deinem Bauch bilden ein Muster

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    Too Much World. The Films of Hito Steyerl

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    L.I.E. Lists of Ten Books

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    Eco-Aesthetics. Art, Literature and Architecture in a…

  • Nikolaus Hirsch, Markus Miessen (Ed.)

    Subtraction. Keller Easterling. Critical Spatial Practice 4

  • Tom Steinert

    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

  • Christine Ross

    The Past is the Present; It's the Future Too

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    Radikal ambivalent. Engagement und Verantwortung in den…

  • Katharina Roters

    Hungarian Cubes. Subversive Ornamente im Sozialismus

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    The Decision Between Us. Art and Ethics in the Time of…

  • Ugo Mulas

    Cirque Calder

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    Baukunst der Nachkriegsmoderne. Architekturführer Berlin…

  • Laura Bruns

    Stadt Selber Machen. Ein Handbuch

  • Michael Fried

    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

  • Henri Lefèbvre

    Die Revolution der Städte. La Revolution urbaine

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    Theorie und Gestaltung im Zweiten Maschinenzeitalter

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    Le Corbusier. Béton Brut und der unbeschreibliche Raum (…

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    From a Nation Torn. Decolonizing Art and Representation in…

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    Conditional Design Workbook

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    Appendix

  • Marketa Uhlirova (Ed.)

    Birds of Paradise. Costume as Cinematic Spectacle

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    Social and Political Theory. No. 1

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    Architecture. A Historical Perspective

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    The Duchamp Dictionary

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    Das Urbane. Wohnen. Leben. Produzieren

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    Lina Bo Bardi. The Theory of Architectural Practice

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    My House, My Paradise. The Construction of the Ideal…

  • Dieter Rams

    Less but better. Weniger, aber besser

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    The Wes Anderson Collection

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    On Architecture. Melvin Charney, a Critical Anthology

  • Adaptive Actions

    Heteropolis

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    Peter Zumthor. 1985–2013

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    Ohne Mich

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    La Défense. Métro, boulot, dodo

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    Ecologies, Environments, and Energy Systems in Art of the…

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    John Knight

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    Grundrissfibel. 50 Wettbewerbe im gemeinnützigen…

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    Why Architects Still Draw

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    Forensis. The Architecture of Public Truth

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    Participation Is Risky. Approaches to Joint Creative…

  • Clog 10

    Prisons

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    Schizo-Culture

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    Die Kunst des urbanen Handelns. The Art of Urban…

  • Verena Gerlach

    Karbid. Berlin - De La Lettre Peinte.. / Von Schriftmalerei…

  • Matt Ratto, Megan Boler (Eds.)

    DIY Citizenship. Critical Making and Social Media

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    Passing On History. Design Contribution To Knowledge…

  • Zeuler R. M. de A. Lima

    Lina Bo Bardi

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    Le Corbusier et la question du brutalisme. LC au J1

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    Always the Same Faces. Aus dem Alltag philippinischer…

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    Berlin Art Scene

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    Miami

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    TEXT Gespräche

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    They Can't Represent Us! Reinventing Democracy from…

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    A School for Design Fiction

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    Wissenschaftssprache digital. Die Zukunft von gestern

  • Deyan Sudjic

    B is for Bauhaus. An A-Z of the Modern World

  • Andy Merrifield

    The New Urban Question

  • Hans Ulrich Obrist

    Ways of Curating

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    SMAREAZY 001 12"EASTER, Champagne 121212 / Children…

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    Anke Westermann. Atlas

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    Schöne Neue Arbeit / Brave New Work. Ein Reader zu Harun…

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    Der Gang der Dinge. Welche Zukunft haben photographische…

  • Emil Ruder

    Fundamentals

  • Graham Cairns

    The Architecture of the Screen

  • Andrej Holm

    Mietenwahnsinn

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    Kill Your Darlings

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    Records By Artists. 1958-1990

  • Beatrix Ruf, Julia Stoschek, Thomas D.…

    Ed Atkins

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    Der Schatten des Fotografen

  • Marta Kuzma (Ed.)

    Big Sign - Little Building

  • Martin Herbert

    The Uncertainty Principle

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    Reclaim Berlin. Soziale Kämpfe in der neoliberalen Stadt

  • Cathy Lane, Angus Carlyle

    In the Field. The Art of Field Recording

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    Über Pop-Musik

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    Ein kritischer Modus? Die Form der Theorie und der Inhalt…

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    Entfesselung der Architektur. Der Architekt: Baumeister…

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    Arts-Based Research

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    Lacan. In Spite Of Everything

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    Neue Baukunst. Architektur der Moderne in Bild und Buch

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    Architektur - Form und Emotion. Architecture - Form and…

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    Die Macht der Enteigneten. Das Performative im Politischen

Landmark

As our built environment evolves, we must continually decide what is worth keeping. A significant percentage of buildings today—particularly in Western nations—are preserved through imposed guidelines. While there are myriad reasons why a building or site may warrant preservation, being deemed a landmark is one of the most powerful and complicated.
Architecture's complicated relationship with wider social issues is laid bare through the process of landmarking, in which only one of six criteria—as outlined by the United States National Historic Landmarks program—mentions architectural merit. Furthermore, while structures were previously landmarked after having withstood the test of time, we now consider preserving comparatively young buildings and debate the historical value of unbuilt structures. By designating local, national, and international landmarks and landmark districts, societies officially declare which buildings and places possess cultural value. What are the bases for making these decisions, and what does this mean for the future? With many important buildings facing the wrecking ball and an increasing number of buildings receiving landmark status, it is time to critically discuss how we both let go of and hold onto the past.
Contributors
Timothy Allanbrook, FAIA, simon Battisti, Dorin Baul, Rachel Berger, Willis Bigelow, Danny Wills, Ashley Bigham, Erik William Herrman, Aiden Bowman, Gabrielle Brainard, Hamed Bukhamseen, Ali Karimi, Kevin Bukowski, David Karle, Liz Szatko, Matthew Carbone, Roy Cloutier, Archie Lee Coates IV, Hana Cohn, Lukas Debiasi, Ozge Diler Himes, Natalya Egon and Noel Turgeon, Adam Feldman, Ana Rita Folgado, Maria S. Martins, Jeffrey Franklin, Alix Friedman, Iker Gil, Duncan Harding, John Hill, Julia van den Hout, INC_A, Aki Ishida, Harry Kendall, Andrew Kenney, Joss Kiely, Marisa Kolodny, Jeffrey Kruth, Nicole Lambrou, Stephanie Lee, Adam Lowe, Thomas Lozada, Kyle May, Craig William McCormack, Deirdre McDermott, Nicholas McDermott, John Q McDonald, Norman McGrath, Henry Moll, Jorge Otero-Pailos, Martin Parr, Jacob Reidel, Bryony Roberts, Sam Roche, James Russiello, Khyati Saraf, Patrick Sarmiento, Phoebe Springstubb, Dan Wilkinson, Gary Wolf and Carl Yost.


Clog
Landmark
Clog, 2015, 978-0-9904224-3-3