Direkt zum Inhalt

Warenkorb

  • Bechir Kenzari (Hg.)

    Architecture and Violence

  • Roger Thiel

    Anarchitektur

  • Charles Jencks

    The Story of Post-Modernism

  • Toru Hachiga (Hg.)

    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Yvonne Rainer

    Poems

  • Alan Pipes

    How to Design Websites

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

  • Rem Koolhaas, Hans Ulrich Obrist (Hg.)

    Project Japan. An Oral History of Metabolism

  • Florian Urban

    Tower and Slab. Histories of Global Mass Housing

  • Roman Ondák

    Loop

  • Marit Paasche, Judy Radul (Hg.)

    A Thousand Eyes. Media Technology, Law, and Aesthetics

  • Wolfgang Sonne (Hg.)

    Die Medien der Architektur

  • Museum für Gestaltung Zürich (Hg.)

    Poster Collection 23. In Series

  • Barry Kernfeld

    Pop Song Piracy. Disobedient Music Distribution Since 1929

  • Andrea Cornwall (Hg.)

    The Participation Reader

  • Franco "Bifo" Berardi

    After the Future

  • 51N4E

    Double or Nothing

  • Molly Jane Quinn, Jenna Talbott

    It's Lonely in the Modern World

  • Thomas Meinecke

    Lookalikes

  • Moritz Baßler, Robin Curtis, et al. (Hg…

    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • M. Berner, A. Hoffmann, B. Lange

    Sensible Sammlungen. Aus dem anthropologischen Depot

  • Simon Rothöhler

    Amateur der Weltgeschichte. Historiographische Praktiken im…

  • Gregor Eichinger, Eberhard Tröger

    Touch Me! Das Geheimnis der Oberfläche

  • Gestalten (Hg.)

    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

  • Shannon Jackson

    Social Works. Performing Art, Supporting Publics

  • Hal Foster

    The Art-Architecture Complex

  • Thomas Hirschhorn

    Establishing a Critical Corpus

  • Andrej Holm, Klaus Lederer, Matthias…

    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

  • Lars Spuybroek

    The Sympathy of Things

  • Jarett Kobek

    Atta (Semiotext(e) / Intervention)

  • Stan VanDerBeek

    The Culture Intercom

  • A. Moravánszky, J. Hopfengärtner (Hg.)

    Aldo Rossi und die Schweiz. Architektonische…

  • metroZones (Hg.)

    Urban Prayers – Neue religiöse Bewegungen in der globalen…

  • Marta Herford, Markus Richter (Hg.)

    Wir sind alle Astronauten. Richard Buckminster Fuller

  • Jürgen Teller

    Touch Me

  • Huber, Meltzer, Munder, von Oppeln (Hg.)

    Kunst und Design im erweiterten Feld. It's Not a…

  • Lukas Feireiss,Ole Bouman

    Testify! The Consequences of Architecture

  • Marie J. Aquilino

    Beyond Shelter. Architecture for Crisis

  • El Croquis 156

    Valerio Olgiati 1996-2011

  • Pier Vittorio Aureli

    The Possibility of an Absolute Architecture

  • Anne Mikoleit, Moritz Pürckhauer

    Urban Code. 100 Lessons for Understanding the City

  • Mieke Gerritzen, Geert Lovink, Minke…

    I Read Where I Am. Exploring New Information Cultures

  • Matt Mullican

    Notating the Cosmology 1973-2008

  • A. Fernández Per, J. Mozas, J. Arpa

    This is Hybrid. An analysis of mixed-use buildings by a+t

  • Arno Brandlhuber, Silvan Linden (Hg.)

    Disko 20-25 Architektur ohne Architektur

  • Craig Buckley, Jean-Louis Violeau (Hg.)

    Utopie. Texts and Projects, 1967–1978

  • Anne König, Paul Feigelfeld (Hg.)

    LIGNA. An Alle! Radio Theater Stadt

  • Jürgen Krusche, Günther Vogt

    Strassenräume in Berlin, Shanghai, Tokyo, Zürich. Eine foto…

  • Wim Crouwel

    A Graphic Odyssey - Catalogue

  • David Ake

    Source. Music of the Avant-garde, 1966 - 1973

  • Murray Grigor

    Infinite Space. Der Architekt John Launter. DVD

  • Yona Friedman

    Architecture with the People, by the People

  • Erik Swyngedouw

    Civic City Cahier 5. Designing the Post-Political City and…

  • Lars Lerup

    One Million Acres & No Zoning

  • Toyo Ito

    Tarzans in the Media Forest

  • M, Kelley, J. Shaw, Niagara, C, Loren

    Destroy All Monsters Magazine 1976-1979

  • Ntone Edjabe, Edgar Pieterse (Hg.)

    African Cities Reader II. Mobilities & Fixtures

  • M. Hlavajova, S. Sheikh, J. Winder (Hg.)

    On Horizons. A Critical Reader in Contemporary Art

  • Michael Sorkin

    All Over the Map. Writing on Buildings and Cities

  • Nadine Barth (Hg.)

    German Fashion Design 1946-2012

  • Simon Reynolds

    Retromania. Pop Culture's Addiction to its Own Past

  • Stan Allen, Marc McQuade (Hg.)

    Landform Building

  • Fredric Jameson

    Representing Capital. A Reading of Volume One

  • Magdalena Taube, Krystian Woznicki (Hg.)

    Modell Autodidakt

  • e-flux journal

    Are You Working Too Much? Post-Fordism, Precarity, and the…

  • PIE Books (Hg.)

    Paper & Cloth. Ready-to-Use Background Patterns(+DVD)

  • McKenzie Wark

    The Beach Beneath the Street. The Everyday Life and…

  • Pedro Barateiro, Ricardo Valentim (Hg.)

    Activity (is to a group what content is to platform)

  • El Croquis 155

    Sanaa 2008-2011

  • Laurie Anderson, Trisha Brown, Gordon…

    Pioneers of the Downtown Scene

  • Curtis, Rees, White, Ball (Hg.)

    Expanded Cinema. Art, Performance, Film

  • Kaminer, Robles-Dúran, Sohn (Hg.)

    Urban Asymmetries

  • Nico Stehr, Reiner Grundmann

    Die Macht der Erkenntnis

  • Hans Ulrich Obrist

    Ai Weiwei Speaks

  • Abel, Evers, Klaasen, Troxler (Hg.)

    Open Design Now. (why design cannot remain exclusive)

  • AA Bronson, Peter Hobbs

    Queer Spirits

  • Momus

    Solution 214-238. The Book of Japans

  • A. Avanessian, L. Skrebowski (Hg.)

    Contemporary Art and Aesthetics

  • 2G N. 57

    Njiric+ Architekti

  • Lucia Nagib

    World Cinema and the Ethics of Realism

  • Huda Smitshuijzen, Abi Fares (Hg.)

    Typographic Matchmaking in the City

  • H. F. Mallgrave, D. Goodman

    An Introduction to Architectural Theory. 1968 to the Present

  • D. Mertins, M. W. Jennings (Hg.)

    G: An Avant-Garde Journal of Art, Architecture, Design and…

  • Alexander Bolton

    Alexander McQueen. Savage Beauty

  • Marc Barbey (Hg.)

    Hommage à Berlin. Photographien

  • Jianping He (Hg.)

    Book Worm

  • Claire Doherty, Paul O'Neill (Hg.)

    Locating the Producers. Durational Approaches to Public Art

  • Professur Theorie und Geschichte der…

    Architecture in the Age of Empire / Architektur der neuen…

  • Garth A. Myers

    African Cities. Alternative Visions of Urban Theory and…

  • Jean-Louis Cohen

    Architecture in Uniform. Designing and Building for the 2nd…

  • Christopher Dell

    Replaycity. Improvisation als urbane Praxis

  • Hans Dickel, Lisa Puyplat (Hg.)

    Reading Susanne Kriemann

  • Byung-Chul Han

    Shanzhai. Dekonstruktion auf Chinesisch

Landmark

As our built environment evolves, we must continually decide what is worth keeping. A significant percentage of buildings today—particularly in Western nations—are preserved through imposed guidelines. While there are myriad reasons why a building or site may warrant preservation, being deemed a landmark is one of the most powerful and complicated.
Architecture's complicated relationship with wider social issues is laid bare through the process of landmarking, in which only one of six criteria—as outlined by the United States National Historic Landmarks program—mentions architectural merit. Furthermore, while structures were previously landmarked after having withstood the test of time, we now consider preserving comparatively young buildings and debate the historical value of unbuilt structures. By designating local, national, and international landmarks and landmark districts, societies officially declare which buildings and places possess cultural value. What are the bases for making these decisions, and what does this mean for the future? With many important buildings facing the wrecking ball and an increasing number of buildings receiving landmark status, it is time to critically discuss how we both let go of and hold onto the past.
Contributors
Timothy Allanbrook, FAIA, simon Battisti, Dorin Baul, Rachel Berger, Willis Bigelow, Danny Wills, Ashley Bigham, Erik William Herrman, Aiden Bowman, Gabrielle Brainard, Hamed Bukhamseen, Ali Karimi, Kevin Bukowski, David Karle, Liz Szatko, Matthew Carbone, Roy Cloutier, Archie Lee Coates IV, Hana Cohn, Lukas Debiasi, Ozge Diler Himes, Natalya Egon and Noel Turgeon, Adam Feldman, Ana Rita Folgado, Maria S. Martins, Jeffrey Franklin, Alix Friedman, Iker Gil, Duncan Harding, John Hill, Julia van den Hout, INC_A, Aki Ishida, Harry Kendall, Andrew Kenney, Joss Kiely, Marisa Kolodny, Jeffrey Kruth, Nicole Lambrou, Stephanie Lee, Adam Lowe, Thomas Lozada, Kyle May, Craig William McCormack, Deirdre McDermott, Nicholas McDermott, John Q McDonald, Norman McGrath, Henry Moll, Jorge Otero-Pailos, Martin Parr, Jacob Reidel, Bryony Roberts, Sam Roche, James Russiello, Khyati Saraf, Patrick Sarmiento, Phoebe Springstubb, Dan Wilkinson, Gary Wolf and Carl Yost.


Clog
Landmark
Clog, 2015, 978-0-9904224-3-3