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  • Geert Lovink

    Social Media Abyss. Critical Internet Cultures and the…

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    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

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    Spiritus

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    Mortal Cities and Forgotten Monuments

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    Sentiment Architectures. A Field Trip to Behaviour and…

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    Manifestly Haraway

  • A. Andraos, N. Akawi (eds)

    The Arab City: Architecture and Representation

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    Nervous Systems

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    Making Heimat. Germany, Arrival Country

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    Super Superstudio

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    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

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    Active Withdrawals. Life and Death of Institutional Critique

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    Rethinking the Modular. Adaptable Systems in Architecture…

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    Banking on Images. From the Bettmann Archive to Corbis

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    Construction Matters

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    Art in the Making: Artists and Their Materials from the…

  • David Toop

    Into the Maelstrom: Music, Improvisation and the Dream of…

  • Nicolas Grospierre

    Modern Forms. A Subjective Atlas of 20th-Century…

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    Against the Double Blackmail: Refugees, Terror and Other…

  • Ian Brennan

    How Music Dies (or Lives): Field Recording and the Battle…

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    Der Anteil der Dinge an der Gesellschaft. Sozialität -…

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    Visionäre der Moderne. Paul Scheerbart, Bruno Taut, Paul…

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    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

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    Can Architecture Be An Emancipatory Project? Dialogues on…

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    Der Raum als Membran

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    Beyond Patronage. Reconsidering Models of Practice

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    The Magazine (Documents of Contemporary Art)

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    Discognition

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    Digital Design Theory

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    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Max Bill

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    Cartography of Exhaustion. Nihilism Inside Out

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    Obsolescence. An Architectural History

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    Bauen mit Künstlern: Architekt Peter Ottmann

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    80*81: What Happened?

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    Architectural Robotics. Ecosystems of Bits, Bytes, and…

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    Photoviz. Visuailzing Information Through Photography

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    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

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    Boooook: The Life and Work of Bob Cobbing

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    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

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    Research Methods for Architecture

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    The Use of Bodies

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    Republications

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    Der Sendermann / The Transmitter Man

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    Le Corbusier und die Macht der Fotografie

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    Pirate Essays. A Reader on International Media Piracy

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    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

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    Concrete Concept. Brutalist Buildings Around the World

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    Vision and Reality

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    Sensing the City. A Companion to Urban Anthropology

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    Space of Production. Projects and Essays on Rationality,…

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    Sonorama: Listening to the view from the train

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    England's Hidden Reverse. Coil, Current 93, Nurse with…

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    Reformarchitektur. Die Konstituierung der Ästhetik der…

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    Best of Detail: Beton / Concrete

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    The Age of Collage Vol. 2: Contemporary Collage in Modern…

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    The Anatomy of the Architectural Book

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Le Grand Cirque Calder 1927. DVD

directed by Jean Painleve with Genevieve Hamon, assistant. Cinematography by Claude Beausoleil, Sound direction by Freddy Baume. Les Documents Cinematographiques, Paris.
Alexander Calder (1898-1976) lived in Paris between 1926 and 1933. During these years the young artist created and performed one of the most important and beloved works, his miniature circus (1926-1931). On July 12, 1931, Calder wrote to his parents: "Jean Painleve, son of the erstwhile minister, who makes documentary films, came again to see the circus and seems very much interested in filming it - but he has to get someone to back it first for of course one is not apt to make money with a really good film." More than twenty years later Painleve made Le Grande Cirque Calder 1927, begun in 1953 and completed in 1955.
This DVD was produced on the occasion of the exhibition Alexander Calder: The Paris Years, 1926-1933, jointly organized by the Whitney Museum of American Art, New York, and the Centre Pompidou, Paris. This exhibition marks the return of Calder's Circus (1926-31) to Paris, the city of its making, for the first time since the Whitney acquired the work in a grassroots fundraising effort from some five hundred foundations, corporations, and private individuals in 1983. Le Grande Cirque Calder 1927is in the archives of Les Documents Cinematographiques, Paris, under the directorship of Brigitte Berg. 16mm, color, sound in French. 45 minutes. All regions DVD. NTSC/PAL.


Jean Painleve
Le Grand Cirque Calder 1927. DVD
Whitney Museum, 2013