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  • Hans Ulrich Obrist

    Kuratieren!

  • Steven Shaviro

    The Universe of Things. On Speculative Realism

  • Florian Böhm, Annahita Kamali

    Everything is Connected. Home Collection (Vitra)

  • Eva Diaz

    The Experimenters. Chance and Design at Black Mountain…

  • Berlin Projects

    Startup Berlin Guide

  • David Ostrowski

    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

  • S AM 12

    Translations

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

  • Marc Bedarida (Ed.)

    Le Corbusier. Aventures Photographiques

  • Markus Weisbeck, Mathias Schmitt,…

    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

  • Mark Leckey

    On Pleasure Bent

  • Axel Wieder, Florian Zeyfang (Eds.)

    Open Form. Space, Interaction, and the Tradition of Oskar…

  • Maria Zinfert (Hg.)

    Sigfried Kracauer. Photographic Archive

  • Clog

    World Trade Center

  • Marta Herford (Ed.)

    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

  • Hubertus Butin (Hg.)

    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

  • Reinhard Seiss

    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

  • Felix Ensslin, Charlotte Klink (Eds.)

    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

  • Simon Denny

    New Management

  • Henning Schmidgen

    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

  • Paul O'Neill & Mick Wilson (Ed…

    Curating Research

  • Hans-Jürgen Hafner, Gunter Reski (Hg.)

    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

  • Chris Kraus

    Torpor (Roman)

  • Gerald Raunig

    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

  • Marc James Léger (Ed.)

    The Idea of the Avant Garde And What It Means Today

  • Jean-Luc Godard

    Jean-Luc Godard/JLG: Selbstporträt im Dezember

  • Dombois, Fliescher, Mersch, Rintz (Hg.)

    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

  • Megan Francis Sullivan

    Zipper Keeper 2015

  • Emily Pugh

    Architecture, Politics, and Identity in Divided Berlin

  • Markus Grob

    Dächerstreit: Flachdach/Steildach

  • Klingan, Sepahvand, Rosol, Scherer (Eds…

    Textures of The Anthropocene. Grain Vapor Ray

  • Siegfried Kracauer

    The Past's Threshold. Essays on Photography

  • Philip Jodidio

    Cabins. Hütten. Cabanes

  • Space Caviar (Eds.)

    SQM. The Quantified Home: An exploration of the evolving…

  • testcard #24

    Bug Report. Digital war besser

  • T'ai Smith

    Bauhaus Weaving Theory. From Feminine Craft to Mode of…

  • Klaus Dömer, Hans Drexler, Joachim…

    Affordable Living. Housing for Everyone

  • Slavoj Zizek

    Trouble in Paradise. From the End of History to the End of…

  • Renée Green

    Other Planes of There

  • Stephen Grabow, Kent Spreckelmeyer

    The Architecture of Use. Aesthetics and Function in…

  • Pedro Gadanho (Ed.)

    Uneven Growth. Tactical Urbanisms for Expanding Megacities

  • Seth Price

    Folklore U.S.

  • Manfred Hermes

    Hystericizing Germany

  • Peter von Bagh (Hg.)

    Aki Kaurismäki über Kaurismäki

  • Werkleitz Gesellschaft e.V. (Ed.)

    Utopien vermeiden. Avoiding Utopias

  • Metahaven

    Can Jokes Bring Down Governments? Memes, Design and…

  • Amy Brandt

    Interplay. Neoconceptual Art of the 1980s

  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

  • Spyros Papapetros, Julian Rose (Eds.)

    Retracing the Expanded Field

  • Felix Denk, Sven von Thülen

    Der Klang der Familie: Berlin, Techno and the Fall of the…

  • Joachim Fischer, Dierk Spreen

    Soziologie der Weltraumfahrt

  • Sächsische Akademie der Künste, Dresden…

    Labor der Moderne. Nachkriegsarchitektur in Europa.…

  • Tim Stüttgen

    IN A QU*A*RE TIME AND PLACE

  • Byung-Chul Han

    Psychopolitik. Neoliberalismus und die neuen Machttechniken

  • Francesco Garutti (Ed.)

    Fairland. Explorations, Insights and Outlooks on the Future…

  • Scott McFarland

    Shacks, Snow, Streets, Shrubs

  • Dante Bini

    Building with Air

  • Birgit Mennel, Stefan Nowotny (Hg.)

    Die Sprachen der Banlieues

  • Precarias a la Deriva

    Was ist dein Streik? Militante Streifzüge durch die…

  • Nora Schultz

    Portikus Printing Plant and Portikus Sounds

  • Joseph Becker, Jennifer Dunlop Fletcher…

    Lebbeus Woods, Architect

  • Binna Choi, Maiko Tanaka (Hg)

    The Grand Domestic Revolution Handbook

  • Boris Kralj

    My Belgrade (2nd Edition)

  • Frances Stracey

    Constructed Situations. A New History of the Situationist…

  • Latek, Paviol, Simond, Very (Eds.)

    In situ – de visu – in motu. Architecture, cinéma et arts…

  • Neil Spiller, Nic Clear (Eds.)

    Educating Architects. How Tomorrow's Practitioners…

  • Jacques Rancière

    The Intervals of Cinema

  • Josiah McElheny, Christine Burgin

    Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader

  • Tsitsi Ella Jaji

    Africa in Stereo. Modernism, Music, And Pan-African…

  • Daniel Josefsohn

    OK DJ

  • Rem Koolhaas

    Preservation Is Overtaking Us (Gsapp Transcripts)

  • Stephen Barber

    Performance Projections. Film and The Body in Action

  • AndresLepik, Very Simone Bader (Hg)

    Lina Bo Bardi 100. Brasiliens alternativer Weg in die…

  • Rüdiger Esch

    ElectriCity. Elektronische Musik aus Düsseldorf

  • Thomas Thiel (Ed.)

    Museum Off Museum

  • Cornelai Butler, Luis Perez-Oramas

    Lygia Clark. The Abandonment of Art

  • Catriona Gray

    Fifties House. House & Garden

  • Jenn Joy

    The Choreographic

  • Robert Hamelijnck, Nienke Terpsma (Eds.)

    It's Playtime

  • Mark Leckey

    The Universal Addressability of Dumb Things

  • Nicolas Bruno Jacquet

    Le Langage Hypermoderne de l'Architecture

  • Gertrud Lehnert, Alicia Kühl, Katja…

    Modetheorie. Klassische Texte aus vier Jahrhunderten

  • Katharina Eck, Astrid Silvia Schänhagen

    Interieur und Bildtapete. Narrative des Wohnens um 1800

  • Boelen / Z33, Sacchetti (Eds.)

    Designing Everyday Life

Less but better. Weniger, aber besser

Wenige Produktdesigns sind so haltbar wie die von Dieter Rams. Nahezu alles was der einflussreichste Designer des 20. Jahrhunderts entworfen hat, gilt heute als Klassiker. Die überarbeitete Neuauflage von Weniger, aber besser zeigt einmal mehr warum Dieter Rams Designverständnis auch in Zukunft nicht an Aktualität verlieren wird.
Die Vorstellungen davon, was gutes Design kann, soll und muss, ändern sich stetig mit technischen Möglichkeiten und kulturellen Entwicklungen. Dieter Rams zehn Thesen zum Design befürworten puristisches, beinahe unmerkliches Design und gelten deshalb in Lehre und Praxis als zeitlose Grundüberlegungen: Gutes Design ist innovativ. Gutes Design macht ein Produkt verständlich. Gutes Design ist ästhetisch. Gutes Design macht ein Produkt brauchbar. Gutes Design ist unaufdringlich. Gutes Design ist ehrlich. Gutes Design ist langlebig. Gutes Design ist konsequent bis ins letzte Detail. Gutes Design ist umweltfreundlich. Gutes Design ist so wenig Design wie möglich.
Weniger, aber besser hat nicht den Anspruch, eine lückenlose Rams-Werkschau zu sein oder die vollständige Firmengeschichte von Braun zu erzählen. Vielmehr zeigt dieses Buch, welche Ideen, Kriterien und Methoden hinter den großen Produktdesigns von Dieter Rams stehen und wie sich anhand einer sich wandelnden Produktkultur universale Designmaßstäbe ableiten lassen. Aus Dieter Rams Überlegungen zu Ethik und Werten im Design lassen sich klare Strukturen für zukünftiges Gestalten ableiten. Denn eins hat sich über viele Jahre bewiesen: weniger ist einfach besser.
Few product designs have the staying power of creations by Dieter Rams. Almost everything produced by the most influential designer of the twentieth century is today considered a classic. This new and revised edition of Less but better shows once again why Dieter Rams’s approach to design will be relevant for the foreseeable future.
Ideas of what can and must be achieved by good design are in a constant state of flux as a result of cultural and technological developments. Dieter Rams, however, came up with ten principles that advocate for a purist, almost imperceptible design. These principles are still considered timeless fundaments of design theory and practice today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design is helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible.
Less but better does not set out to be a complete documentation of Dieter Rams’s body of work, nor does it claim to tell the full story of the company Braun. Rather the book explores the ideas, criteria, and methods behind Rams’s creations and reveals how a shifting culture of product manufacturing gave rise to universal design benchmarks. From his reflections on design ethics and values we can distill a clear paradigm for future design—because one principle has remained firm over the years: less is simply better.
Dieter Rams, born in Wiesbaden in 1932, initially studied architecture. He is widely considered one of the most significant industrial designers of the twentieth century. In the more than 40 years that he spent working at the electrical appliance manufacturer Braun, Rams turned out a wealth of pioneering creations that continue to influence designers around the world today. He has also generated a new awareness of the social function of design in Germany.
Jo Klatt is an acknowledged connoisseur and collector of Braun products. For many years he worked at the magazine Design+Design and was the publisher of numerous works, including the first edition of Less but better.
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Dieter Rams
Less but better. Weniger, aber besser
DGV, 2014, 978-3-89955-525-7