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  • Thorsten Bürklin

    Palladio, der Bildermacher

  • Christine Shaw & Etienne Turpin (…

    The Work of Wind: Land

  • Anina Falasca, Annette Maechtel, Heimo…

    Wiedersehen in TUNIX!

  • Helmut Höge

    Pollerforschung

  • Ryuji Fujimura

    The Form Of Knowledge, The Prototype Of Architectural…

  • Metahaven

    PSYOP. An Anthology

  • Boris Buden, Lina Dokuzovic (Eds.)

    They'll Never Walk Alone. The Life and Afterlife of…

  • G. Basilico, A. Video

    Incompiuto. The Birth of a Style / La Nascita di uno Style

  • Niels Lehmann, Christoph Rauhaut (Hg)

    Fragments of Metropolis - East | Osten. Poland, Slovakia,…

  • Sandra Hofmeister (Hg)

    Wohnungsbau. Kostengünstige Modelle für die Zukunft

  • Hintergrund 56

    Your Guide to Downtown Denise Scott Brown

  • Martin Kippenberger

    Window Shopping

  • Nynke Tromp, Paul Hekkert

    Designing for Society. Products and Services for a Better…

  • Zvi Efrat

    The Object of Zionism. The Architecture of Israel

  • Margaret van Eyck

    Renaming an Institution, a Case Study (Volume One: Research…

  • Simon Phipps

    Concrete Poetry. Post-War Modernist Public Art

  • Lea Ouardi

    Everyday Urban Design 3. Zwölf Apfelbäume. Selbstbau in der…

  • Gago, Aguilar, Draper, Diaz (Hg.)

    8M - Der große feministische Streik: Konstellationen des 8…

  • Christoph Rodatz / Pierre Smolarski (Hg…

    Was ist Public Interest Design? Beiträge zur Gestaltung…

  • Alla Carta 9

    The Palermo Issue

  • Khurana, Quadflieg, Raimondi,…

    Negativität: Kunst, Recht, Politik

  • Anne-Marie Willis (Hg.)

    The Design Philosophy Reader

  • Paul Stella

    Red. Architecture in Monochrome

  • Koch, Tribble, Siegmand, Rost, Werner (…

    New Urban Professions: A Journey through Practice and Theory

  • Martin Kohout

    Night Shifter

  • B. Brown, N. Atkinson, J. Solomon

    Dimensions of Citizenship

  • Chris Kraus

    Social Practices

  • Ina Wudtke

    The Fine Art of Living

  • Gianni Pettena

    The Curious Mr. Pettena: Rambling around the USA 1971-73

  • Johannes Binotto

    Film / Architektur. Perspektiven des Kinos auf den Raum

  • Kurt W. Forster

    Aby Warburgs Kulturwissenschaft: Ein Blick in die Abgründe…

  • Gianni Pettena

    Non-Conscious Architecture

  • Barbara Preisig

    Mobil, autonom, vernetzt. Kritik und ökonomische Innovation…

  • Avanessian, Bauwens, De Raeve, Haddad,…

    Perhaps It Is High Time for a Xeno-architecture to Match

  • Lucie Kolb

    Study, Not Critique

  • Jordan Kauffman

    Drawing on Architecture: The Object of Lines, 1970-1990

  • Brian Massumi

    99 Theses on the Revaluation of Value: A Postcapitalist…

  • Stefan Sagmeister, Jesica Walsh

    Sagmeister & Walsh: Beauty. Schönheit = Wahrheit /…

  • Cathleen Chaffee (Hg.)

    Introducing Tony Conrad: A Retrospective

  • Jordan H. Carver

    Spaces of Disappearance: The Architecture of Extraordinary…

  • Bruno Carvalho, Mariana Cavalcanti and…

    Occupy All Streets: Olympic Urbanism and Contested Futures…

  • Tom Angotti, Sylvia Morse

    Zoned Out! Race, Displacement, and City Planning in New…

  • Terreform (Hg.)

    Letters to the Leaders of China: Kongjian Yu and the Future…

  • Deen Sharp, Claire Panetta (Eds.)

    Beyond the Square: Urbanism and the Arab Uprisings

  • Jennifer Corby

    Adventures in Modernism: Thinking with Marshall Berman

  • Flypaper #4:

    Nicole Eisenman: Conscious Razing

  • Lynette A. Jones

    Haptics (Mit Press Essential Knowledge)

  • A. Janevski, R. Marcoci, K. Nouril (Hg)

    Art and Theory of Post-1989 Central and Eastern Europe: A…

  • M. Kries, A. Klein, A. Clarke (Hg)

    Victor Papanek. The Politics of Design

  • Merve Emre (Ed.)

    Once and Future Feminist

  • Andreas Brandolini

    Gestaltung

  • Jacek Slaski

    Gespräche mit Genialen Dilletanten

  • M. Bruet, E. King, S. Shabahzi, F. Sigg

    Color Library. Research into Color Reproduction and Printing

  • Monika Grubbauer, Kate Shaw (Eds.)

    Across Theory and Practice: Thinking Through Urban Research

  • Ursula Block, Michael Glasmeier

    Broken Music: Artists' Recordworks

  • A. Mircev (Ed.)

    O Plesu I Iz(a) Plesa

  • IDEA Magazine

    IDEA 383. YELLOW PAGES: Mapping Graphic Design Project in…

  • 2G n. 77

    Arrhov Frick

  • B. Groys, A. Vidokle (Hg.)

    Kosmismus

  • Museum für Gestaltung Zürich (Hg.)

    Social Design. Partizipation und Empowerment

  • Lydia Kallipoliti

    The Architecture of Closed Worlds, or, What is the Power of…

  • B. Wittner, S. Thoma, T. Hartmann (Hg.)

    Bi-Scriptual: Typography and Graphic Design with Multiple…

  • John Byrne

    The Constituent Museum: Constellations of Knowledge,…

  • Chimurenga, Edjabe, Pieterse (Hg)

    African Cities Reader (III)

  • Annette Hauschild

    Last Days of Disco

  • Lisa Vollmer

    Strategien gegen Gentrifizierung

  • Kollektiv Orangotango+

    This Is Not an Atlas: A Global Collection of Counter-…

  • Martina Löw

    Vom Raum aus die Stadt denken: Grundlagen einer…

  • Bettina Allamoda (Hg.)

    Model Map - zur Kartographie einer Architektur am Beispiel…

  • Mark Miodownik

    Liquid: The Delightful and Dangerous Substances That Flow…

  • C. Alfaro, P. Rowe, C. Cardinal

    Form and Pedagogy: The Design of the University City in…

  • Rem Koolhaas, Irma Boom

    Elements of Architecture

  • Max Haiven

    Art after Money, Money after Art: Creative Strategies…

  • Hiba Bou Akar

    For the War yet to Come. Planning Beirut's Frontiers

  • Omar Sosa, Nacho Alegre, Marco Velardi

    The World of Apartamento. Ten Years of Everyday Life…

  • Claudia Kromrei

    Postmodern Berlin. Wohnbauten der 80er Jahre. Residential…

  • Catwalk To History - A Sourcebook.…

    Bettina Allamoda

  • Kunsthalle Wien (Ed.)

    I'm Isa Genzken, the Only Female Fool

  • Omar Kholeif

    The Artists Who Will Change the World

  • F. Campagna, T. Morton

    Technic and Magic: The Reconstruction of Reality

  • Murmurae (Paula Cobo-Guevarra, Manuela…

    Situating Ourselves in Displacement: Conditions,…

  • Philipp Ekardt

    Toward Fewer Images. The Work of Alexander Kluge

  • Damon Murray (Ed.)

    Brutal Bloc. Post Cards

  • Donald Niebyl

    Spomenik Monument Database

  • Fred Moten

    The Universal Machine

  • Fred Moten

    Stolen Life

  • Axel, Colomina, Hirsch, Lee, Wigley, (…

    Superhumanity: Post-Labor, Psychopathology, Plasticity

  • Cornelia Sollfrank (Hg)

    Die schönen Kriegerinnen. Technofeministische Praxis im 21…

  • Raimund Minichbauer

    Facebook entkommen

  • Javier Tapia

    Monte Carlo Club

  • A+U 429

    Housing Currents

  • Michal Siarek

    Alexander

  • A+U 428

    Implementing Architecture. Cornell and the Education of…

  • Dominic Bradbury

    The Iconic House: Architectural Masterworks Since 1900

  • Christian Wassmann

    Sun Path House and Other Cosmic Architectures

  • Paper Monument

    Draw it with your Eyes Closed. The art of the art…

  • Femke de Vries

    Fashioning Value - Undressing Ornament: A critical study of…

  • Giovanna Borasi (Hg.)

    Besides, History: Go Hasegawa, Kersten Geers, David Van…

Less but better. Weniger, aber besser

Wenige Produktdesigns sind so haltbar wie die von Dieter Rams. Nahezu alles was der einflussreichste Designer des 20. Jahrhunderts entworfen hat, gilt heute als Klassiker. Die überarbeitete Neuauflage von Weniger, aber besser zeigt einmal mehr warum Dieter Rams Designverständnis auch in Zukunft nicht an Aktualität verlieren wird.
Die Vorstellungen davon, was gutes Design kann, soll und muss, ändern sich stetig mit technischen Möglichkeiten und kulturellen Entwicklungen. Dieter Rams zehn Thesen zum Design befürworten puristisches, beinahe unmerkliches Design und gelten deshalb in Lehre und Praxis als zeitlose Grundüberlegungen: Gutes Design ist innovativ. Gutes Design macht ein Produkt verständlich. Gutes Design ist ästhetisch. Gutes Design macht ein Produkt brauchbar. Gutes Design ist unaufdringlich. Gutes Design ist ehrlich. Gutes Design ist langlebig. Gutes Design ist konsequent bis ins letzte Detail. Gutes Design ist umweltfreundlich. Gutes Design ist so wenig Design wie möglich.
Weniger, aber besser hat nicht den Anspruch, eine lückenlose Rams-Werkschau zu sein oder die vollständige Firmengeschichte von Braun zu erzählen. Vielmehr zeigt dieses Buch, welche Ideen, Kriterien und Methoden hinter den großen Produktdesigns von Dieter Rams stehen und wie sich anhand einer sich wandelnden Produktkultur universale Designmaßstäbe ableiten lassen. Aus Dieter Rams Überlegungen zu Ethik und Werten im Design lassen sich klare Strukturen für zukünftiges Gestalten ableiten. Denn eins hat sich über viele Jahre bewiesen: weniger ist einfach besser.
Few product designs have the staying power of creations by Dieter Rams. Almost everything produced by the most influential designer of the twentieth century is today considered a classic. This new and revised edition of Less but better shows once again why Dieter Rams’s approach to design will be relevant for the foreseeable future.
Ideas of what can and must be achieved by good design are in a constant state of flux as a result of cultural and technological developments. Dieter Rams, however, came up with ten principles that advocate for a purist, almost imperceptible design. These principles are still considered timeless fundaments of design theory and practice today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design is helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible.
Less but better does not set out to be a complete documentation of Dieter Rams’s body of work, nor does it claim to tell the full story of the company Braun. Rather the book explores the ideas, criteria, and methods behind Rams’s creations and reveals how a shifting culture of product manufacturing gave rise to universal design benchmarks. From his reflections on design ethics and values we can distill a clear paradigm for future design—because one principle has remained firm over the years: less is simply better.
Dieter Rams, born in Wiesbaden in 1932, initially studied architecture. He is widely considered one of the most significant industrial designers of the twentieth century. In the more than 40 years that he spent working at the electrical appliance manufacturer Braun, Rams turned out a wealth of pioneering creations that continue to influence designers around the world today. He has also generated a new awareness of the social function of design in Germany.
Jo Klatt is an acknowledged connoisseur and collector of Braun products. For many years he worked at the magazine Design+Design and was the publisher of numerous works, including the first edition of Less but better.
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Dieter Rams
Less but better. Weniger, aber besser
DGV, 2014, 978-3-89955-525-7