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  • Ingo Niermann

    The Monadic Age. Notes on the Coming Social Order

  • Dennis Pohl

    Building Carbon Europe

  • Julieta Aranda, Kaye Cain-Nielsen,…

    Wonderflux - A Decade of e-flux Journal

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  • Richard Weller

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  • Luis Manuel Garcia-Mispireta

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  • Arnold Aronson

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  • Quentin Stevens, Kim Dovey

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  • Flavien Menu (Ed.)

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  • Matteo Pasquinelli

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  • Angelika Burtscher, Daniele Lupo

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  • Anna Unterstab

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  • Silvio Lorusso

    What Design Can't Do. Essays on Design and Disillusion

  • OASE Journal for Architecture #116

  • Lena Enne

    Everyday Urban Design 8. Anmeldung not possible. Das…

  • Ruth Duma-Coman

    Everyday Urban Design 7. Der translokale Gebrauch des…

  • Andrew Berardini

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  • Lukas Feireiss, Florian Hadler (Hg)

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  • dérive

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  • raumlaborberlin

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  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

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  • Talja Blokland

    Gemeinschaft als urbane Praxis

  • Deirdre Loughridge

    Sounding Human. Music and Machines, 1740/2020

  • Claudia Hummel, Valeria Fahrenkrog,…

    Berliner Hefte zu Geschichte und Gegenwart der Stadt #10.…

  • Lukas Brecheler, Lionel Esche

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  • Gianpaolo Tucci

    Aesthetics Imperfections. How AI is Changing the Landscape…

  • Gary Zhexi Zhang

    Catastrophe Time!

  • Pier Vittorio Aureli

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  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

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  • Lorraine Daston

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  • Bernadette Krejs

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  • Myria Georgiou

    Being Human in Digital Cities

  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

    Styrohaus

  • Loretta Lees, Tom Slater, Elvin Wyly (…

    The Planetary Gentrification Reader

  • Penny Lewis, Lorens Holm, Sandra Costa…

    Architecture and Collective Life

  • Anthony Brand

    Touching Architecture. Affective Atmospheres and Embodied…

  • Sarah Pink, Vaike Fors, Debora Lanzeni…

    Design Ethnography: Research, Responsibilities and Futures

  • Marcelo López-Dinardi

    Architecture from Public to Commons

  • Edna Bonhomme, Alice Spawls (Eds)

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  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

    A Queer Theory of the State

  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

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  • Simone Jung, Steffi Hobuß, Sven Kramer

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  • Ben Schwartz (ed)

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  • Rick Poynor

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  • Katharina Sussek, Jens Müller

    PUMA - The Graphic Heritage

  • Jens Müller (Hg)

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  • Roger Behrens, Jonas Engelmann, Frank…

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  • Jonathan Cary

    Tricks of the Light. Essays on Art and Spectacle

  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

    Bosses

  • Samia Henni (Hg)

    Deserts Are Not Empty

  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

  • Nerea Calvillo

    Aeropolis. Queering Air in Toxicpolluted Worlds

  • George Papam, David Bergé (Eds.)

    Islands After Tourism. Escaping the Monocultures of Leisure

  • Sofia Grigoriadou, Eliana Otta, David…

    Urban Lament. Collective Expressions of Pain, Rage, and…

  • Mark Manders

    Mark Manders. House With All Existings Words

  • Peter Mörtenböck, Helge Mooshammer

    In/formal Marketplaces. Experiments with Urban…

  • Jakob Claus, Petra Löffler (Eds.)

    Records of Disaster. Media Infrastructures and Climate…

  • George Brugmans

    Down To Earth. Designing For The Endgame

  • Eric Frijters, Matthijs Ponte (Eds.)

    The City as a System. Metabolic Design for New Urban Forms…

  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

  • Hemma Schmutz (Hg.)

    Haus-Rucker-Co. Atemzonen

  • McKenzie Wark

    Love and Money, Sex and Death. A Memoir

  • Cordula Daus & Charlotta Ruth

    Questionology – Are you here? Research Practices No 1

  • Maurin Dietrich, Fiona Alison Duncan

    Pippa Garner. Act Like You Know Me

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    Rechtspopulismen der Gegenwart. Kulturwissenschaftliche…

  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

    Artless. Stories 2019-2023

  • Alison Place (Ed)

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  • Slanted

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  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

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    Specology. Zu einer ästhetischen Forschung

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    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

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    The New Designer - Design as a Profession

  • Rowan Coupland, Anastasiia Zhuravel (…

    Re:imagine Your City. Rethinking Urban Paradigms

  • Desiree Heiss, Ines Kaag, Manuel Raeder…

    BLESS. Celebrating 25 Years of Always Stress with BLESS N°…

Less but better. Weniger, aber besser

Wenige Produktdesigns sind so haltbar wie die von Dieter Rams. Nahezu alles was der einflussreichste Designer des 20. Jahrhunderts entworfen hat, gilt heute als Klassiker. Die überarbeitete Neuauflage von Weniger, aber besser zeigt einmal mehr warum Dieter Rams Designverständnis auch in Zukunft nicht an Aktualität verlieren wird.
Die Vorstellungen davon, was gutes Design kann, soll und muss, ändern sich stetig mit technischen Möglichkeiten und kulturellen Entwicklungen. Dieter Rams zehn Thesen zum Design befürworten puristisches, beinahe unmerkliches Design und gelten deshalb in Lehre und Praxis als zeitlose Grundüberlegungen: Gutes Design ist innovativ. Gutes Design macht ein Produkt verständlich. Gutes Design ist ästhetisch. Gutes Design macht ein Produkt brauchbar. Gutes Design ist unaufdringlich. Gutes Design ist ehrlich. Gutes Design ist langlebig. Gutes Design ist konsequent bis ins letzte Detail. Gutes Design ist umweltfreundlich. Gutes Design ist so wenig Design wie möglich.
Weniger, aber besser hat nicht den Anspruch, eine lückenlose Rams-Werkschau zu sein oder die vollständige Firmengeschichte von Braun zu erzählen. Vielmehr zeigt dieses Buch, welche Ideen, Kriterien und Methoden hinter den großen Produktdesigns von Dieter Rams stehen und wie sich anhand einer sich wandelnden Produktkultur universale Designmaßstäbe ableiten lassen. Aus Dieter Rams Überlegungen zu Ethik und Werten im Design lassen sich klare Strukturen für zukünftiges Gestalten ableiten. Denn eins hat sich über viele Jahre bewiesen: weniger ist einfach besser.
Few product designs have the staying power of creations by Dieter Rams. Almost everything produced by the most influential designer of the twentieth century is today considered a classic. This new and revised edition of Less but better shows once again why Dieter Rams’s approach to design will be relevant for the foreseeable future.
Ideas of what can and must be achieved by good design are in a constant state of flux as a result of cultural and technological developments. Dieter Rams, however, came up with ten principles that advocate for a purist, almost imperceptible design. These principles are still considered timeless fundaments of design theory and practice today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design is helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible.
Less but better does not set out to be a complete documentation of Dieter Rams’s body of work, nor does it claim to tell the full story of the company Braun. Rather the book explores the ideas, criteria, and methods behind Rams’s creations and reveals how a shifting culture of product manufacturing gave rise to universal design benchmarks. From his reflections on design ethics and values we can distill a clear paradigm for future design—because one principle has remained firm over the years: less is simply better.
Dieter Rams, born in Wiesbaden in 1932, initially studied architecture. He is widely considered one of the most significant industrial designers of the twentieth century. In the more than 40 years that he spent working at the electrical appliance manufacturer Braun, Rams turned out a wealth of pioneering creations that continue to influence designers around the world today. He has also generated a new awareness of the social function of design in Germany.
Jo Klatt is an acknowledged connoisseur and collector of Braun products. For many years he worked at the magazine Design+Design and was the publisher of numerous works, including the first edition of Less but better.
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Dieter Rams
Less but better. Weniger, aber besser
DGV, 2014, 978-3-89955-525-7