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  • Aaron Betsky

    The Monster Leviathan. Anarchitecture

  • Jason McBride

    Eat Your Mind. The Radical Life and Work of Kathy Acker

  • Nóra Ó Murchú, Janez Fakin Janša (Eds.)

    A Short Incomplete History of Technologies That Scale

  • Ingo Niermann

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  • Dennis Pohl

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    Wonderflux - A Decade of e-flux Journal

  • Regine Ehleiter, Clio Nicastro, titre…

    HaFI 020: Erika Runge: Überlegungen beim Abschied von der…

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  • Clémentine Deliss

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  • Richard Weller

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  • Arnold Aronson

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  • Matteo Pasquinelli

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  • Angelika Burtscher, Daniele Lupo

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  • Anna Unterstab

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  • OASE Journal for Architecture #116

  • Lena Enne

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  • Ruth Duma-Coman

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  • Andrew Berardini

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    Theorie und Geschichte des Designs 2. Reaktionen auf die…

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  • Lukas Feireiss, Florian Hadler (Hg)

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  • dérive

    dérive N° 94, Wohnungslosigkeit beenden (Jan-Mär 2024).…

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    Polylemma. raumlaborberlin

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    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

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  • Talja Blokland

    Gemeinschaft als urbane Praxis

  • Deirdre Loughridge

    Sounding Human. Music and Machines, 1740/2020

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  • Lukas Brecheler, Lionel Esche

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  • Gary Zhexi Zhang

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  • Pier Vittorio Aureli

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  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

    Bronisław Zelek. In the letter wonderland

  • Lorraine Daston

    Regeln. Eine kurze Geschichte

  • Bernadette Krejs

    Instagram Wohnen

  • Myria Georgiou

    Being Human in Digital Cities

  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

    Styrohaus

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    The Planetary Gentrification Reader

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    Architecture and Collective Life

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  • Marcelo López-Dinardi

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  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

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  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

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  • Simone Jung, Steffi Hobuß, Sven Kramer

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  • Ben Schwartz (ed)

    UNLICENSED. Bootlegging As a Creative Practice

  • Rick Poynor

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  • Katharina Sussek, Jens Müller

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  • Roger Behrens, Jonas Engelmann, Frank…

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  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

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  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

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  • Mark Manders

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  • Jakob Claus, Petra Löffler (Eds.)

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  • George Brugmans

    Down To Earth. Designing For The Endgame

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  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

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  • McKenzie Wark

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    Liquifer. Living beyond Earth. Architecture for Extreme…

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    The Real Deal. Post-Fossil Construction for Game Changers

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    Geontologien. Requiem auf den Spätliberalismus

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    Aesthetics of Equivalence. Art in Capitalism

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    Specology. Zu einer ästhetischen Forschung

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    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

A Little-Known Story about a Movement

A Little-Known Story about a Movement, a Magazine, and the Computer’s Arrival in Art
New Tendencies and Bit International, 1961–1973
This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of “art as visual research"” the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture.
With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb—already one of the most vibrant artistic centers in Yugoslavia—into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter of explorations of the aesthetic, scientific, and political potential of the computer.
This volume documents that exhilarating period. It includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; many texts that were first published in New Tendencies exhibition catalogs and Bit International magazine; and historic documents. More than 650 black-and-white and color illustrations testify to the astonishing diversity of the exhibited artworks and introduce the movement’s protagonists. Many of the historic photographs, translations, and documents are published here for the first time. Taken together, the images and texts offer the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.
About the Editor
Margit Rosen is a Researcher and Curator for ZKM | Center for Art and Media Technology.


Margit Rosen (Hg.)
A Little-Known Story about a Movement
MIT Press, 2011, 978-0-262-51581-8