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  • Naomi Keena, Avi Friedman

    Sustainable Housing in a Circular Economy

  • Karel Teige

    The Marketplace of Art. 2 Volumes

  • Lukas Feireiss (ed.)

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  • Işil Eğrikavuk

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  • Felix Sommer, SB5ÜNF

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  • Julia Schulz-Dornburg

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  • Vladimir Guculak, Paul Bourel

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  • Fulya İLBEY

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  • Alan Smart, Jack Henrie Fisher (ed.)

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  • Silke Kapp, Mariana Moura (ed.)

    Sérgio Ferro. Architecture from Below. An Anthology

  • Daniel Loick

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  • Víctor Aguado, Ramón del Buey, Brandon…

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  • Nina Dragičević

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  • Iracema Dulley, Özgün Eylül İşcen (eds)

    Displacing Theory through the Global South

  • Karoline Mayer, Katharina Ritter,…

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  • Ubani. Tbilisi cityscape research center

    Hollow. A Map of Tbilisi

  • Bernd Stiegler

    Bildpolitiken der Identität. Von Porträtfotografie bis zu…

  • Chris Kraus

    Ehrgeiz, Demut, Glück. Texte zu Kunst und Freundschaft

  • Laboratory EAST

    Studies on Assemblies: Mass Made Units.

  • Tom Holert

    „ca. 1972” Gewalt – Umwelt – Identität – Methode

  • Nadejda Bartels (Hg.)

    Alvar Aalto in Deutschland: Gezeichnete Moderne / Alvar…

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  • Derek McCormack

    Judy Blame's Obituary. Writings on Fashion and Death

  • Corinne Cath

    Eaten by the Internet

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    After All, there is No Finish Line

  • ECCHR

    Beyond Limitations. Wolfgang Kaleck, Tomas Saraceno

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    Challenging Corporate Power. Gearoid O Cuinn, Miriam Saage-…

  • Jeanne Gang

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  • Jochen Eisenbrand

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  • Adam Gibbons, Eva Wilson

    Abbas Zahedi in conversation with Eva Wilson "" #7

  • Kevin Yuen Kit Lo

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  • Timon Beyes

    Organizing Color. Toward a Chromatics of the Social

  • Eric Drott

    Streaming Music, Streaming Capital

  • Francois Laruelle

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  • Mohammad Salemy (ed.)

    Model Is the Message. Incredible Machines Conference 2022

  • Joshua Comaroff, Ong Ker-Shing

    Horror in Architecture. The Reanimated Edition

  • Armen Avanessian, Daniel Falb

    Planeten Denken. Hyper-Antizipation und Biografische…

  • Achim Szepanski

    Die Ekstase der Spekulation. Kapitalismus im Zeitalter der…

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  • Florian Reischauer

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  • Tim Carpenter

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  • Oxana Timofeeva

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  • Hans-Christian Dany

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  • Andreas Weber

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  • Diedrich Diederichsen

    Das 21. Jahrhundert. Essays

  • Redaktion Protocol

    Protocol 14. Nonkonforme Architekturpraxis

  • Markus Miessen (Ed.)

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  • Christoph Ramisch (Ed)

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  • Hella Gerlach

    Gelenkstellen - Loose Joints

  • Grant H. Kester

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  • Jana Müller

    Jana Müller. Falscher Hase / Mock Rabbit

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    Anarcho-Indigenism. Conversations on Land and Freedom

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    Starship 20

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    2G 90. Johansen Skovstedt

  • Achille Mbembe

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    Material Trajectories. Designing With Care?

  • Chus Martínez

    The Complex Answer. On Art as a Nonbinary Intelligence

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    The White West: Fascism, Unreason, and the Paradox of…

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    Ontologie der Konstruktion. Raumwirkung in der Architektur

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  • Peter G. Rowe, Yoeun Chung

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  • Richard Weller

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  • François J. Bonnet, Bartolomé Sanson (…

    Spectres IV. A Thousand Voices / Mille Voix

Logic of the Collection

In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the display of art. In our age of digital media, how is a particular artwork selected for a museum collection? Which symbolic criteria must this artwork satisfy for it to obtain value? And in what ways does the institution of the museum remain relevant?
"Logic of the Collection" is framed by Boris Groys’s original and provocative proposition: an artwork is considered historically relevant if it fits the logic of the museum collection. In these critical essays, the distinguished philosopher and theorist of art and media analyzes the relationship between the logic of the collection and various modern ideologies. He reflects on the explosion of art production and distribution through the ascendancy of digital media as well as the ways in which the accumulated artworks will be collected and preserved in the future.


Boris Groys
Logic of the Collection
Sternberg Press, 2021, 978-3-95679-526-8