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  • Andres Lepik, Daniel Talesnik (Hg)

    Access for All. São Paulo's Architectural…

  • Isabelle Graw, Christoph Menke (eds.)

    The Value of Critique: Exploring the Interrelations of…

  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

  • P. Bogner, G. Zillner

    Frederick Kiesler: Face to Face with the Avant-Garde:…

  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

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    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

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    Mischa Kuball. res.o.nant

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    The New Populism: Democracy Stares into the Abyss

  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

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    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

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    Deutsche Filmarchitektur 1918–1933 – German Film…

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    Entangled Realities: Living with Artificial Intelligence /…

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    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

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    Posthuman Knowledge

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    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

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    We Are Many. Art, the Political and Multiple Truths

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    Productive Universals. Specific Situations: Clinical…

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    Palast der Republik. Utopie, Inspiration, Politikum

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    Metal Skins

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    Totalization: Speculative Practice in Architectural…

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    Infinite Span. 90 Years of Brazilian Architecture

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    Producing Futures: A Book on Post-Cyber-Feminisms

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    Museums at the Post-Digital Turn

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  • Andreas, Jung, Schmal (Hg.)

    Wohnen für Alle: Bautenkatalog

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    The Social Design Reader

  • Anca Benera, Arnold Estefan

    DEBRISPHERE - Landscape as an Extension of the Military…

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    Jill Johnston. The Disintegration of a Critic

  • Byung-Chul Han

    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

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    Decoding Dictatorial Statues

  • Sophie Cure, Aurelien Farina

    Graphic Design Play Book: An Exploration of Visual Thinking

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    Working Aesthetics: Labour, Art and Capitalism

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    Sovereign Words. Indigenous Art, Curation and Criticism

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    Champagner für die Pferde

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    Against Nature

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    Boden behalten - Stadt gestalten

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    Afterlives of Neoliberalism

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    Slow Down Fast, A Toda Raja

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    Virtual Reality: Edition Digital Culture 6

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    Sonic Writing: Technologies of Material, Symbolic, and…

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    Architekturpädagogiken: Ein Glossar

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    Uncanny Interfaces

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    Junya Ishigami

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    Sad by Design: On Platform Nihilism

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    Future Histories: What Ada Lovelace, Tom Paine, and the…

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    Soviet Modernism. Brutalism. Post-Modernism

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    Recursivity and Contingency

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    Questions? Looking for answers in the middle of somewhere

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    Unsorcery

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    AUDINT. Unsound : Undead

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    Fehler lesen. Korrektur als Textproduktion

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    Almost Nothing. 100 Artists Comment on the Work of Mies van…

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    Geschichte einer Arbeit/ Unordnung herstellen

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    Entwürfe und Gefüge. William Forsythes choreographische…

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    New Dark Age: Technology and the End of the Future

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    Nightingales in Berlin: Searching for the Perfect Sound

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    Gestaltungsproben: Gespräche zum Bauhausunterricht

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    Die Stadt als Architektur

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    Des-Habitat (revista das artes no Brasil)

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    Screen Culture: A Global History

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    On the Road to Variable: The Flexible Future of Typography

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    Zombie Anthropophagie: Zur neoliberalen Subjektivität

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    Ordnung in der Gestaltung: Grafische Raster in Theorie und…

Making Art Global (Part 2). Magiciens de la Terre 1989

With a main essay by Lucy Steeds and including 107 colour images and 28 black and white. Additional contributions by Pablo Lafuente and Jean-Marc Poinsot, previously unpublished essays by Jean-Hubert Martin and Gayatri Spivak, responses from Frédéric Bruly Bouabré, Alfredo Jaar and Barbara Kruger, and archival texts by Rasheed Araeen, Jean Fisher and Thomas McEvilley.
In 1989, an exhibition in Paris united the work of over a hundred artists and, since only half would be described as Western, it radically challenged the Western art system from within. ‘Magiciens de la Terre’ argued for the universality of the creative impulse and endeavoured to offer direct aesthetic experience of contemporary works of art made globally and presented on equal terms. Photographs and gallery plans reconstruct the exhibition in detail, and an essay by Lucy Steeds provides an extended examination of its history, context and choices. A new essay by Jean-Marc Poinsot looks at the discursive legacy, while another by Pablo Lafuente inscribes 'Magiciens de la Terre' within the wider history of exhibition practice. Additional texts include a programmatic statement by curator Jean-Hubert Martin, and an interview with Benjamin Buchloh addressing his plans right before the opening. These are accompanied by responses from the time by Rasheed Araeen, Jean Fisher and Thomas McEvilley, as well as a previously unpublished paper Gayatri Chakravorty Spivak presented at the colloquium that accompanied the exhibition. Recent reassessments of the show by participating artists Frédéric Bruly Bouabré, Alfredo Jaar and Barbara Kruger are also included. This title is a companion to Making Art Global (Part 1): The Third Havana Biennial 1989.
The Exhibition Histories series investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Published by Afterall Books in association with the Academy of Fine Arts Vienna, the Center for Curatorial Studies, Bard College and Van Abbemuseum. Distributed by Koenig Books, London.
out of print


Lucy Steeds and other authors
Making Art Global (Part 2). Magiciens de la Terre 1989
Afterall/Koenig Books, 2013, 978-3-86335-258-5