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  • Sameep Padora

    How To Build An Indian House. The Mumbai Example

  • Frank Wilderson III

    Afropessimism

  • Amanda Beech, Robin Mackay (Eds.)

    Construction Site for Possible Worlds

  • Sianne Ngai

    Theory of the Gimmick. Aesthetic Judgment and Capitalist…

  • Sarah Atkinson, Helen W. Kennedy (Hg)

    Live Cinema. Cultures, Economies, Aesthetics

  • Craig Staff

    Retroactivity and Contemporary Art

  • Andrew Filmer and Juliet Rufford (ed)

    Performing Architectures. Projects, Practices, Pedagogies

  • Heinz Hirdina (Autor), Achim Trebeß /…

    Figur und Grund. Entwurfshaltungen im Design von William…

  • Simon Kretz

    The Cosmos of Design. Exploring the Designer’s Mind

  • Achim Szepanski (Ed.)

    Ultrablack of Music

  • Bonaventure Soh Bejeng Ndikung (Hg.)

    I Will Draw a Map of What You Never See

  • Friedrich von Borries

    The World as Project: A Political Theory of Design

  • Eric C. H. de Bruyn, Sven Lütticken (Ed…

    Futurity Report

  • James Hoff (Ed.)

    Yvonne Rainer. Work 1961-73

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    What the Fire Sees. A Divided Reader

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    Qualities of Inhabiting. Studio Anne Lacaton, Lacaton…

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    Toward Freedom. The Case Against Race Reductionism

  • Ivana Bartoletti

    An Artificial Revolution. On Power, Politics and AI

  • Valentin Groebner

    Ferienmüde. Als das Reisen nicht mehr geholfen hat

  • Michael Volkmer, Karin Werner (Hg.)

    Die Corona-Gesellschaft. Analysen zur Lage und Perspektiven…

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    Friedrich Kiesler 1890-1965: Inside the Endless House

  • Adrian Lahoud, Andrea Bagnato (Hg.)

    Rights of Future Generations. Conditions

  • Japonica Brown-Saracino

    The Gentrification Debates A Reader

  • Jeremy Seabrook, Imran Ahmed Siddiqui

    People Without History. India's Muslim Ghettos

  • David Wilson

    Cities and Race. America's New Black Ghettos

  • Allen S. Weiss

    Unpacking my Library. The Autobiography of Teddy

  • Kris Dittel (ed.)

    The Trouble with Value. Art and Its Modes of Valuation

  • Alexander Kluge, Joseph Vogl

    Senkblei der Geschichten. Gespräche

  • Barbara Schönig, Lisa Vollmer (Hg.)

    Wohnungsfragen ohne Ende?! Ressourcen für eine soziale…

  • Rainald Goetz

    Rave

  • Hélène Frichot

    Dirty Theory: Troubling Architecture

  • Dietmar Dath

    Niegeschichte. Science Fiction als Kunst- und Denkmaschine

  • Lukas Feireiss (Ed.)

    Space is the Place. Current Reflections on Art and…

  • Branden Joseph (Ed.)

    Carolee Schneemann: Uncollected Texts

  • Natalie Fenton, Des Freedman, Justin…

    The Media Manifesto

  • Amador Vega, Peter Weibel, Siegfried…

    Dia-Logos: Ramon Llull's Method of Thought and…

  • Luke Fernandez, Susan J. Matt

    Bored, Lonely, Angry, Stupid: Changing Feelings about…

  • Peter Ortner

    The Essence of Berlin-Tegel. Taking Stock of an Airport…

  • Cornelia Sollfank (Hg)

    The Beautiful Warriors. Technofeminist Praxis in the Twenty…

  • DeBevoise, Chooy, Lu (Hg)

    Uncooperative Contemporaries: Art Exhibitions in Shanghai c…

  • Annette Wehrmann

    Serpentine streamer texts

  • IDEA Magazine

    IDEA 390. writtenafterwards. Material Bindings. The Savage…

  • Jane Bennett

    Influx & Efflux. Writing up with Walt Whitman

  • Slavoj Žižek

    Der Exzess der Leere. Ökonomisch-philosophosche Notizen zu…

  • Jörg Kreienbrock

    Sich im Weltall orientieren. Philosophieren im Kosmos 1950…

  • Stéphane Mallarmé

    The Book

  • Bram Büscher, Robert Fletcher

    Conservation Revolution. Radical Ideas for Saving Nature…

  • Erin Y. Huang

    Urban Horror: Neoliberal Post-Socialism and the Limits of…

  • Christian Huck

    Digitalschatten. Das Netz und die Dinge

  • Byung-Chul Han

    Palliativgesellschaft. Schmerz heute

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    Postwachstumsgeographien. Raumbezüge diverser und…

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    Bauhaus – Shanghai – Stalinallee – Ha-Neu. Der Lebensweg…

  • Alexandra Martini

    Inspired by Method: Creative tools for the design process

  • Yuk Hui

    Die Frage nach der Technik in China. Ein Essay über die…

  • Ruedi Baur, Ulrike Felsing (Eds.)

    Visual Coexistence. Informationdesign and Typography in the…

  • Brandon LaBelle

    The Other Citizen

  • Roland Reichenbach, Rolf Bossart (Hg.)

    Bildungsferne. Essays und Gespräche zur Kritik der Pädagogik

  • C. Riley Snorton, Hentyle Yapp (Ed.)

    Saturation. Race, Art, and the Circulation of Value

  • Pamela M. Lee

    Think Tank Aesthetics. Midcentury Modernism, the Cold War,…

  • Lucy Ives (Ed.)

    The Saddest Thing Is That I Have Had To Use Words. A…

  • Marino, Mark C.

    Critical Code Studies

  • Lucy McKenzie, Beca Lipscombe (Eds.)

    Atelier E.B: Passer-By

  • Ursula K. Le Guin

    The Carrier Bag Theory of Fiction

  • John Beck, Ryan Bishop

    Technocrats of the Imagination. Art, Technology, and the…

  • Louise Amoore

    Cloud Ethics. Algorithms and the Attributes of Ourselves…

  • David Grubbs

    The Voice in the Headphones

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    From Xenakis’s UPIC to Graphic Notation Today

  • Cyril Veillon, Nadja Maillard (Eds.)

    Isle of Models. Architecture and Scale

  • Isabelle Graw

    In einer anderen Welt. Notizen 2014-2017

  • Sabine Hark, Paula-Irene Villa

    The Future of Difference. Beyond the Toxic Entanglement of…

  • Max Haiven

    Revenge Capitalism. The Ghosts of Empire, the Demons of…

  • Data Chigholashvili, Nini…

    Tbilisi - It's Complicated. Onomatopee 173

  • Isa Genzken

    Isa Genzken. I Love New York, Crazy City

  • Raul Zelik

    Wir Untoten des Kapitals. Über politische Monster und einen…

  • Danielle Allen

    Politische Gleichheit

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    Manifest der künstlerischen Forschung / Manifesto of…

  • Dominique Hauderowicz, Kristian Ly…

    Age-Inclusive Public Space

  • Christian Werner

    Christian Werner. Everything Is So Democratic and Cool

  • Paulo Mendes da Rocha

    Designed Future or selected writings by Paulo Mendes da…

  • Moyra Davey

    Index Cards

  • Emanuele Coccia

    Sinnenleben

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    Arch+. The Property Issue: Politics of Space and Data.

  • Philip Kovce, Birger P. Priddat (Hg.)

    Bedingungsloses Grundeinkommen. Grundlagentexte

  • Aaron Bastani

    Fully Automated Luxury Communism

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    Reinventing Daily Life

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    Lina Bo Bardi. Habitat

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  • Verena Pfeiffer-Kloss

    Der Himmel unter West-Berlin. Die post-sachlichen U-…

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    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

    Am Anfang war der Beutel

  • Franco La Cecla

    Against Urbanism

  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

Making Room. Cultural Production in Occupied Spaces

Making Room: Cultural Production in Occupied Spaces is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban space activism. It includes pieces by activist researchers working between the academy and the movements they write about, journalistic first-person narratives by squatters, original photpgraphy and interviews with artists, theorists and activists involved struggles over urban space and creative production in the city. Focused primarily on the Europe and international contexts relating to it, this diverse collection material is organized into sections by country so as to amplify the disjunction between different voices and frames of reference. While many of these voices assert accounts of a cohesive, international squatter movement or are committed to specific political projects the anthology, when taken as a whole, tells a more complex story about constellations of movements and practices intensely engaged with local conditions that have developed — sometimes independently, sometimes in dialog with one another — as people have struggled to survive, express themselves, carve out zones of autonomy and resistance, and push back against to dominance of capitalism in the city. In this, “cultural production” appears in a variety of forms ranging from conventional art practices, to the organizing of communities and networks, to the production of media and setting up of information systems. Likewise, squats, occupations and social centers are figured as art projects themselves, housing and workspaces for artists or, most significantly, constituent parts of an alternative infrastructure for the autonomous production of knowledge, discourse, and aesthetics.
Making Room includes stories of the squatter movement in Germany both in the 1980s and ‘90s as the Cold War was ending and Neoliberalism taking shape, and in its contemporary manifestations as resistance to gentrification and struggles for housing and the inclusion of migrants. In Northern Europe it recounts episodes in the emergence of the militant autonomism from the softer counterculture of the 1960s and ‘70s as struggles hardened and utopian exuberance faded in the face of the consolidation of global capitalism and was replaced by grim, determined holding actions. In Italy the housing struggles and social centers movement of the 1980s is appears as a more popular and pragmatic revival of activism following the decimation of radical left in the in the dark years of the anni di piombo. This revival, has the found new resonance in the resurgence of squatting in Italy and the occupation and debt resistance movement in Spain that have taken much inspiration from it. Other texts in the anthology recount struggles to define the role of creativity in defining cities as post-industrial urban economies, organized around knowledge work and affective labor have become common in Western Europe and North America and gentrification has replace urban decay as a primary problem. Finally, another narrative thread runs through the anthology that traces a history of radical media from the underground printing and publishing practices of the 1960’s and ‘70s through the proliferation of pirate radio and television projects and into contemporary hacker and internet activist culture.


Alan Moore, Alan Smart (Ed.)
Making Room. Cultural Production in Occupied Spaces
Other Forms, 2015, 978-0-9791377-9-2
20,00 €