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  • Vincent Liegey, Anitra Nelson

    Exploring Degrowth. A Critical Guide

  • Michael Youngblood, Benjamin Chesluk

    Rethinking Users. The Design Guide to User Ecosystem…

  • Manfred Sommer

    Stift, Blatt und Kant. Philosophie des Graphismus

  • Aino Laberenz (Hg.)

    Christoph Schlingensiefs Operndorf Afrika

  • Thomas Keenan, Eyal Weizman

    Mengeles Schädel. Kurze Geschichte der forensischen Ästhetik

  • R. A. Judy

    Sentient Flesh Thinking in Disorder, Poiesis in Black

  • Anne Waldschmidt

    Disability Studies zur Einführung

  • Ulrich Pfisterer

    Kunstgeschichte zur Einführung

  • Ernst Müller, Falko Schmieder

    Begriffsgeschichte zur Einführung

  • Bädicker, Klaus

    Sofort Abreissen! 1984 - 1994. Von der Wohnungsmisere in…

  • Butler, Judith

    Die Macht der Gewaltlosigkeit - Über das Ethische im…

  • Gerald Siegmund

    Theater- und Tanzperformance zur Einführung

  • Veronika Kracher

    Incels. Geschichte, Sprache und Ideologie eines Online-Kults

  • Susanne Kaiser

    Politische Männlichkeit. Wie Incels, Fundamentalisten und…

  • Vereinigung der Landesdenkmalpfleger (…

    wohnen 60 70 80. Junge Denkmäler in Deutschland

  • Beckh, Ruiz-Funes, Ludwig et al. (Hg.)

    Candela, Isler, Müther. Positions on Shell Construction

  • Marius Töpfer, Rebecca Wall

    Everyday Urban Design 6. Planung als Vektor, Skript und…

  • Alexandre Gaiser Fernandes

    Everyday Urban Design 5. Everyday State of Emergency. The…

  • Erin Manning

    For a Pragmatics of the Useless (Thought in the Act)

  • Christine Hannemann, Karin Hauser (Hg.)

    Zusammenhalt braucht Räume. Wohnen integriert

  • Studio Michael Beutler (ed.)

    Michael Beutler. Things in Slices

  • Florian Ebner, Susanne Gaensheimer,…

    Hito Steyerl. I will Survive

  • Johannes Hossfeld Etyang, Joyce Nyairo…

    Ten Cities. Clubbing in Nairobi, Cairo, Kyiv,​ Johannesburg…

  • Eva Maria Froschauer, Werner Lorenz,…

    Vom Wert des Weiterbauens. Konstruktive Lösungen und…

  • Christoph Lueder

    Diagrams: Tropes, Tools, Abstract Machines

  • Julia Bee, Nicole Kandioler (Hg)

    Differenzen und Affirmationen. queer/feministische…

  • Christian Gänshirt

    Werkzeuge für Ideen. Einführung ins architektonische…

  • Helge Oder

    Entwerferische Dinge: Neue Ansätze integrativer Gestaltung…

  • Mette Marie Kallehauge, Lærke Rydal…

    Anupama Kundoo (The Architect’s Studio)

  • Helen Hester

    Xenofeminismus

  • Benjamin H. Bratton, Nicolay Boyadjiev…

    The New Normal

  • Jack Halberstam

    Wild Things. The Disorder of Desire

  • The Care Collective

    Care Manifesto. The Politics of Interdependence

  • Oliver Sukrow

    Arbeit. Wohnen. Computer. Zur Utopie in der bildenden Kunst…

  • Andreas Malm

    Klima|x

  • LAN – Benoit Jallon, Umberto Napolitano…

    Napoli Super Modern

  • Sabel Gavaldon, Manuel Segade (Eds.)

    Elements of Vogue. A Case Study in Radical Performance

  • Mari Laanemets (Ed.)

    Abstraction as an Open Experiment

  • Dorothee Brantz, Avi Sharma (Eds.)

    Urban Resilience in a Global Context. Actors, Narratives,…

  • Eva Barois De Caevel, Koyo Kouoh, Mika…

    On Art History in Africa. Condition Report

  • Amy Sillman

    Faux Pas. Selected Writings and Drawings (Expanded Edition)

  • Richard Zemp

    Bauen als freie Arbeit. Lina Bo Bardi und die Grupo…

  • Christoph F. E. Holzhey, Arnd Wedemeyer

    Weathering. Ecologies of Exposure

  • Luke Wood, Brad Haylock

    One and many mirrors: perspectives on graphic design…

  • John Darlington

    Fake Heritage. Why We Rebuild Monuments

  • Gerhard Steixner, Maria Welzig (Hg)

    Luxus für alle. Meilensteine im europäischen…

  • Rafael Horzon

    Das Neue Buch

  • Sebastian Schels, Olaf Unverzart

    ÉTÉ

  • IDEA Magazine

    IDEA 391. Alternative Reality Design and imagination in…

  • Markus Ritter

    Der Reiz der Vögel seit 1870

  • Daniel Rubinstein

    Fotografie nach der Philosophie. Repräsentationsdämmerung

  • Legacy Russell

    Glitch Feminism. A Manifesto

  • Georg Seeßlen

    Coronakontrolle, oder: Nach der Krise ist vor der…

  • Sasha Geffen

    Glitter Up the Dark. How Pop Music Broke the Binary

  • Natasha A. Kelly

    The Comet - Afrofuturism 2.0

  • Iris Därmann

    Undienlichkeit. Gewaltgeschichte und politische Philosophie

  • Ludger Schwarte

    Denken in Farbe. Zur Epistemologie des Malens

  • Isabell Otto

    Prozess und Zeitordnung. Temporalität unter der Bedingung…

  • Alejandro de la Sota

    In Defence of a Logical Architecture and Other Essays. 2G…

  • Bruno Latour

    Der Berliner Schlüssel

  • Mark W. Rectanus

    Museums Inside Out. Artist Collaborations and New…

  • William O. Gardner

    The Metabolist Imagination. Visions of the City in Postwar…

  • McKenzie Wark

    Sensoria. Thinkers for the Twenty-first Century

  • Maria Isserlis (Hg)

    Nadira Husain

  • Sheila Williams (ed.)

    Entanglements. Tomorrow's Lovers, Families, and…

  • Maria Hlavajova, Sven Lutticken (Hg)

    Deserting from the Culture Wars

  • Brandon LaBelle (Ed.)

    Dirty Ear Report #3

  • José Esteban Muñoz (ed. by Joshua…

    The Sense of Brown (Perverse Modernities Series)

  • Jean-Paul Martinon

    Curating as Ethics (Thinking Theory Series)

  • Chris Ingraham

    Gestures of Concern (Cultural Politics Series)

  • Harmony Bench

    Perpetual Motion. Dance, Digital Cultures, and the Common

  • Suad Garayeva-Maleki, Heike Munder (Eds…

    Potential Worlds. Planetary Memories & Eco-Fictions

  • ETH Zurich, MAS Urban Design

    Migrant Marseille. Architectures Of Social Segregation And…

  • Antony Radford, Amit Srivastava, Selen…

    Elemente der modernen Architektur. Analyse zeitgenössischer…

  • Kirsten Otto

    Berlins verschwundene Denkmäler. Eine Verlustanalyse von…

  • Howard Eiland, Michael W. Jennings

    Walter Benjamin. Eine Biographie

  • Per Leo

    Der Wille zum Wesen. Weltanschauungskultur,…

  • Lukas Feireiss,Tatjana Schneider,…

    Living the City. Von Städten, Menschen und Geschichten

  • Joanna Zielińska (ed.)

    Performance Works

  • Kirsten Wagner, Marie-Christin Kajewski…

    Architekturen in Fotografie und Film. Modell, Montage,…

  • Christa Kamleithner

    Ströme und Zonen. Eine Genealogie der "funktionalen…

  • T.J. Demos

    Beyond the World's End. Arts of Living at the Crossing

  • Elvia Wilk

    Oval

  • Brian Dillon

    Suppose a Sentence

  • Panos Louridas

    Algorithms

  • Michael Schrage

    Recommendation Engines

  • Hans-Christian Dany

    Ode to Routine

  • Mieke Gerritzen, Geert Lovink

    Made in China, Designed in California, Criticised in Europe…

  • Nka Journal of Contemporary African Art

    Rethinking Cosmopolitanism. Africa in Europe, Europe in…

  • Julia Popova

    How many female type designers do you know? I know many and…

  • Hannah Wehrle, Jonas Wehrle, Klaus…

    Geht doch! Ein Buch über bezahlbares Wohnen

  • Barkow Leibinger

    Revolutions of Choice

  • Silvio Lorusso, Pia Pol, Miriam Rasch (…

    Here and Now? Explorations in Urgent Publishing

  • Jeffrey Hogrefe and Scott Ruff with…

    In Search of African American Space. Redressing Racism

  • Gabu Heindl

    Stadtkonflikte. Radikale Demokratie in Architektur und…

  • Klaus Jan Philipp

    Architektur - gezeichnet: Vom Mittelalter bis heute

  • Quang Truong

    Composite Architecture. Building and Design with Carbon…

  • Yvonne Rainer

    Revisions. Essays by Apollo Musagète, Yvonne Rainer, and…

Marcel Broodthaers. Collected Writings

"I, too, asked myself if I could not sell something and succeed in life... Finally the idea of inventing something insincere came to me and I got to work immediately." With this statement, penned for his first solo show in April, 1964, Marcel Broodthaers (1924-1976) announced his death as a poet and birth as an artist. In fact, he was to transform the category of artist completely, purging the vocation of its medium-specific implications to pursue a unified conceptualism across media such as artist's books, prints, film, installation, sculpture and writings--" where the world of plastic arts and the world of poetry might possibly, I wouldn't say meet, but at the very frontier where they part." Broodthaers' "Museum of Modern Art, Eagles Department" (1968-1972) inaugurated the practice now known as institutional critique, and the linguistic foundations of his art--as well as his emphasis on printed multiples--also proved prescient for subsequent strains of Conceptual art. Edited by Gloria Moure in collaboration with the artist's estate, this momentous publication eclipses in its scope all previous Broodthaers writings collections. It gathers his early poetry, statements, critical essays both published and unpublished, open letters, interviews, preparatory notes and scripts, plus a wealth of illustrations.
Marcel Broodthaers was born in Belgium in 1924. From the late 1940s to the early 1960s he worked primarily as a poet, and was a member of the Belgian Groupe Surrealiste-revolutionnaire, which included Andre Blavier, Achille Chavee and Rene Magritte. After almost two decades of poverty, Broodthaers performed a symbolic burial of his life as a poet by embedding 50 copies of his poetry collection "Pense-Bete" in plaster. However, his art continued to be characterized by its emphasis on written text. Broodthaers died in 1976, on his fifty-second birthday, and is buried in Brussels beneath a tomb of his own design that features images from his allegorical repertoire, including a pipe, a wine bottle and a parrot.


Gloria Moure (Ed.)
Marcel Broodthaers. Collected Writings
Ediciones Poligrafa, 2013, 9788434312876