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  • Frank B. Wilderson III

    Afropessimismus

  • Andreas Malm

    Der Fortschritt dieses Sturms

  • Kike España

    Die sanfte Stadt

  • Henk Slager (Ed.)

    The Postresearch Condition

  • IKE Institut Konstruktives Entwerfen,…

    Bauteile wiederverwenden. Ein Kompendium zum zirkulären…

  • Manuela Zechner

    Commoning Care & Collective Power. Childcare Commons…

  • W.v. Acker, T. Mical

    Architecture & Ugliness: Anti-Aesthetics and the Ugly…

  • Duncan Bell, Bernardo Zacka (Eds.)

    Political Theory and Architecture

  • Saikaku Toyokawa

    Yoyogi National Gymnasium And Kenzo Tange

  • Annet Dekker (Ed.)

    Curating Digital Art: From Presenting and Collecting…

  • Margherita Palli (Ed.)

    Dizionario Teatrale, Theater Dictionary, Theater Wörterbuch…

  • Ruben Pater

    Caps Lock - How Capitalism Took Hold Of Graphic Design, And…

  • Massimiliano Mollona

    Art/Commons. Anthropology beyond Capitalism

  • Dimitra Kondylatou, David Bergé (Eds.)

    (Forced) Movement. Across the Aegean Archipelago

  • Markus Gabriel

    Die Macht der Kunst

  • Anselm Franke, Kerstin Stakemeier (Eds.)

    Illiberal Arts

  • Peter Eingartner

    Autobilder. Bleistiftzeichungen von Automobilen im gebauten…

  • Luis Berríos-Negrón

    Breathtaking Greenhouse Parastructures

  • IDEA Magazine

    IDEA 395. Designing the Digital World: Game Experience and…

  • Matthias Sauerbruch, Louisa Hutton (Hg)

    The Turn of the Century. A Reader about Architecture within…

  • Stefano Harney, Fred Moten

    All Incomplete

  • Sabine Hark

    Gemeinschaft der Ungewählten. Umrisse eines politischen…

  • Brad Haylock, Megan Patty (Eds.)

    Art Writing in Crisis

  • Kim Nguyen, Jeanne Gerrity (Eds.)

    Why Are They So Afraid of the Lotus?

  • Shumon Basar, Douglas Coupland, Hans…

    The Extreme Self. Age of You

  • Paul B. Preciado

    Can the Monster Speak? Report to an Academy of…

  • Will McLean, Pete Silver

    Environmental Design Sourcebook. Innovative Ideas for a…

  • Walter D. Mignolo

    The Politics of Decolonial Investigations

  • Rita Gesquière (Hg)

    Degeyter - Architect

  • Daniel Decker

    Not Available. Platten, die nicht erschienen sind

  • Gascia Ouzounian

    Stereophonica. Sound and Space in Science, Technology, and…

  • Sou Fujimoto

    Futurospektive Architektur

  • François Bonnet, Bartolomé Sanson (eds.)

    Spectres 2. Résonances / Resonances

  • Frances Scott

    Incantation, Wendy

  • Gabi Dolff-Bonekämper

    Der Streitwert der Denkmale. Berliner Texte

  • Simone Bogner, Sylvia Butenschön, Jurek…

    Denkmalwelten und Erbediskurse

  • Jack Halberstam

    Trans*Positionen zu Geschlecht und Architektur

  • Jan Knikker

    How to Win Work. The Architect's Guide to Business…

  • Felix Richter

    Das Neue Hoyerswerda. Ideenhaushalt, Aufbau und Diskurs der…

  • Peter Mörtenböck, Helge Mooshammer (Hg)

    Platform Urbanism and its discontents.

  • Ashley Paine, Susan Holden, John…

    Valuing Architecture: Heritage and the Economics of Culture…

  • Dimitra Kondylatou, David Bergé (Eds.)

    The Architect is Absent. Approaching the Cycladic Holiday…

  • Matthew Fuller, Eyal Weizman

    Investigative Aesthetics. Conflicts and Commons in the…

  • Laura Raicovich

    Culture Strike. Art and Museums in an Age of Protest

  • Alison B. Powell

    Undoing Optimization. Civic Action in Smart Cities

  • Paul Pethick

    Power of Play. How play and its games shape life

  • Angélil, Biechteler, Dietz, Käferstein…

    Building for Architecture Education. Architekturpädagogiken…

  • 72 Hour Urban Action

    Die Gefühletaktik | The Love Tactic

  • Isabelle Doucet, Janina Gosseye (Hg.)

    Activism at Home. Architects dwelling between politics,…

  • Donatella Di Cesare

    Philosophie der Migration

  • Legacy Russell

    Glitch Feminismus. Ein Manifest

  • Vinciane Despret

    Was würden Tiere sagen, würden wir die richtigen Fragen…

  • Calla Henkel

    Other People's Clothes

  • Philipp Sarasin

    1977. Eine kurze Geschichte der Gegenwart

  • Patricia Bickers

    The Ends of Art Criticism

  • Michel Egger

    Image Generation

  • Katharina Hoppe, Thomas Lemke

    Neue Materialismen zur Einführung

  • Zachary Horton

    The Cosmic Zoom. Scale, Knowledge, and Mediation

  • Ciara Cremin

    The Future is Feminine. Capitalism and the Masculine…

  • Kate Crawford

    Atlas of AI. Power, Politics, and the Planetary Costs of…

  • N. Reynolds, M. McCormick

    No Fixed Points: Dance in the Twentieth Century

  • Design Studio for Social Intervention

    Ideas Arrangements Effects: Systems Design and Social…

  • Inke Arns, Marie Lechner (Hg)

    Computer Grrrls. HMKV Ausstellungsmagazin 2021/1

  • Claude Lévi-Strauss

    Strukturale Anthropologie Zero

  • Noam Chomsky, Robert Pollin

    Die Klimakrise und der Global Green New Deal. Die…

  • Amy Cimini, Bill Dietz (eds)

    Maryanne Amacher: Selected Writings and Interviews

  • Hélène Cixous (Wolfgang Hottner Hg.)

    Die meineidige Stadt oder das Erwachen der Erinyen

  • Harriet Harriss, Rory Hyde, Roberta…

    Architects After Architecture. Alternative Pathways for…

  • Jan Silberberger (Ed.)

    Against and For Method. Revisiting Architectural Design as…

  • Christine Eyene

    Sounds Like Her. Gender, Sound Art & Sonic Cultures

  • Judith Lochhead, Eduardo Mendieta,…

    Sound and Affect. Voice, Music, World

  • Tobias Michnik und Leander Nowack

    Übergangsräume. Die Bushaltestellen auf der Berliner…

  • Annett Busch, Tobias Hering (Eds.)

    Tell It to the Stones. Encounters with the Films of Danièle…

  • Boris Groys

    Logic of the Collection

  • Daniela Zyman (Ed.)

    Oceans Rising. A Companion to “Territorial Agency: Oceans…

  • Peter Sutherland

    Colorado

  • Elias Guenoun

    198 Wood Joints

  • Alison J. Clarke

    Victor Papanek. Designer for the Real World

  • Philipp P. Metzger

    Wohnkonzerne enteignen! Wie Deutsche Wohnen & Co ein…

  • Elizabeth Ezra

    The Cinema of Things. Globalization and the Posthuman Object

  • MMS (Maryam Fanni, Matilda Flodmark and…

    Natural Enemies of Books. A Messy History of Women in…

  • Sascha Roesler

    Weltkonstruktion. Eine Globalgeschichte der…

  • Owen Hatherley

    Clean Living under Difficult Circumstances. Finding a Home…

  • Benjamin Bratton

    The Revenge of the Real. Politics for a Post-Pandemic World

  • Gisela Notz

    Genossenschaften. Geschichte, Aktualität und Renaissance

  • Lorenz Engell

    Das Schaltbild. Philosophie des Fernsehens

  • Rafal Niemojewski

    Biennials: The Exhibitions We Love to Hate

  • Gerold Kunz, Hilar Stadler, Jonathan…

    On and Around Architecture. Ten conversations. Sergison…

  • Jens Balzer

    High Energy. Die Achtziger - das pulsierende Jahrzehnt

  • Bund Deutscher Architektinnen und…

    Architektinnen・BDA

  • ETH Newrope (Ed.)

    Design in Dialogue. 51N4E, endeavour, Denkstatt

  • J. Wangel, E. Fauré

    Beyond Efficiency. Speculative design for living in the…

  • Michael Erlhoff

    Im Schatten von Design. Zur dunklen Seite der Gestaltung

  • Michelle Christensen, Ralf Michel,…

    NERD - New Experimental Research in Design 2

  • Chiara Carpenter, Giovanna Silva

    Nightswimming. Discotheques from the 1960s to the Present

  • Brandon LaBelle, Víctor Aguado, Ramón…

    Party Studies Vol. 1: Home Gatherings, Flat Events, Festive…

  • Tom Holert (Hg.)

    Harun Farocki. Unregelmäßig, nicht regellos. Texte 1986–2000

  • Barnabas Calder

    Architecture. From Prehistory to Climate Emergency

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739