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  • Branden Joseph (Ed.)

    Carolee Schneemann: Uncollected Texts

  • Natalie Fenton, Des Freedman, Justin…

    The Media Manifesto

  • Amador Vega, Peter Weibel, Siegfried…

    Dia-Logos: Ramon Llull's Method of Thought and…

  • Luke Fernandez, Susan J. Matt

    Bored, Lonely, Angry, Stupid: Changing Feelings about…

  • Peter Ortner

    The Essence of Berlin-Tegel. Taking Stock of an Airport…

  • Cornelia Sollfank (Hg)

    The Beautiful Warriors. Technofeminist Praxis in the Twenty…

  • DeBevoise, Chooy, Lu (Hg)

    Uncooperative Contemporaries: Art Exhibitions in Shanghai c…

  • IDEA Magazine

    IDEA 390. writtenafterwards. Material Bindings. The Savage…

  • Jane Bennett

    Influx & Efflux. Writing up with Walt Whitman

  • Slavoj Žižek

    Der Exzess der Leere. Ökonomisch-philosophosche Notizen zu…

  • Jörg Kreienbrock

    Sich im Weltall orientieren. Philosophieren im Kosmos 1950…

  • Stéphane Mallarmé

    The Book

  • Bram Büscher, Robert Fletcher

    Conservation Revolution. Radical Ideas for Saving Nature…

  • Erin Y. Huang

    Urban Horror: Neoliberal Post-Socialism and the Limits of…

  • Christian Huck

    Digitalschatten. Das Netz und die Dinge

  • Byung-Chul Han

    Palliativgesellschaft. Schmerz heute

  • Bastian Lange u.a. (Hg.)

    Postwachstumsgeographien. Raumbezüge diverser und…

  • Thomas Flierl (Hg.)

    Bauhaus – Shanghai – Stalinallee – Ha-Neu. Der Lebensweg…

  • Alexandra Martini

    Inspired by Method: Creative tools for the design process

  • Yuk Hui

    Die Frage nach der Technik in China. Ein Essay über die…

  • Ruedi Baur, Ulrike Felsing (Eds.)

    Visual Coexistence. Informationdesign and Typography in the…

  • Brandon LaBelle

    The Other Citizen

  • Roland Reichenbach, Rolf Bossart (Hg.)

    Bildungsferne. Essays und Gespräche zur Kritik der Pädagogik

  • Slavs and Tatars, M. Constantine (Ed.)

    Slavs and Tatars. Crack Up - Crack Down. The 33rd Ljubljana…

  • C. Riley Snorton, Hentyle Yapp (Ed.)

    Saturation. Race, Art, and the Circulation of Value

  • Pamela M. Lee

    Think Tank Aesthetics. Midcentury Modernism, the Cold War,…

  • Lucy Ives (Ed.)

    The Saddest Thing Is That I Have Had To Use Words. A…

  • Marino, Mark C.

    Critical Code Studies

  • Lucy McKenzie, Beca Lipscombe (Eds.)

    Atelier E.B: Passer-By

  • Ursula K. Le Guin

    The Carrier Bag Theory of Fiction

  • Ben Eastham (Ed.)

    Luis Camnitzer. One Number Is Worth One Word

  • John Beck, Ryan Bishop

    Technocrats of the Imagination. Art, Technology, and the…

  • Louise Amoore

    Cloud Ethics. Algorithms and the Attributes of Ourselves…

  • David Grubbs

    The Voice in the Headphones

  • Hertz-Labor Hg. (Peter Weibel, Ludger…

    From Xenakis’s UPIC to Graphic Notation Today

  • Cyril Veillon, Nadja Maillard (Eds.)

    Isle of Models. Architecture and Scale

  • Giorgio Agamben

    Der Gebrauch der Körper

  • Isabelle Graw

    In einer anderen Welt. Notizen 2014-2017

  • Sabine Hark, Paula-Irene Villa

    The Future of Difference. Beyond the Toxic Entanglement of…

  • Adeena Mey, Anton Rey, François Bovier…

    Minor Cinema. Experimental Film in Switzerland

  • Max Haiven

    Revenge Capitalism. The Ghosts of Empire, the Demons of…

  • Kathleen Cummins

    Herstories on Screen. Feminist Subversions of Frontier Myths

  • Data Chigholashvili, Nini…

    Tbilisi - It's Complicated. Onomatopee 173

  • Isa Genzken

    Isa Genzken. I Love New York, Crazy City

  • Raul Zelik

    Wir Untoten des Kapitals. Über politische Monster und einen…

  • Danielle Allen

    Politische Gleichheit

  • Silvia Henke, Dieter Mersch, Thomas…

    Manifest der künstlerischen Forschung / Manifesto of…

  • Dominique Hauderowicz, Kristian Ly…

    Age-Inclusive Public Space

  • Christian Werner

    Christian Werner. Everything Is So Democratic and Cool

  • Paulo Mendes da Rocha

    Designed Future or selected writings by Paulo Mendes da…

  • Moyra Davey

    Index Cards

  • Emanuele Coccia

    Sinnenleben

  • ARCH+, Anh-Linh Ngo, Arno Brandlhuber,…

    Arch+. The Property Issue: Politics of Space and Data.

  • Philip Kovce, Birger P. Priddat (Hg.)

    Bedingungsloses Grundeinkommen. Grundlagentexte

  • Aaron Bastani

    Fully Automated Luxury Communism

  • Martijn De Rijk, Thomas Spijkerman

    Reinventing Daily Life

  • Adriano Pedrosa, Jose Esparza Chong Cuy…

    Lina Bo Bardi. Habitat

  • Cloe Pitiot, Nina Stritzler-Levine (Hg)

    Eileen Gray. Designer and Architect

  • Verena Pfeiffer-Kloss

    Der Himmel unter West-Berlin. Die post-sachlichen U-…

  • M. Lind, M. Masucci, J. Warsza (Hg)

    Red Love: A Reader on Alexandra Kollontai

  • Chus Martínez (Ed.)

    The Wild Book of Inventions

  • Mary Bosworth, Khadija von Zinnenburg…

    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

    Am Anfang war der Beutel

  • Franco La Cecla

    Against Urbanism

  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

  • Kevin Lotery

    The Long Front of Culture. The Independent Group and…

  • Matthew Gandy, Sandra Jasper (Hg)

    The Botanical City

  • Riccardo Badano, Rebecca Lewin, Natalia…

    Formafantasma Cambio

  • Rozemin Keshvani (Ed.)

    The Locked Room. Four Years that Shook Art Education, 1969–…

  • Nick Mauss

    Transmissions

  • Stanislaus von Moos, Martino Stierli

    Eyes That Saw: Architecture after Las Vegas

  • S. Delz, R. Hehl, P. Ventura

    Housing the Co-op. A Micro-political Manifesto

  • Sasha Costanza-Chock

    Design Justice. Community-led Practices to build the Worlds…

  • Mary Kaldor and Saskia Sassen (Ed)

    Cities at War. Global Insecurity and Urban Resistance

  • Claire Fontaine

    La Grève Humaine et l’art de créer la liberté

  • Christian Nae (Editor)

    Dan Mihaltianu. Canal Grande: The Capital Pool and the…

  • Hashim Sarkis, Roi Salgueiro Barrio,…

    The World as an Architectural Project.

  • Pier Vittorio Aureli (Hg)

    The City as a Project

  • Stephen Barber

    The Projectionists. Eadweard Muybridge and the Future…

  • Zoran Terzić

    Idiocracy. Denken und Handeln im Zeitalter des Idioten

  • Paul B. Preciado

    Ein Apartment auf dem Uranus. Chroniken eines Übergangs

  • Corinna Burkhart, Matthias Schmelzer,…

    Degrowth in Movement(s). Exploring Pathways for…

  • Anita Chari, Claire Fontaine, Jaleh…

    Claire Fontaine. Newsfloor

  • Angela McRobbie

    Feminism and the Politics of Resilience. Essays on Gender,…

  • Gabriele Klein

    Pina Bausch’s Dance Theater. Company, Artistic Practices,…

  • Joachim Hamou, Maija Rudovska, Barbara…

    Active Art

  • Institut für Raumexperimente e.V.,…

    Poetry Jazz: Wax and Gold

  • Larry D. Busbea

    The Responsive Environment. Design, Aesthetics, and the…

  • Katherine Guinness

    Schizogenesis. The Art of Rosemarie Trockel

  • Giorgio Agamben

    Geschmack

  • Alain Badiou

    Migrants and Militants

  • Gregory Claeys

    Utopia. The History of an Idea

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739