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  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

    Not at Your Service. Manifestos for Design

  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

  • Precarity Lab

    Technoprecarious

  • Annette Maechtel

    Das Temporäre politisch denken. Raumproduktionen im Berlin…

  • Cornelia Sollfrank, Felix Stalder,…

    Aesthetics of the Commons

  • Mark Wigley

    Konrad Wachsmann’s Television. Post-architectural…

  • Hans-Rudolf Meier

    Spolien. Phänomene der Wiederverwendung in der Architektur

  • Erich Hörl, Nelly Y. Pinkrah, Lotte…

    Critique and the Digital

  • Bradley Quinn

    The Fashion of Architecture

  • Florian Rötzer

    Sein und Wohnen. Philosophische Streifzüge zur Geschichte…

  • Philipp Stamm

    Schrifttypen – Verstehen Kombinieren Schriftmischung als…

  • Gemma Villegas

    Fanzine GRRRLS. The DIY Revolution in Female Self-Publishing

  • dérive

    dérive N° 82, Sampler (Jan - Mar 2021)

  • Andreas H. Apelt, Ron Jagers

    Hinter der Stille. Berlin-Prenzlauer Berg 1979-1989

  • Giseke, Löw, Million, Misselwitz,…

    Urban Design Methods

  • Kengo Kuma

    Kengo Kuma. My Life as an Architect in Tokyo

  • Elske Rosenfeld, Suza Husse (Hg.)

    wildes wiederholen. material von unten. Dissidente…

  • Lukas Feireiss, Tatjana Schneider,…

    Living the City. Of Cities, People and Stories

  • Stefan Rettich, Sabine Tastel (Hg.)

    Die Bodenfrage. Klima, Ökonomie, Gemeinwohl

  • Caspar Stracke (Ed.)

    Godard Boomerang. Artists on Godardian Conceptualism

  • Kai van Eikels

    Synchronisieren. Ein Essay zur Materialität des Kollektiven

  • Johnny Golding, Martin Reinhart, Mattia…

    Data Loam. Sometimes Hard, Usually Soft. On the Future of…

  • Hendrik Weber

    Italic. What gives Typography Its emphasis

  • Tibor Joanelly

    Shinoharistics. An Essay About a House

  • Thomas Moynihan

    X-Risk. How Humanity Discovered Its Own Extinction

  • Bert Rebhandl

    Jean-Luc Godard. Der permanente Revolutionär

  • Heide Schlüpmann

    Raumgeben - der Film dem Kino

  • Antonio Lucci, Esther Schomacher, Jan…

    Italian Theory

  • Harun Farocki

    HaFI 013: Zur Geschichte der Arbeit. Dokument, Material…

  • Rebekka Ladewig, Angelika Seppi

    Milieu Fragmente. Technologische und ästhetische…

  • Bonaventure Soh Bejeng Ndikung

    In a While or Two We Will Find the Tone

  • Michelle Christensen, Jesko Fezer,…

    Lechts und Rinks. Auseinandersetzungen mit dem Design der…

  • Jesko Fezer, Anita Kaspar, Andreas…

    Displaying Political and Cultural Concerns. Kooperative für…

  • IDEA Magazine

    IDEA 392. Type Design Now Experimental Type Designers and…

  • Francois Laruelle

    The Last Humanity. The New Ecological Science

  • Jessica Morgan, Dorothea von Hantelmann…

    Resource Hungry. Our Cultured Landscape and its Ecological…

  • Kathrin Röggla

    Bauernkriegspanorama

  • Andreas Malm

    Wie man eine Pipeline in die Luft jagt. Kämpfen lernen in…

  • Murray Shanahan

    Die technologische Singularität

  • Nicolas Bourriaud

    Exform

  • Philip Kurz (Hg.)

    Meisterhaus Kandinsky Klee. Die Geschichte einer…

  • Beatrice von Bismarck, Benjamin Meyer-…

    Curatorial Thing (Cultures of the Curatorial 4)

  • Louise Michel

    Die Pariser Commune

  • Xiaowen Zhu

    Oriental Silk

  • Sebastian Schipper, Lisa Vollmer (Hg.)

    Wohnungsforschung. Ein Reader

  • Sally Stein, Ina Steiner (eds.)

    Allan Sekula, Art Isn't Fair: Further Essays on the…

  • Tim Jordan

    The Digital Economy

  • Juliane Rebentisch

    Camp Materialism

  • Andrea Büttner

    Shame

  • Amelie Von Wulffen

    Collected Comics 2010-2020

  • Benjamin Fellmann, Bettina Steinbrügge…

    Klassenverhältnisse. Phantoms of Perception

  • Itohan Osayimwese

    Colonialism and Modern Architecture in Germany

  • Sharon Zukin

    The Innovation Complex. Cities, Tech, and the New Economy

  • Sebastian Strombach

    Verrückt. Der Comic zum Berliner Schloss

  • Hg von Erika Thümmel, FH JOANNEUM…

    Die Sprache der Räume. Eine Geschichte der Szenografie

  • Stephan Trüby

    Rechte Räume: Politische Essays und Gespräche (Bauwelt…

  • Malcolm James

    Sonic Intimacy. Reggae Sound Systems, Jungle Pirate Radio…

  • AAPK – Suyoung Ko, Yeon Joo Oh, Soonam…

    Architecture as Fabulated Reality

  • Anna Bokov

    Avant-Garde as Method. Vkhutemas and the Pedagogy of Space…

  • Günter Karl Bose

    Elementum. Über Typografie, Bücher und Buchstaben

  • Lorenzo Marsili

    Planetary Politics. A Manifesto

  • Miriam Rasch (ed.)

    Let’s Get Physical: A Sample of INC Longforms, 2015-2020

  • Cache

    Gegen|Wissen. Cache 01

  • Angelika Fitz, Karoline Mayer,…

    Boden für Alle

  • Silvia Benedito

    Atmosphere Anatomies. On Design, Weather, and Sensation

  • Jan Reetze

    Times & Sounds. Germany's Journey from Jazz and…

  • Frieder Butzmann

    Wunderschöne Rückkopplungen

  • Ludger Hovestadt, Urs Hirschberg,…

    Atlas of Digital Architecture.Terminology, Concepts,…

  • Kristin Feireiss, Hans-Jürgen Commerell…

    The Songyang Story. Architectural Acupuncture as Driver for…

  • Zairong Xiang (Hg.)

    minor cosmopolitan. Thinking Art, Politics, and the…

  • Bruce Clarke

    Gaian System. Lynn Margulis, Neocybernetics, and the End of…

  • Oliver Fahle

    Theorien des Dokumentarfilms zur Einführung

  • Vincent Liegey, Anitra Nelson

    Exploring Degrowth. A Critical Guide

  • Michael Youngblood, Benjamin Chesluk

    Rethinking Users. The Design Guide to User Ecosystem…

  • Manfred Sommer

    Stift, Blatt und Kant. Philosophie des Graphismus

  • Aino Laberenz (Hg.)

    Christoph Schlingensiefs Operndorf Afrika

  • Thomas Keenan, Eyal Weizman

    Mengeles Schädel. Kurze Geschichte der forensischen Ästhetik

  • R. A. Judy

    Sentient Flesh Thinking in Disorder, Poiesis in Black

  • Anne Waldschmidt

    Disability Studies zur Einführung

  • Ulrich Pfisterer

    Kunstgeschichte zur Einführung

  • Ernst Müller, Falko Schmieder

    Begriffsgeschichte zur Einführung

  • Butler, Judith

    Die Macht der Gewaltlosigkeit - Über das Ethische im…

  • Gerald Siegmund

    Theater- und Tanzperformance zur Einführung

  • Veronika Kracher

    Incels. Geschichte, Sprache und Ideologie eines Online-Kults

  • Susanne Kaiser

    Politische Männlichkeit. Wie Incels, Fundamentalisten und…

  • Vereinigung der Landesdenkmalpfleger (…

    wohnen 60 70 80. Junge Denkmäler in Deutschland

  • Beckh, Ruiz-Funes, Ludwig et al. (Hg.)

    Candela, Isler, Müther. Positions on Shell Construction

  • Marius Töpfer, Rebecca Wall

    Everyday Urban Design 6. Planung als Vektor, Skript und…

  • Alexandre Gaiser Fernandes

    Everyday Urban Design 5. Everyday State of Emergency. The…

  • Erin Manning

    For a Pragmatics of the Useless (Thought in the Act)

  • Christine Hannemann, Karin Hauser (Hg.)

    Zusammenhalt braucht Räume. Wohnen integriert

  • Studio Michael Beutler (ed.)

    Michael Beutler. Things in Slices

  • Florian Ebner, Susanne Gaensheimer,…

    Hito Steyerl. I will Survive

  • Johannes Hossfeld Etyang, Joyce Nyairo…

    Ten Cities. Clubbing in Nairobi, Cairo, Kyiv,​ Johannesburg…

  • Eva Maria Froschauer, Werner Lorenz,…

    Vom Wert des Weiterbauens. Konstruktive Lösungen und…

  • Christoph Lueder

    Diagrams: Tropes, Tools, Abstract Machines

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739