Direkt zum Inhalt

Warenkorb

  • Paul B. Preciado

    An Apartment on Uranus

  • Fredi Fischli, Niels Olsen (Ed.)

    Cloud '68 Paper Voice. Smiljan Radic's Collection…

  • Khayaat Fakier, Diana Mulinari, Nora…

    Marxist-Feminist Theories and Struggles Today. Essential…

  • Kollektiv Quotidien

    Lefebvre for Activists [dt./engl.]

  • Siegfried Zielinski

    Variations on Media Thinking

  • Marcus White, Nano Langenheim

    The Death of Urbanism. Transitions through the stages of…

  • Sezgin Boynik, Taneli Viitahuhta (Ed.)

    Free Jazz Communism. Archie Shepp-Bill Dixon Quartet at the…

  • Clara Bouveresse

    Women at Work / Femmes a l'oeuvre / Femmes a l'…

  • Anne Massey

    Interior Design Since 1900 (World of Art)

  • Finn Brunton

    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

    The Barolo Chapel. The last eclipse of the millennium. The…

  • Joost Meuwissen

    Zur Architektur des Wohnens

  • S. Gau, K. Schlieben (Hg)

    Work to do!: Selbstorganisation in prekären…

  • Uliana Bychenkova, Nika Kudinova,…

    Znak. Ukrainian Trademarks 1960 — 1980

  • Wolfgang Tillmans

    Today Is The First Day

  • Mark Fisher

    k-punk: Ausgewählte Schriften 2004-2016

  • Goshka Macuga, Simon Moretti

    The Enigma of Hour. 100 Years of Psychoanalytic Thought

  • Owen Hopkins

    Postmodern Architecture: Less is a Bore

  • Ray Lucas

    Anthropology for Architects. Social Relations and the Built…

  • Michael Bull

    Sirens. The Study of Sound

  • Dominik Bartmanski, Ian Woodward

    Labels. Making Independent Music

  • Jens Hoffmann

    In the Meantime: Speculations on Art, Curating, and…

  • Laure Prouvost

    GDM: Grand Dad's Visitor Center

  • John Cage

    Diary: How to Improve the World (You Will Only Make Matters…

  • Nina Canell & Robin Watkins (eds.)

    Vegetable Teratology Colouring Book

  • Kumiko Inui

    Inui Architects

  • U. Borinski, R.P. Gorbach

    Lesbar: Typografie in der Wissensvermittlung

  • Claude Lefort

    Dante's Modernity. An Introduction to The Monarchia

  • Sharon Lockhart

    Pine Flat. (Afterall Series One Work)

  • Pascal Johanssom (Ed.)

    Handmade in Germany: Manufaktur 4.0

  • Andreas Nentwich, Christine Schnapp

    Modern in alle Ewigkeit: Eine Reise zu den schönsten…

  • David Reinfurt

    A New Program for Graphic Design

  • Sophie J. Williamson (Ed.)

    Translation (Documents of Contemporary Art)

  • Zamp Kelp

    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

  • M. Seidel, G. Steixner (Hg)

    Society now! Architektur. Projekte und Positionen 2009 -…

  • Moisés Puente (Hg)

    2G 80. Fala Atelier

  • Ocean Vuong

    Night Sky With Exit Wounds

  • Viction Workshop (Ed.)

    Botanical Inspiration: Nature in Art and Illustration

  • Florentine Nadolni (Hg.)

    Alltag formen!: Bauhaus-Moderne in der DDR

  • Karl Gerstner

    Designing Programmes: Programme as Typeface, Typography,…

  • Maarten Van Den Driessche (Ed.)

    Robbrecht en Daem: An Architectural Anthology

  • C. Blanchfield, F. Lotfi-Jam

    Modern Management Methods - Architecture, Historical Value…

  • Shirin Sabahi

    Pocket Folklore

  • Heindl, Klein, Linortner (Eds)

    Building Critique: Architecture and its Discontents

  • Alona Rodeh, Kunstpalais

    The Third Dimension. A Journey from Past Reality to Future…

  • Rike Felka

    Biomorphe Architekturen

  • Cooking Sections

    The Empire Remains Shop

  • Alonso, Palmarola (eds.)

    Flying Panels: How Concrete Panels Changed the World

  • Laura Sobral

    Doing it Together. Cooperation Tools for the City Co-…

  • M. Hieslmair, M. Zinganel (Hg)

    Stop and Go. Nodes of Transformation and Transition

  • Rike Frank, Beatrice von Bismarck

    Of(f) Our Times: Curatorial Anachronics

  • Sara Ahmed

    What's the Use? On the Uses of Use

  • Graham Harman

    Art and Objects

  • Benjamin Bratton

    The Terraforming

  • Michael Hieslmair, Michael Zinganel (…

    Stop and Go. Nodes of Transformation and Transition

  • Ana Vujanovic, Livia Piazza (Ed.)

    A Live Gathering: Performance and Politics in Contemporary…

  • edu-factory

    Alle Macht der selbstorganisierten Wissensproduktion

  • Alona Rodeh

    FIRE: Safe & Sound

  • Vision 5

    Artists Photographs

  • Hilma Af Klint

    Visionary

  • Allan Kaprow

    How To Make A Happening CD

  • Ruth Sonderegger

    Polyphone Ästhetik: Eine kritische Situierung

  • Philipp Oswalt

    Marke Bauhaus 1919-2019: Der Sieg der ikonischen Form über…

  • Marie-Pier Boucher, Stefan Helmreich,…

    Being Material

  • Tom Rice

    Films for the Colonies. Cinema and the Preservation of the…

  • Jürgen Habermas

    Auch eine Geschichte der Philosophie. Bd 1: Die okzidentale…

  • Constance DeJong, Andrew Lampert (Ed.)

    Tony Conrad. Writings

  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

    The New Normal

  • G. Raunig

    Maschinen Fabriken Industrien

  • Lukas Feireiss (Ed.)

    The Radical Cut-Up Reader: No Single Narrative

  • Juliane Streich (Hg.)

    These Girls. Ein Streifzug durch die feministische…

  • Chris O'Leary

    Ashes to Ashes. The Songs of David Bowie, 1976-2016

  • Edit DeAk, Walter Robinson (eds.)

    Art-Rite

  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

  • Ekaterina Degot, David Riff, Katalin…

    Volksfronten / Popular Fronts. Art and Populism in an Era…

  • Rene Boer, Marina Otero Verzier, Katia…

    Architecture of Appropriation. On Squatting as Spatial…

  • Susan Ferguson

    Women and Work. Feminism, Labour, and Social Reproduction

  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

  • Julia Eckhardt

    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

  • Adolph Stiller, Aneta Bulant-Kamenova (…

    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

  • Carola Platzek (Hg.)

    Teachings of the Garden

  • raumlaborberlin (Hg.)

    Floating University Berlin 2018. An illustrated report

  • Christian Maurel / Peter Rehberg

    Für den Arsch / Energie ohne Macht. Christian Maurels…

  • Ursula Prokop

    Jacques and Jacqueline Groag, Architect and Designer: Two…

  • Christoph Liepach

    Gera Ostmodern

  • Agnès Gayraud

    Dialectic of Pop

  • Alina Popa

    Alina Popa. Square of Will in Square of Love. Texts, Notes…

  • Timothy Morton

    Ökologisch sein

  • Saskia Sassen, David Harvey, Arjun…

    Urbaner Protest. Revolte in der neoliberalen Stadt

  • Georges Bataille

    Der Fluch der Ökonomie

  • Alfia Nakipbekova (Ed.)

    Exploring Xenakis. Performance, Practice, Philosophy

  • Alexander Wilson

    Aesthesis and Perceptronium. On the Entanglement of…

  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

  • Momus

    Herr F

  • Robert Conrad

    Vergessene Orte in Berlin und Brandenburg

  • 2G / # 79

    Studio Muoto (Paris)

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739