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  • Dirk Baecker

    4.0 oder Die Lücke die der Rechner lässt

  • Ekim Tan

    Play the City: Games Informing the Urban Development

  • Wulf Herzogenrath

    Das bauhaus gibt es nicht

  • Cours de Poetique

    The Listening Reader

  • Paper Monument

    As Radical, As Mother, As Salad, As Shelter: What Should…

  • Annette Menting, Walter Prigge (Hg)

    Modernes Sachsen. Gestaltung in der experimentellen…

  • Friedrich von Borries

    Politics of Design. Design of Politics

  • Christine Göttler, Peter J. Schneemann…

    Reading Room. Re-Lektüren des Innenraums

  • T'ai Smith, Ruby Hoette

    Modus: A Platform for Expanded Fashion Practice

  • CLOG 22

    Artificial Intelligence

  • Sibilla Calzolari

    Wait - Smoke - Sleep

  • Karambeigi, Ostertag, Rossol, Schwarzer…

    En Plein Air: Enthnographies of the Digital

  • Philipp Oswalt (Hg)

    Hannes Meyers neue Bauhauslehre. Von Dessau bis Mexiko. (…

  • Matt Keegan (Ed.)

    North Drive Press. NDP Nr. 2

  • Schultz, Wiedemann-Tokarz, Herrmann (Hg…

    Farbe räumlich denken: Positionen, Projekte, Potenziale

  • Volland, Rebick, Grenville (eds.)

    Grand Hotel. Redesigning Modern Life

  • Liz Wells (Ed.)

    The Photography Reader: History and Theory (2nd Ed.)

  • Matthias Herrmann (Hg.)

    Artists' Books Revisited

  • Zheng Guogu

    Jumping out of Three Dimensions, Staying outside Five…

  • John Weber Gallery

    Giovanni Anselmo

  • Hubert Fichte

    The Black City. Glosses

  • Eija-Liisa Ahtila

    Anne, Aki i Déu

  • Kim Trogal, Irene Baumann, Ranald…

    Architecture & Resilience. Interdisciplinary Dialogues

  • Kader Attia

    Architektur der Erinnerung / Architecture of Memory

  • Henrik Plenge Jakobsen

    Organisation Faust (LP)

  • Gem Barton

    Don't Get Job ... Make a Job: How to make it as a…

  • Marc Angélil, Cary Siress

    Mirroring Effects. Tales of Territory

  • Hito Steyerl

    Duty Free Art: Kunst in Zeiten des globalen Bürgerkriegs

  • Mathias Burke, Eleonore Harmel, Leon…

    Ländliche Verheissung. Arbeits- und Lebensprojekte rund um…

  • Julian Raxworthy

    Overgrown: practices between landscape architecture and…

  • Irenee Scalbert

    A Real Living Contact with the Thing Themselves

  • Jesko Fezer, Martin Schmitz

    Lucius Burckhardt: Wer plant die Planung? Architektur,…

  • Ines Kleesattel, Pablo Müller (Hg.)

    The Future Is Unwritten: Position und Politik…

  • Thorsten Bürklin

    Palladio, der Bildermacher

  • Christine Shaw & Etienne Turpin (…

    The Work of Wind: Land

  • Anina Falasca, Annette Maechtel, Heimo…

    Wiedersehen in TUNIX!

  • Helmut Höge

    Pollerforschung

  • Ryuji Fujimura

    The Form Of Knowledge, The Prototype Of Architectural…

  • Metahaven

    PSYOP. An Anthology

  • Boris Buden, Lina Dokuzovic (Eds.)

    They'll Never Walk Alone. The Life and Afterlife of…

  • G. Basilico, A. Video

    Incompiuto. The Birth of a Style / La Nascita di uno Style

  • Niels Lehmann, Christoph Rauhaut (Hg)

    Fragments of Metropolis - East | Osten. Poland, Slovakia,…

  • Sandra Hofmeister (Hg)

    Wohnungsbau. Kostengünstige Modelle für die Zukunft

  • Hintergrund 56

    Your Guide to Downtown Denise Scott Brown

  • Martin Kippenberger

    Window Shopping

  • Nynke Tromp, Paul Hekkert

    Designing for Society. Products and Services for a Better…

  • Zvi Efrat

    The Object of Zionism. The Architecture of Israel

  • Margaret van Eyck

    Renaming an Institution, a Case Study (Volume One: Research…

  • Simon Phipps

    Concrete Poetry. Post-War Modernist Public Art

  • Lea Ouardi

    Everyday Urban Design 3. Zwölf Apfelbäume. Selbstbau in der…

  • Gago, Aguilar, Draper, Diaz (Hg.)

    8M - Der große feministische Streik: Konstellationen des 8…

  • Christoph Rodatz / Pierre Smolarski (Hg…

    Was ist Public Interest Design? Beiträge zur Gestaltung…

  • Alla Carta 9

    The Palermo Issue

  • Khurana, Quadflieg, Raimondi,…

    Negativität: Kunst, Recht, Politik

  • Anne-Marie Willis (Hg.)

    The Design Philosophy Reader

  • Paul Stella

    Red. Architecture in Monochrome

  • Koch, Tribble, Siegmand, Rost, Werner (…

    New Urban Professions: A Journey through Practice and Theory

  • Martin Kohout

    Night Shifter

  • B. Brown, N. Atkinson, J. Solomon

    Dimensions of Citizenship

  • Chris Kraus

    Social Practices

  • Ina Wudtke

    The Fine Art of Living

  • Gianni Pettena

    The Curious Mr. Pettena: Rambling around the USA 1971-73

  • Johannes Binotto

    Film / Architektur. Perspektiven des Kinos auf den Raum

  • Kurt W. Forster

    Aby Warburgs Kulturwissenschaft: Ein Blick in die Abgründe…

  • Gianni Pettena

    Non-Conscious Architecture

  • Barbara Preisig

    Mobil, autonom, vernetzt. Kritik und ökonomische Innovation…

  • Avanessian, Bauwens, De Raeve, Haddad,…

    Perhaps It Is High Time for a Xeno-architecture to Match

  • Lucie Kolb

    Study, Not Critique

  • Jordan Kauffman

    Drawing on Architecture: The Object of Lines, 1970-1990

  • Brian Massumi

    99 Theses on the Revaluation of Value: A Postcapitalist…

  • Stefan Sagmeister, Jesica Walsh

    Sagmeister & Walsh: Beauty. Schönheit = Wahrheit /…

  • Cathleen Chaffee (Hg.)

    Introducing Tony Conrad: A Retrospective

  • Jordan H. Carver

    Spaces of Disappearance: The Architecture of Extraordinary…

  • Bruno Carvalho, Mariana Cavalcanti and…

    Occupy All Streets: Olympic Urbanism and Contested Futures…

  • Tom Angotti, Sylvia Morse

    Zoned Out! Race, Displacement, and City Planning in New…

  • Terreform (Hg.)

    Letters to the Leaders of China: Kongjian Yu and the Future…

  • Deen Sharp, Claire Panetta (Eds.)

    Beyond the Square: Urbanism and the Arab Uprisings

  • Jennifer Corby

    Adventures in Modernism: Thinking with Marshall Berman

  • Flypaper #4:

    Nicole Eisenman: Conscious Razing

  • Lynette A. Jones

    Haptics (Mit Press Essential Knowledge)

  • A. Janevski, R. Marcoci, K. Nouril (Hg)

    Art and Theory of Post-1989 Central and Eastern Europe: A…

  • M. Kries, A. Klein, A. Clarke (Hg)

    Victor Papanek. The Politics of Design

  • Merve Emre (Ed.)

    Once and Future Feminist

  • Andreas Brandolini

    Gestaltung

  • Jacek Slaski

    Gespräche mit Genialen Dilletanten

  • M. Bruet, E. King, S. Shabahzi, F. Sigg

    Color Library. Research into Color Reproduction and Printing

  • Monika Grubbauer, Kate Shaw (Eds.)

    Across Theory and Practice: Thinking Through Urban Research

  • Ursula Block, Michael Glasmeier

    Broken Music: Artists' Recordworks

  • A. Mircev (Ed.)

    O Plesu I Iz(a) Plesa

  • IDEA Magazine

    IDEA 383. YELLOW PAGES: Mapping Graphic Design Project in…

  • 2G n. 77

    Arrhov Frick

  • B. Groys, A. Vidokle (Hg.)

    Kosmismus

  • Museum für Gestaltung Zürich (Hg.)

    Social Design. Partizipation und Empowerment

  • Lydia Kallipoliti

    The Architecture of Closed Worlds, or, What is the Power of…

  • B. Wittner, S. Thoma, T. Hartmann (Hg.)

    Bi-Scriptual: Typography and Graphic Design with Multiple…

  • John Byrne

    The Constituent Museum: Constellations of Knowledge,…

  • Chimurenga, Edjabe, Pieterse (Hg)

    African Cities Reader (III)

  • Annette Hauschild

    Last Days of Disco

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739