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  • Pier Vittorio Aureli, Martino Tattara

    Dogma. 11 Projects

  • Laura Pavia, Mario Ferrari

    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • Alain de Botton, John Armstrong

    Art as Therapy

  • Brian Dillon, Marina Warner

    Curiosity. Art and the Pleasures of Knowing

  • Tod Williams, Billie Tsien

    Wunderkammer

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Angus Carlyle, Cathy Lane (Eds.)

    On Listening

  • Arindam Dutta (Ed.)

    A Second Modernism. MIT, Architecture, and the 'Techno…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • Daniel Lopez-Perez

    R. Buckminster Fuller. World Man

  • Michael Asgaard Andersen

    Jorn Utzon. Drawings and Buildings

  • Shaun McNiff (Ed.)

    Art as Research

  • Melissa Gordon, Marina Vishmidt (Eds.)

    Persona Issue 2

  • Jürgen Teipel

    Mehr als laut - DJs erzählen

  • Kenny Cupers (Ed.)

    Use Matters. An Alternative History of Architecture

  • Collection du Frac Centre

    Architectures Experimentales 1950-2012

  • Archilab

    Naturaliser l'architecture. Naturalizing architecture

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Elmar Kossel

    Hermann Henselmann und die Moderne

  • Rogério Duarte

    Marginália 1

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Deorte Kuhlmann, Dorte Kuhlmann

    Gender Studies in Architecture. Space, Power and Difference

  • Cerith Wyn Evans

    The What If?... Scenario (after LG)

  • Wouter Davidts, Guy Châtel, Stefaan…

    Luc Deleu. Orban Space

  • Tiqqun

    Alles ist gescheitert, es lebe der Kommunismus

  • Annie Pedret

    Team 10. An Archival History

  • Ana Jeinić, Anselm Wagner (Eds.)

    Is There (Anti-)Neoliberal Architecture?

  • Studio Manuel Raeder

    The Letter E is Everywhere. La Letra E esta por Doquier.

  • Oliver Marchart

    Das unmögliche Objekt. Eine postfundamentalistische Theorie…

  • Max Hollein, Martina Weinhart (Hg.)

    Brasiliana. Installationen 1960 bis heute. Installations…

  • Bradley L. Garrett

    Explore Everything. Place-Hacking the City

  • Sylvia Lavin, Kimberli Meyer (Eds.)

    Everything Loose Will Land. 1970s Art and Architecture in…

  • Claire Bishop

    Radical Museology or, What's Contemporary in Museums…

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Robert Kronenburg

    Architecture in Motion. The History and Development of…

  • Charlotte Bundgaard

    Montage Revisited. Rethinking Industrialised Architecture

  • Ralph Rugoff (Ed.)

    The Alternative Guide to the Universe

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Eve Meltzer

    Systems We Have Loved. Conceptual Art, Affect, and the…

  • Nicholas Alfrey

    Uncommon Ground. Land Art in Britain 1966-1979

  • Margitta Buchert, Laura Kienbaum (Eds.)

    Einfach entwerfen. Simply Design

  • Jeffrey Kipnis

    A Question of Qualities. Essays in Architecture

  • Susanne Lehmann-Reupert

    Von New York lernen. Mit Stuhl, Tisch und Sonnenschirm

  • Petrit Halilaj

    Poisoned by men in need of some love

  • ARGE Schnittpunkt (Hg.)

    Handbuch Ausstellungstheorie und -praxis

  • Riki Kalbe, Wolfgang Kil

    Gelände. Terrain.

  • Jörn Schafaff (Hg.)

    Kunst - Begriffe der Gegenwart. Von Allegorie bis Zip

  • AV 157-158

    Herzog & De Meuron 2005-2013

  • Freek Lomme (Ed.)

    Who Told You so? The Collective Story vs. The Individual…

  • Uta Meta Bauer, Thomas D. Trummer (Eds.)

    AR - Artistic Research

  • Yvonne P. Doderer

    Räume des Politischen. Dimensionen des Städtischen

  • PIN-UP

    PIN-UP Interviews

  • Mark Ledbury (Ed.)

    Fictions of Art History

  • Christopher Dell

    Ware: Wohnen. Politik. Ökonomie. Städtebau

  • Yael Bartana

    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Gerhard Senft (Hg.)

    Land und Freiheit. Zum Diskurs über das Eigentum von Grund…

  • Nils Ballhausen (Ed.)

    Wo Architekten arbeiten / Where Architects Work

  • Wade Guyton

    Zeichnungen für lange Bilder. Kunsthalle Zürich

  • Bruno Latour

    An Inquiry Into Modes of Existence. An Anthropology of the…

  • David Wagner

    Mauer Park

  • Stefanie Seidl, Wolfgang Farkas, Heiko…

    Nachtleben Berlin.1974 bis heute

  • Saim Demircan (Ed.)

    Simon Denny. All You Need Is Data

  • Julia Czerniak (Ed.)

    Formerly Urban. Projecting Rust Belt Futures

  • Julia Bryan-Wilson (Ed.)

    Robert Morris (October Files)

  • Lisa Lee, Hal Foster (Eds.)

    Critical Laboratory. The Writings of Thomas Hirschhorn

  • Barry Schwabsky

    Words for Art. Criticism, History, Theory, Practice

  • Anthony Iles, Tom Roberts

    All Knees and Elbows of Susceptibility and Refusal. Reading…

  • Irénée Scalbert

    Never Modern

  • Sylvie Estrada (Ed.)

    Bestiary. Inspiring animals by inspired artists

  • Tanya Leighton, Kathrin Meyer (Eds.)

    John Smith

  • Stefan Römer

    The ups and downs of Stan Back

  • Irene Meissner

    Sep Ruf 1908 - 1982. Leben und Werk

  • Jacques Rancière

    Geschichtsbilder. Kino, Kunst, Widerstand

  • Karen van den Berg, Ursula Pasero (Eds.)

    Art Production beyond the Art Market?

  • Jesko Fezer

    Civic City Cahier 6. Design in and Against the Neoliberal…

  • Fabien Danesi, Fabrice Flahutez,…

    La fabrique du cinema de Guy Debord

  • Philipp Meuser (Hg.)

    Architektur für die russische Raumfahrt. Vom…

  • Marius Babias (Hg.)

    Brandlhuber+. Von der Stadt der Teile zur Stadt der…

  • Charlotte Malterre Barthes (Ed.)

    The School, The Book, The Town Logbook – Ethiopia in a…

  • Joshua Johnson (Ed.)

    Dark Trajectories. Politics of the Outside

  • Robert Lippok

    Steady Unsteady

  • Jan Kedves

    Talking Fashion. Von Helmut Lang bis Raf Simons: Gespräche…

  • Leopold Lambert

    Weaponized Architecture. The Impossibility of Innocence

  • Elian Stefa, Gyler Mydyti

    Concrete Mushrooms. Reusing Albania's 750,000…

  • Lynne Tillman (Ed.)

    The Happy Hypocrite – Freedom. Issue 6

  • Deborah Ligorio

    Survival Kits

  • Andres Lepik (Ed.)

    Afritecture. Bauen mit der Gemeinschaft

  • Martin Seel

    Die Künste des Kinos

  • Nina Möntmann (Ed.)

    Scandalous. A Reader on Art and Ethics

  • Valerio Olgiati

    The Images of Architects

  • Anaël Lejeune, Olivier Mignon, Raphaël…

    French Theory and American Art

  • Pierre Frey (Ed.)

    Simon Vélez. Architect Mastering Bamboo. Architecte La…

The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.
The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.
The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.
The Projectionists will attract and fascinate all lovers of cinemas, photography and moving-image cultures.


Stephen Barber
The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image
Diaphanes, 2020, 978-3-0358-0289-4
30,00 €