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  • Andrea Bajani

    The Barolo Chapel. The last eclipse of the millennium. The…

  • Joost Meuwissen

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  • S. Gau, K. Schlieben (Hg)

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  • Wolfgang Tillmans

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  • Mark Fisher

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  • Goshka Macuga, Simon Moretti

    The Enigma of Hour. 100 Years of Psychoanalytic Thought

  • Owen Hopkins

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    Anthropology for Architects. Social Relations and the Built…

  • Michael Bull

    Sirens. The Study of Sound

  • Dominik Bartmanski, Ian Woodward

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  • Jens Hoffmann

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  • Laure Prouvost

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  • John Cage

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  • Nina Canell & Robin Watkins (eds.)

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  • Kumiko Inui

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  • Claude Lefort

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  • Sharon Lockhart

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  • Andreas Nentwich, Christine Schnapp

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  • David Reinfurt

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  • Sophie J. Williamson (Ed.)

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  • Zamp Kelp

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  • M. Seidel, G. Steixner (Hg)

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  • Moisés Puente (Hg)

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  • Ocean Vuong

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  • Viction Workshop (Ed.)

    Botanical Inspiration: Nature in Art and Illustration

  • Florentine Nadolni (Hg.)

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  • Karl Gerstner

    Designing Programmes: Programme as Typeface, Typography,…

  • Maarten Van Den Driessche (Ed.)

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  • C. Blanchfield, F. Lotfi-Jam

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  • Shirin Sabahi

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  • Heindl, Klein, Linortner (Eds)

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  • Alona Rodeh, Kunstpalais

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  • Rike Felka

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    Flying Panels: How Concrete Panels Changed the World

  • Laura Sobral

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  • M. Hieslmair, M. Zinganel (Hg)

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  • Jürgen Habermas

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  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

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  • Benjamin H.Bratton

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  • Chris O'Leary

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  • Edit DeAk, Walter Robinson (eds.)

    Art-Rite

  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

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    Volksfronten / Popular Fronts. Art and Populism in an Era…

  • Rene Boer, Marina Otero Verzier, Katia…

    Architecture of Appropriation. On Squatting as Spatial…

  • Susan Ferguson

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  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

  • Julia Eckhardt

    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

  • Adolph Stiller, Aneta Bulant-Kamenova (…

    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

  • Carola Platzek (Hg.)

    Teachings of the Garden

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    Floating University Berlin 2018. An illustrated report

  • Christian Maurel / Peter Rehberg

    Für den Arsch / Energie ohne Macht. Christian Maurels…

  • Ursula Prokop

    Jacques and Jacqueline Groag, Architect and Designer: Two…

  • Christoph Liepach

    Gera Ostmodern

  • Agnès Gayraud

    Dialectic of Pop

  • Alina Popa

    Alina Popa. Square of Will in Square of Love. Texts, Notes…

  • Timothy Morton

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    Urbaner Protest. Revolte in der neoliberalen Stadt

  • Georges Bataille

    Der Fluch der Ökonomie

  • Alfia Nakipbekova (Ed.)

    Exploring Xenakis. Performance, Practice, Philosophy

  • Alexander Wilson

    Aesthesis and Perceptronium. On the Entanglement of…

  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

  • Momus

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  • Robert Conrad

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  • 2G / # 79

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  • Daniel López-Pérez

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  • Annette Weisser

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  • Warren Neidich

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Before Publication: Montage in Art, Architecture and Book Design. A Reader

Wenn die Druckmaschine anläuft, erreicht der Inhalt eines Buchs unumkehrbar seine finale Gestalt, und in dieser Form dann auch sein Publikum. Diesem fehlt jedoch zumeist jedes Bewusstsein für die oft komplexen Entscheidungsprozesse und Arbeitsschritte, die zum veröffentlichten Endresultat geführt haben. Before Publication versammelt Beiträge namhafter Autorinnen und Autoren, die sich mit dem Prozess der Montage des Materials und den Schritten hin zur fertigen Gestalt beschäftigen.
Der Fokus liegt dabei auf konkreten visuellen Artefakten wie Sammelalben, Tagebüchern und Maquetten sowie auf dem Spannungsfeld zwischen Privatsphäre und Öffentlichkeit. Untersucht werden beispielswiese Ed Ruschas Fotobuch Every Building on the Sunset Strip, Arbeiten von Sergei Eisenstein, die von Tristan Tzara konzipierte, aber unveröffentlicht gebliebene Anthologie Dadaglobe oder Muriel Coopers monumentales Werk The Bauhaus: Weimar, Dessau, Berlin, Chicago. Die Einleitung der beiden Herausgeber Nanni Baltzer und Martino Stierli kontextualisiert die Fragestellung und diskutiert das übergreifende Thema der Montage in Kunst, Architektur und Buchgestaltung.
At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the audience, the book is always to some extent a conception, or mediated presentation.
The contributors to Before Publication consider the construction of visual meaning through montage, with each essay taking as its starting point a particular artifact—from Ed Ruscha’s photobook, Every Building on the Sunset Strip to works by Sergei Eisenstein, Muriel Cooper, and Marshall McLuhan to Tristan Tzara’s unpublished Dadaglobe anthology. A common theme threading throughout the chapters is the relationship between privacy and publicity. A concise introductory chapter by the book’s editors, Nanni Baltzer and Martino Stierli places the chapters in conversation and discusses the broader subject of montage in art, architecture, and book design.


Nanni Baltzer, Martino Stierli (eds.)
Before Publication: Montage in Art, Architecture and Book Design. A Reader
Park Books, 2016, 978-3-03860-022-0