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    Damage Control. Art and Destruction Since 1950

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    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

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    Eine Feier, elf Räume und ein gelber Korridor

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    Manifesto Architecture. The Ghost of Mies

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    Rolf Müller

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    and Materials and Money and Crisis

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    Pierre Huyghe

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    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    The Ritual of the Snake

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    Wunderland

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    The Future of Architecture

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    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    The Economy of Sustainable Construction

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    Art Is a Problem. Selected Criticism, Essays, Interviews…

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    Berlin Quarterly. European review of Culture. Issue 1

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    Ein Märchen

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    Isa Genzken. Retrospective

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    Common Ground. In Photographs

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    George Nelson. Ein Designer im Kalten Krieg

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    Die Autonomie des Klangs - Eine Philosophie der Musik

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    A Right to Difference. The Architecture of Jean Renaudie

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    Theorien der Gegenwartskunst

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    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

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    3 New York Dadas and the Blindman

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    Snapshot Photography. The Lives of Images

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    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

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    The Contemporary, the Common: Art in a Globalizing World

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    The Space Age. Poster Book

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    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

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    China's Vanishing Worlds. Countryside, Traditions, and…

Queer Ancient Ways. A Decolonial Exploration

"Queer Ancient Ways" advocates a profound unlearning of colonial/modern categories as a pathway to the discovery of new forms and theories of queerness in the most ancient of sources (thereby also unlearning queer theory as it has been understood in contemporary, primarily Anglo-American and western European contexts). In this radically unconventional work, Zairong Xiang investigates scholarly receptions of mythological figures in Babylonian and Nahua creation myths, exposing the ways they have consistently been gendered as feminine in a manner that is not supported, and in some cases actively discouraged, by the texts themselves. An exercise in decolonial learning-to-learn from non-Western and non-modern cosmologies, Xiang’s work uncovers a rich queer imaginary that has been all-but-lost to modern thought, in the process critically revealing the operations of modern/colonial systems of gender/sexuality and knowledge-formation that have functioned, from the Conquista de America in the sixteenth century to the present, to keep these systems in obscurity.
At the heart of Xiang’s argument is an account of the way the unfounded feminization of figures such as the Babylonian (co)creatrix Tiamat, and the Nahua creator-figures Tlaltecuhtli and Coatlicue, is complicit with their monstrification. This complicity tells us less about the mythologies themselves than about the dualistic system of gender and sexuality within which they have been studied, underpinned by a consistent tendency in modern/colonial thought to insist on unbridgeable categorical differences.
By contextualizing these deities in their respective mythological, linguistic, and cultural environments, through a unique combination of methodologies and critical traditions in English, Spanish, French, Chinese, and Nahuatl, Xiang departs from the over-reliance of much contemporary queer theory on European (post)modern thought. Much more than a queering of the non-Western and non-modern, Queer Ancient Ways thus constitutes a decolonial and transdisciplinary engagement with ancient cosmologies and ways of thought which are in the process themselves revealed as theoretical sources of and for the queer imagination.


Zairong Xiang
Queer Ancient Ways. A Decolonial Exploration
punctumbook, 2018, 978-1-947447-9-36
20,00 €