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    Janina Kriszio

    Keep your City real! Stadtfilme zwischen dokumentarischer…

  • Birgit Wiens

    Bühne. Perspektiven der Szenografie und Performance Design…

  • Marcel Bächtiger

    Kino-Obsessionen - Le Corbusier, die Architektur und der…

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    Matas Petrikas

    The Joy of Electronic Music

  • S.E. Eisterer (Ed.)

    In the Daylight of Our Existence. Architectural History and…

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    Rachel Pafe, Mimi Howard (eds.)

    Reading Roses in Constellation

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    Annette Krauss

    Unlearning Routines of the Impossible Casco

  • Holly Dicker

    Dance Or Die. A History of Hardcore

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    Stevphen Shukaitis, Joanna Figiel

    The Wages of Dreamwork.

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    Brian Massumi

    Toward a Theory of Fascism for Anti-Fascist Life. A Process…

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    Rasheedah Phillips

    Dismantling the Master's Clock: On Race, Space, and…

  • Andy Crysell

    Selling The Night: When Club Culture Meets Brands,…

  • Paul Gilroy

    Schwarzer Atlantik Moderne und doppeltes Bewusstsein

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    Ereignis und Geschichte. Die Internationalen Ferienkurse…

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    The Educational Web: Reader

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    Unearthing the Music

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    100 Words for Water. A Projective Ecosocial Vocabulary

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    Universal Prostitution and Modernist Abstraction. A…

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  • Stephanie Loveless (Ed.)

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    Hal Foster

    Fail Better. Reckonings with Artists and Critics

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    On Architecture and Work. The Political Economy of Space…

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    Mario Asef, Golo Föllmer, Georg Klein,…

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    Katía Truijen and Brandon LaBelle (Eds)

    Epistemic Imaginaries. Learning as Festivity

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    Poetics of Listening: Inner Life, Social Transformation,…

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    Finance Aesthetics. A Critical Glossary

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    Idea 410. Shaping Fear: Visualizing Terror and Unease in…

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    IDEA Magazine

    Idea 409. In Search of Beautiful Books: Manuscripts from…

  • Michael Richardson

    Nonhuman Witnessing. War, Data, and Ecology after the End…

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    Ricardo Bofill. Visions of Architecture

  • Ben Murphy

    Ears to the Ground. Adventures in Field Recording &…

  • Justin Patrick Moore

    The Radio Phonics Laboratory. Telecommunications, Speech…

  • Miriam Oesterreich

    Branching Out. Botanical Metaphors and Worlding Art History…

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    Haus Marlene Poelzig, Berlin. Abriss und Aufbruch

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    Frederik Schulze, Philipp Wolfesberger

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    The Gender of Sound

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    Esther Buss

    Aus der ersten Person. Filmische Autobiografien/Autofiktion

  • Max Turnheim

    The Use of Space

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    Artwork as Institution

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    Reading Ecologies: Transforming Publishing in Africa

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    Forty five degrees

    Radical Rituals – 45°N 1°W to 45°N 7°E

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    Optically Suspicious

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    Cairo's Plaster Casts

  • Beatrice Leanza

    The New Design Museum. Co-creating the Present, Prototyping…

  • Hito Steyerl

    Medium Hot. Images in the Age of Heat

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    Martina Angelotti, Matteo Lucchetti,…

    Visible. Art as Policies for Care. Socially Engaged Art…

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    Pierre Hourquet, Christophe Daviet…

    Ken Isaacs. How to Build your Own Living Structures

  • Christa Blümlinger (Hg.)

    Teri Wehn Damisch: Transatlantic Crossings Between the Arts

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    Pauline Oliveros. Quantum Listening

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    Passing the fugitive on / das flüchtge weitergeben. 13.…

  • D,J, Huppatz

    Designing Retail Experience in the 21st Century

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    Deimante Jasiuleviciute, Karolina…

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    The House of Dr Koolhaas

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  • Mark Webber (Hg.)

    The Afterimage Reader

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    Silicity Protocols. Issue #5. Imagine

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    The Manual of Design Fiction

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    Morgane Billuart

    Becoming the Product. The Critical Internet Researcher as a…

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    Kraken. Ein Portrait

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    Radical Runosong. Decolonizing Self and Tradition

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    Tashkent Modernism. XX/XXI

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    Camino Road

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    ARCH+ 260. Wien/Roma – Agency for Better Living (DE/EN)

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    Circular Materials. Innovation and Reuse in Design and…

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    Stresstest. Der Deutsche Pavillon auf der 19.…

  • Erhard Schüttpelz

    Medium, Medium. Elemente einer Anthropologie

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    Omar El Akkad

    Eines Tages werden alle immer schon dagegen gewesen sein

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    Black Apocalypse. Afrofuturism at the End of the World

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    Clubs der Zukunft: Gemeinsame Räume in Übergangsgesellschaft

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    Decolonial History of Art. A Methodological Introduction

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    Rosanna McLaughlin

    Against Morality

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    The Joinery Compendium. Learning from Traditional…

  • Astrid Deuber-Mankowsky

    Queer Post-Cinema. Reinventing Resistance

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    Alexandre Theriot, Stéphanie Bru,…

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    Calcio Storico. Zara Pfeifer

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    Sphären des Aufstands. Anmerkungen zur Dekolonisierung des…

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    Urban Fragment Observatory

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    James Bridle, Hypatia Vourloumis,…

    Mediterranean Icebergs. Invisible Connections Underwater

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  • Mark Crinson, Luisa Lorenza Corna (Hg.)

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The Research Issue

Entirely dedicated to research in the arts
www.aprior.org
Featuring special projects by:
Ruth Buchanan
Victor Burgin
Mekhitar Garabedian
Ian Kiaer
Vincent Meessen
A Prior Magazine
A series of publications on contemporary art
A Prior selected five artists, each of whom in their own way write about and present their research. Mekhitar Garabedian and Ruth Buchanan do this in an associative, poetic manner that is also beautifully present in the visual images that they create. They offer a wealth of source material, which bears witness to great generosity and which allows visitors to cast a different eye on artistic production. Victor Burgin and Vincent Meessen decided on a dialogue. In conversation with Hilde Van Gelder and Katrin Mundt, they illuminate the fundamental concerns in their work and clarify the many theoretical influences and references that have helped shape their oeuvre. Finally, Ian Kiaer gives us insight into an art historical research produced within the strict rules of academic research. These three models of research are only a few variations in the ways that research in the arts is conducted today, by visual artists. It is an exceptional, enriching honour for us to be able to offer the artists this forum and indeed, to see how differently they approach its formal aspects.
For four years now, A Prior Magazine has operated in association with the Royal Academy of Fine Arts (KASK) of the University College at Ghent. The privileged position of the magazine, based on autonomy and firmly anchored within the non-academic circuit in which it has its roots and currently also able to operate within an academic context, has for A Prior been a very special enrichment. The dialogue between the two hitherto largely divided academic and non-academic worlds gives not only artists, but also the magazine, new insights and possibilities that can function free from all formality or fear of constrictions or uniformity. We have set ourselves the goal in the next few years to publish regularly on research in the arts, without further exacerbating the divisions, but on the contrary, by giving the research a place within the wider context of artistic production. A Prior #20 is a first attempt in this direction.


A Prior #20
The Research Issue
A Prior, 2010
20,00 €