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    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

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    Music - A Subversive History

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    Die neue Krise der Städte

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    Ruth Wolf-Rehfeldt: Introverse Arrangements

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    Good Times in Dystopia

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    Everything She Touched. The Life of Ruth Asawa

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    Scheingleichheit. Drei Essays

Rosalind Nashashibi

(…) You can go into a situation knowing that you’re interested and even knowing why you’re interested, but it’s the filmmaking that gets you closer to the parts of your knowledge that are inaccessible or not yet accessible. The way I used to make films was to look at places that attracted me – places that intimidated me or excited me or places I liked – and then film in order to really look at them. Now I try to get a bit closer to knowing, to constructing something. I’m already one step further when I start than I used to be. I’d like to put those two ways of working together. Still, it’s really only about trying to find out why I’m going back to this place or situation in the first place. (…)
THE CAST
ROSALIND ……………………………….. Rosalind Nashashibi1
THE EGOIST ……………………………….. Raimundas Malašauskas2
THE BLIND MAN ……………………………….. Laure Prouvost3
TANGO ……………………………….. Emma Davie4
1. Rosalind Nashashibi is a London-born artist based in Liverpool. She makes 16mm films and other things. She often works collaboratively with artist Lucy Skaer, and teaches part time at Liverpool John Moores University.
2. Raimundas Malašauskas’s was born in Vilnius, curates world-wide, and writes occasionally.
3. Laure Prouvost is an artist born in France, now living and working in London, who creates multi-media environments that often invoke loose narratives centred around a single event. Her work has been shown at Tate Britain, ICA (London), Serpentine Gallery, and the Sculpture Centre (New York). She is the recipient of the 2011 Max Mara Art Prize for Women.
4. Emma Davie is a documentary filmmaker and Programme Director of Film & Television at Edinburgh College of Art, University of Edinburgh.


Drawing Room Confessions Issue #6
Rosalind Nashashibi
DRC, 2012, 978-88-67490-04-2