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    Porous City: From Metaphor to Urban Agenda

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    Raumproduktionen II. Theoretische Kontroversen und…

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    Open Architecture: Migration, Citizenship and the Urban…

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    This is Not Fashion: Streetwear Past, Present and Future

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    Economic Science Fictions

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    How to Love Brutalism

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    Image Factories: Infographics 1920-1945. Fritz Kahn, Otto…

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    On Accident. Episodes in Architecture and Landscape

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    The History of Animals. An Essay On Negativity, Immanence…

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    William Kentridge. Triumphs and Laments

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    Necessarily Eurometropolitan

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    The New Analog: Listening and Reconnecting in a Digital…

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    Sonic Agency. Sound and Emergent Forms of Resistance

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    Filmfunke. 50 Jahre DFFB / Film Sparks. 50 Years of DFFB

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    Modernism as Memory: Building Identity in the Federal…

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    Complex Buildings. Generators, Linkers, Mixers &…

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    Complex Buildings. Dwelling Mixers

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    Harald Szeemann. Museum der Obsessionen

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    Black and Blur (Consent Not to Be a Single Being)

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    The Sonic Persona. An Anthropology of Sound

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    Experimental Politics: Work, Welfare, and Creativity in the…

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    Small is Necessary. Shared Living on a Shared Planet

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    Renzo Piano Before Renzo Piano

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    Things Don’t Really Exist Until You Give Them a Name:…

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    Social Medium: Artists Writing, 2000 - 2015

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    Radical Utopias - Archizoom, Buti, 9999, Pettena,…

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    Speculative Art Histories. Analysis at the Limits

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    Reader 2: Overcoming the Hype

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    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

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    Talking Cities. Urban narratives from Dar es Salaam and…

  • M. Rebecchi, E. Vogman

    Sergei Eisenstein and the Anthropology of Rhythm

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    Gärten der Kooperation / Gardens of Cooperation

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    Fugitive Belonging

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    Power/Architecture

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    Into the Great Wide Open

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    Architectural Intelligence

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    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

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    Spandex Studies

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    Notes on Space. Monumental Painting in Estonia 1947-2012

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    Mobile Cinema

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    Uncut Funk. A Contemplative Dialogue

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    Design Ecology Politics. Towards the Ecocene

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    Jean Prouvé. Architect for Better Days

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    Affect Me. Social Media Images in Art

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    Studium, nicht Kritik

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    Brave New World. Romanian Migrants Dream' Houses

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    Sundry Modernism . Materials for a Study of Palestinian…

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    Revisiting Postmodernism

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    Beyond the New on the Agency of Things

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    Ökologien der Sorge

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    Keep Walking Intently. The Ambulatory Art of the…

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    Disko 27. Retrospektiv Bauen in Berlin

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    The Postconceptual Condition

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    Terms of Appropriation: Modern Architecture and Global…

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    Sur les pavés la pub

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    In the Flow

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    Photography Against the Grain: Essays and Photo Works, 1973…

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    Craft-Based Design: Von Handwerkern und Gestaltern

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    Entkunstung I

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    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Stoffwechsel. Materialverwandlung in der Architektur

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    Navigating Noise

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    Reyner Banham and the Paradoxes of High Tech

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    Notes from Underground: Zines and the Politics of…

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    Traces: Fashion & Migration

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    Die Seitenallee

Rumored Animals

"Quinn Latimer's poems — distinctive, audacious, elemental, and unyielding — render the world with all its strangenesses intact and vitality restored, asserting the legitimacy of another, more primal vision at odds with the agreed-upon, one where 'mountains/ surround us with their animal/ prowl, throw back// their black capes/ and are done.' This is a thrilling, defiant, and heartening body of work."
—Timothy Donnelly, author of The Cloud Corporation
"Latimer draws on sources from contemporary photography and art … to develop a complex engagement with constructions of self and prevailing cultural determinations of the female and feminine. In rich, robust sounds and rhythms, the poet strives to recognize herself within surface and image, attempts to identify with the object of an outside gaze, figured as the looming presence of a brutally defining camera, and a discomfort at the fraught relation between herself as body and represented sign. Negotiating contradictory urges to conceal and reveal identity, Latimer allows a quiet refusal to come fully into view. This is an impressive debut."
—Publishers Weekly
Quinn Latimer is is a poet and critic. "Rumored Animals" is her first collection and casts a wide lyrical net. Limning and mining a series of evocative, disparate landscapes — the Southern California coast, the high desert of Far West Texas, New York’s brick canyons, and finally the Mittel-European reaches of Germany and Switzerland — Latimer tasks these places with the procedures of the critical mind and the movements of the sensual body. Her contemporary lyric poems move from starkly personal elegies to essayistic examinations of the lives and works of writers and artists including Ingeborg Bachmann, Donald Judd, Agnes Martin, Robert Walser, Francesca Woodman, and Virginia Woolf. Through both bodies of poems runs the central image of the animal — its idea, its fact — and a fervent, feverish anthropomorphism that at once haunts and illuminates the writing at hand.


Quinn Latimer
Rumored Animals
Dream Horse Press, 2012, 978-1-935716-13-6