Direkt zum Inhalt

Warenkorb

  • Giorgio Agamben

    Der Gebrauch der Körper

  • Isabelle Graw

    In einer anderen Welt. Notizen 2014-2017

  • Sabine Hark, Paula-Irene Villa

    The Future of Difference. Beyond the Toxic Entanglement of…

  • Adeena Mey, Anton Rey, François Bovier…

    Minor Cinema. Experimental Film in Switzerland

  • Max Haiven

    Revenge Capitalism. The Ghosts of Empire, the Demons of…

  • Data Chigholashvili, Nini…

    Tbilisi - It's Complicated. Onomatopee 173

  • Isa Genzken

    Isa Genzken. I Love New York, Crazy City

  • Raul Zelik

    Wir Untoten des Kapitals. Über politische Monster und einen…

  • Danielle Allen

    Politische Gleichheit

  • Silvia Henke, Dieter Mersch, Thomas…

    Manifest der künstlerischen Forschung / Manifesto of…

  • Dominique Hauderowicz, Kristian Ly…

    Age-Inclusive Public Space

  • Christian Werner

    Christian Werner. Everything Is So Democratic and Cool

  • Paulo Mendes da Rocha

    Designed Future or selected writings by Paulo Mendes da…

  • Moyra Davey

    Index Cards

  • Emanuele Coccia

    Sinnenleben

  • ARCH+, Anh-Linh Ngo, Arno Brandlhuber,…

    Arch+. The Property Issue: Politics of Space and Data.

  • Philip Kovce, Birger P. Priddat (Hg.)

    Bedingungsloses Grundeinkommen. Grundlagentexte

  • Aaron Bastani

    Fully Automated Luxury Communism

  • Martijn De Rijk, Thomas Spijkerman

    Reinventing Daily Life

  • Adriano Pedrosa, Jose Esparza Chong Cuy…

    Lina Bo Bardi. Habitat

  • Cloe Pitiot, Nina Stritzler-Levine (Hg)

    Eileen Gray. Designer and Architect

  • Verena Pfeiffer-Kloss

    Der Himmel unter West-Berlin. Die post-sachlichen U-…

  • Chus Martínez (Ed.)

    The Wild Book of Inventions

  • Mary Bosworth, Khadija von Zinnenburg…

    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

    Am Anfang war der Beutel

  • Franco La Cecla

    Against Urbanism

  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

  • Kevin Lotery

    The Long Front of Culture. The Independent Group and…

  • Matthew Gandy, Sandra Jasper (Hg)

    The Botanical City

  • Riccardo Badano, Rebecca Lewin, Natalia…

    Formafantasma Cambio

  • Rozemin Keshvani (Ed.)

    The Locked Room. Four Years that Shook Art Education, 1969–…

  • Nick Mauss

    Transmissions

  • Stanislaus von Moos, Martino Stierli

    Eyes That Saw: Architecture after Las Vegas

  • S. Delz, R. Hehl, P. Ventura

    Housing the Co-op. A Micro-political Manifesto

  • Sasha Costanza-Chock

    Design Justice. Community-led Practices to build the Worlds…

  • Mary Kaldor and Saskia Sassen (Ed)

    Cities at War. Global Insecurity and Urban Resistance

  • Claire Fontaine

    La Grève Humaine et l’art de créer la liberté

  • Christian Nae (Editor)

    Dan Mihaltianu. Canal Grande: The Capital Pool and the…

  • Hashim Sarkis, Roi Salgueiro Barrio,…

    The World as an Architectural Project.

  • Pier Vittorio Aureli (Hg)

    The City as a Project

  • Stephen Barber

    The Projectionists. Eadweard Muybridge and the Future…

  • Zoran Terzić

    Idiocracy. Denken und Handeln im Zeitalter des Idioten

  • Paul B. Preciado

    Ein Apartment auf dem Uranus. Chroniken eines Übergangs

  • Corinna Burkhart, Matthias Schmelzer,…

    Degrowth in Movement(s). Exploring Pathways for…

  • Anita Chari, Claire Fontaine, Jaleh…

    Claire Fontaine. Newsfloor

  • Angela McRobbie

    Feminism and the Politics of Resilience. Essays on Gender,…

  • Gabriele Klein

    Pina Bausch’s Dance Theater. Company, Artistic Practices,…

  • Joachim Hamou, Maija Rudovska, Barbara…

    Active Art

  • Institut für Raumexperimente e.V.,…

    Poetry Jazz: Wax and Gold

  • Larry D. Busbea

    The Responsive Environment. Design, Aesthetics, and the…

  • Katherine Guinness

    Schizogenesis. The Art of Rosemarie Trockel

  • Giorgio Agamben

    Geschmack

  • Alain Badiou

    Migrants and Militants

  • Gregory Claeys

    Utopia. The History of an Idea

  • Frieda Grafe

    HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion /…

  • Etel Adnan

    Wir wurden kosmisch

  • D. R. McElroy

    Signs & Symbols of the World: Over 1,001 Visual Signs…

  • David Yaffe

    Joni Mitchell - Ein Porträt

  • Gloria Meynen

    Inseln und Meere. Zur Geschichte und Geografie fluider…

  • Leander Scholz

    Die Menge der Menschen

  • Jakob Hayner

    Warum Theater

  • Sylvia Lavin

    Architecture Itself and Other Postmodernist Myths

  • Alastair Hemmens, Gabriel Zacarias (Eds…

    The Situationist International. A Critical Handbook

  • Claudia Mareis, Michael Rottmann

    Entwerfen mit System

  • James Lovelock

    Novozän: Das kommende Zeitalter der Hyperintelligenz

  • Jane Bennett

    Lebhafte Materie. Eine politische Ökologie der Dinge

  • Naomi Hennig, Anna-Lena Wenzel (Hg.)

    General Public 2005-2015

  • Holger Schulze

    Ubiquitäre Literatur. Eine Partikelpoetik

  • Tom Bieling (Hg.)

    Gender (&) Design. Positionen zur Vergeschlechtlichung…

  • Oliver Flügel-Martinsen

    Radikale Demokratietheorien zur Einführung

  • Simon Rothöhler

    Theorien der Serie zur Einführung

  • Eugene Thacker

    Im Staub dieses Planeten: Horror der Philosophie

  • Peter Wilson

    Some Reasons For Traveling To Albania

  • Ulrich Bröckling

    Postheroische Helden. Ein Zeitbild

  • Hubertus Butin

    Kunstfälschung. Das betrügliche Objekt der Begierde

  • Deborah Potts

    Broken Cities. Inside the Global Housing Crisis

  • Günther Vogt, Thomas Kissling (Hg.)

    Mutation und Morphose. Landschaft als Aggregat

  • Markus Miessen, Zoë Ritts (Hg.)

    Para-Plattformen. Die Raumpolitik des Rechtspopulismus

  • Fischer, Gramelsberger, Hoffmann,…

    Datennaturen. Ein Gespräch zwischen Biologie, Kunst,…

  • Ludger Weß, Judith Schalansky (Hg.)

    Winzig, zäh und zahlreich. Ein Bakterienatlas

  • Felwine Sarr

    Afrotopia

  • Anna-Lisa Dieter, Viktoria Krason (Hg.)

    Future Food. Essen für die Welt von Morgen

  • Florian Malzacher

    Gesellschaftsspiele. Politisches Theater heute

  • HfG-Archiv Museum Ulm, Katharina Kurz,…

    Nicht mein Ding − Gender im Design

  • Clog

    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

    What Comes after Farce?

  • Tim Bergfelder, Erica Carter, Deniz…

    The German Cinema Book (second edition)

  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

  • Christopher Sweetapple, Hein-Jürgen Voß…

    Intersektionalität. Von der Antidiskriminierung zur…

  • Anneke Lubkowitz (Hg.)

    Psychogeografie

SCI-FI

Rod Serling, creator of the 1950s television series The Twilight Zone, defined science fiction as "the improbable made possible." The same might be said for the practice of architecture. After all, architects by trade conceive of spaces, places, and worlds that do not (yet) exist. Furthermore, the ability to make the improbable possible is held in especially high regard today and is oftentimes what defines an architectural practice as “innovative” in the first place.
It is therefore not surprising that a two-way artistic influence between architecture and science fiction has long existed. Fritz Lang's 1927 film Metropolis depicted a future world in 2026 that drew heavily on contemporary art deco and Modernist building precedents. On the other hand, avant-garde 1960s design practices such as Archigram openly adopted concepts and representation techniques from postwar pulp science fiction. Most recently, a number of designs from significant international offices have exhibited a striking resemblance to science fiction icons, such as the Death Star, demonstrating the impact this genre has had on the creative imagination of a generation.
The feedback loop between fiction and reality remains strong today, with kilometer-high towers rising in the Middle East, new building materials emerging on a seemingly daily basis, and unconventional—if not outright bizarre—shapes blanketing our cities and countrysides. As science fiction continues to both draw upon historic and contemporary architecture while simultaneously influencing future design, it is time to critically examine the improbable made possible: SCI-FI.
Contributors
3.4 Methylenedioxymethamphetamine, After Architecture, Jared Banks, Katy Barkan, Sean Burkholder, Conner Callahan and Shana Opperman, Ryan Church, Matthew Clarke, Archie Lee Coates IV, Nathaniel Coleman, Eric De Broche Des Combes, Greg Cook, Mark Dermul, Kyle Dugdale, Jeffrey Franklin, Pedro Gadanho, Scott Geiger, Ricardo Gonçalves, Reinier de Graaf, Alpna Gupta, Patrick J. Gyger, Dalia Hamati, Sara Hayat, Brian Horrigan, Julia van den Hout, Kellen Qiaolun Huang, Justin Hui, Interiors, Andy C. Jenkins, Matthew Johnson, Damjan Jovanovic, Klaus, Joseph Kosinski, Simon Kristak, Jimenez Lai, Stephanie Lee, Sally L. Levine and Daniel I. Vieyra, Thomas Lozada, Alan Lucey, Luis Miguel (Koldo) Lus Arana, Casey Mack, John Marciante, Kyle May, Ian McAlpin, Craig William McCormack, Kimberly McGuire, Matthew Messner, Movingcities, Thomas Mical, Leo Mulvehill, Dan Newman, Matt Novak, Roberto Otero, Luke Pearson, Cyrus Penarroyo, Emmanuel Petit, Enrique Ramirez, Jacob Reidel, Doctor Laser, Fred Scharmen, Kyle Schumann, Neal Shasore, Dominik Sigg, SOFTlab, Rachel Meade Smith, Jason Vigneri-Beane, William Watson, Nathaniel Walker, Liam Young


Clog
SCI-FI
Clog, 2013, 9780983820468