Direkt zum Inhalt

Warenkorb

  • Lars Spuybroek (Hg.)

    The Architecture of Variation (Research & Design)

  • Gerrit Terstiege (Hg.)

    The Making of Design. Vom Modell zum fertigen Produkt

  • Alexandra Gerstein (Hg.)

    Beyond Bloomsbury. Designs of the Omega Workshops 1913-19

  • Della Chuang

    Kyoteau. Bottled Memories

  • Wolfgang Kil (Hg.)

    Wolfgang Hänsch. Architekt der Dresdner Moderne

  • Ken Hillis

    Online a Lot of the Time. Ritual, Fetish, Sign

  • Stephan Trüby (Hg.)

    Hertzianismus. Elektromagnetismus in Architektur, Design…

  • Barkow Leibinger

    An Atlas of Fabrication

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • Stiftung Bauhaus Dessau (Hg.)

    Bauhaus Streit. 1919-2009. Kontroversen und Kontrahenten.

  • Jon Savage

    The England's Dreaming Tapes

  • Peter C. Bunnell

    Inside the Photograph. Writings on Twentieth-Century…

  • Kelly Coyne, Erik Knutzen

    The Urban Homestead. Your Guide to Self-sufficient Living…

  • Ian Wilson

    The Discussions

  • Jason Sperb, Scott Balcerzak

    Cinephilia in the Age of Digital Reproduction. Film,…

  • Momus

    Solution 11-167. The Book of Scotlands

  • Barbican Art Gallery (Hg.)

    Radical Nature. Art and Architecture for a Changing Planet…

  • Verein 100 Beste Plakate

    100 Beste Plakate 08. Deutschland - Österreich - Schweiz

  • Liam Gillick

    All Books

  • Cosmic Wonder Free Press

    Cosmic Wonder Light Source 3. Light Streams

  • Alastair Fuad-Luke

    Design Activism. Beautiful Strangeness for a Sustainable…

  • Oliviero Toscani, Olivier Saillard

    Workwear. Work Fashion Seduction

  • Shepard Fairey

    Obey. Supply & Demand. The Art of Shepard Fairey.

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Dominik Landwehr, Verena Kuni (Hg.)

    Home made electronic arts. Do-it-yourself Piratensender,…

  • Sara Maysles, Rebekah Maysles (Hg.)

    Grey Gardens (with DVD)

  • Samuel Charters

    A Language of Song. Journeys in the Musical World of the…

  • Tobias Huber, Marcus Steinweg (Hg.)

    Inaesthetik Nr.1. Politics of Art

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

  • Stephan Rabimov (Hg.)

    Depesha. Russian Lifestyle Magazine

  • Richard Reynolds

    Guerilla Gardening. Ein botanisches Manifest

  • Luigi Snozzi, Andrew Frear, Richard…

    Bau der Gesellschaft. Architekturvortäge der ETH Zürich

  • Christian Schittich (Hg.)

    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

  • Roland Hagenberg (Hg.)

    20 Japanese Architects. Interviews and Photos

  • Robert and Brenda Vale

    Time to Eat the Dog. The Real Guide to Sustainable Living

  • Matthias Noell

    Das Haus und sein Buch

  • Tim Waterman

    The Fundamentals of Landscape Architecture

  • Maia Francisco

    Atlas of Graphic Designers

  • Neil Brenner, Stuart Elden (Hg.)

    Henri Lefebvre. State, Space, World. Selected Essays

  • Jean Burgess, Joshua Green

    YouTube. Online Video and Participatory Culture

  • Lars Denicke, Peter Thaler (Hg.)

    Prepare for Pictopia. Katalog zur Ausstellung im Haus der…

  • Monika Szewczyk (Hg.)

    Meaning Liam Gillick

  • Nato Thompson (Hg.)

    A Guide to Democracy in America

  • Jan Wehrheim

    Der Fremde und die Ordnung der Räume

  • Robert Castel

    Negative Diskriminierung. Jugendrevolten in den Pariser…

  • Louis Althusser, Etienne Balibar

    Reading Capital

  • Susanne Pfeffer, Beatrix Ruf, Nicolaus…

    Annette Kelm

  • John Stezaker

    The 3rd Person Archive

  • Eva Egermann, Anna Pritz (Hg.)

    School Works. Beiträge zu vermittelnder, künstlerischer und…

  • Faitiche/Jan Jelinek (Hg.)

    Die Gesellschaft zur Emanzipation des Samples presents:…

  • Georg Spehr (Hg.)

    Funktionale Klänge. Hörbare Daten, klingende Geräte und…

  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

  • Kunstmuseum Basel, Lenbachhaus München…

    Tom Burr

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • Michaela Ott, Harald Strauß (Hg.)

    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

  • Iain Morland (Hg.)

    Journal of Lesbian and Gay Studies. Intersex and After.…

  • Wladimir Velminski (Hg.)

    Leonhard Euler. Die Geburt der Graphentheorie

  • Katarina Bonnevier

    Behind Straight Curtains. Towards a Queer Feminist Theory…

  • Mark Borthwick

    Not in Fashion

  • Jonas Mekas

    To Petrarca

  • Peter Halley

    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

  • Catherine David, Georges Khalil, Bernd…

    Di/Visions. Kultur und Politik des Nahen Ostens

  • Sarah Chaplin, Alexandra Stara (Hg.)

    Curating Architecture and the City

  • Laurie Anderson

    Nothing in My Pockets

  • Paolo Cherchi Usai, David Francis,…

    Film Curatorship. Archives, Museums, and the Digital…

  • Emilio Prini

    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

  • J. Armleder, G. Metzger, P. Pirotte, u.…

    Voids. A Retrospective

  • Elisabeth Sussman

    William Eggleston. Democratic Camera. Photographs and Video…

  • Peter J. Schneemann, Wolfgang Brückle (…

    Kunstausbildung. Aneignung und Vermittlung künstlerischer…

  • Sayaka Ishi (Hg.)

    Logo a Lot

  • Kouichi Yabuuchi (Hg.)

    Neon Addict. The Fluorescent Color Book

  • Claude Schnaidt

    Anders gesagt. Schriften 1950-2001

  • Sangeeta Ray

    Gayatri Chakravorty Spivak. In Other Words

  • Sophie Wolfrum, Winfried Nerdinger (Hg.)

    Multiple City. Stadtkonzepte 1908 I 2008

  • Elisabeth Blum, Peter Neitzke

    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

  • A. Bangma, D.M. Donoghue, L. Issa, K.…

    Resonant Bodies, Voices, Memories

  • Justine Frank, Roee Rosen

    Sweet Sweat

  • R. Klanten, H. Hellige (Hg.)

    Naïve. Modernism and Folklore in Contemporary Graphic Design

  • Stephen Walker

    Gordon Matta-Clark. Art, Architecture and the Attack on…

  • Sven-Olov Wallenstein

    Biopolitics and the Emergence of Modern Architecture

  • Jules Romains

    Donogoo Tonka or the Miracles of Science. A Cinematographic…

  • David Leatherbarrow

    Architecture Oriented Otherwise

  • Loretta Lorance

    Becoming Bucky Fuller

  • Karin Bijsterveld

    Mechanical Sound. Technology, Culture, and Public Problems…

  • Andrew Losowsky (Hg.)

    We Make Magazines. Inside the Independents

  • Jörg Koopmann (Hg.)

    Cat Seen (bwab #1)

  • Charlie Hailey

    Camps. A Guide to 21st-Century Space

  • Marina Sorbello, Antje Weitzel (Hg.)

    Cairoscape. Images, Imagination and Imaginary of a…

  • Carsten Nicolai

    Grid Index

  • Nato Thompson (Hg.)

    Experimental Geography. Radical Approaches to Landscape,…

  • Mourad Boutros et al.

    Talking about Arabic (Dot-Font)

SCI-FI

Rod Serling, creator of the 1950s television series The Twilight Zone, defined science fiction as "the improbable made possible." The same might be said for the practice of architecture. After all, architects by trade conceive of spaces, places, and worlds that do not (yet) exist. Furthermore, the ability to make the improbable possible is held in especially high regard today and is oftentimes what defines an architectural practice as “innovative” in the first place.
It is therefore not surprising that a two-way artistic influence between architecture and science fiction has long existed. Fritz Lang's 1927 film Metropolis depicted a future world in 2026 that drew heavily on contemporary art deco and Modernist building precedents. On the other hand, avant-garde 1960s design practices such as Archigram openly adopted concepts and representation techniques from postwar pulp science fiction. Most recently, a number of designs from significant international offices have exhibited a striking resemblance to science fiction icons, such as the Death Star, demonstrating the impact this genre has had on the creative imagination of a generation.
The feedback loop between fiction and reality remains strong today, with kilometer-high towers rising in the Middle East, new building materials emerging on a seemingly daily basis, and unconventional—if not outright bizarre—shapes blanketing our cities and countrysides. As science fiction continues to both draw upon historic and contemporary architecture while simultaneously influencing future design, it is time to critically examine the improbable made possible: SCI-FI.
Contributors
3.4 Methylenedioxymethamphetamine, After Architecture, Jared Banks, Katy Barkan, Sean Burkholder, Conner Callahan and Shana Opperman, Ryan Church, Matthew Clarke, Archie Lee Coates IV, Nathaniel Coleman, Eric De Broche Des Combes, Greg Cook, Mark Dermul, Kyle Dugdale, Jeffrey Franklin, Pedro Gadanho, Scott Geiger, Ricardo Gonçalves, Reinier de Graaf, Alpna Gupta, Patrick J. Gyger, Dalia Hamati, Sara Hayat, Brian Horrigan, Julia van den Hout, Kellen Qiaolun Huang, Justin Hui, Interiors, Andy C. Jenkins, Matthew Johnson, Damjan Jovanovic, Klaus, Joseph Kosinski, Simon Kristak, Jimenez Lai, Stephanie Lee, Sally L. Levine and Daniel I. Vieyra, Thomas Lozada, Alan Lucey, Luis Miguel (Koldo) Lus Arana, Casey Mack, John Marciante, Kyle May, Ian McAlpin, Craig William McCormack, Kimberly McGuire, Matthew Messner, Movingcities, Thomas Mical, Leo Mulvehill, Dan Newman, Matt Novak, Roberto Otero, Luke Pearson, Cyrus Penarroyo, Emmanuel Petit, Enrique Ramirez, Jacob Reidel, Doctor Laser, Fred Scharmen, Kyle Schumann, Neal Shasore, Dominik Sigg, SOFTlab, Rachel Meade Smith, Jason Vigneri-Beane, William Watson, Nathaniel Walker, Liam Young


Clog
SCI-FI
Clog, 2013, 9780983820468