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  • Dan Byrne-Smith

    Science Fiction

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    Immanence and Immersion. On the Acoustic Condition in…

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    Spaces of Commoning: Artistic Research and the Utopia of…

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    Genesis Breyer P-Orridge. Sacred Intent. Conversations with…

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    Variete / Architecture / Desire

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    Modes of Criticism 5. Design Systems

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    Hacking Urban Furniture. HUF

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    Flaming Creatures

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    Stockhausen Serves Imperialism

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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    Reverse Cowgirl

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    Ways of Knowing Cities

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    Althusser and Art

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    Visuelle Zeitgestaltung

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    All Data Are Local. Thinking Critically in a Data-Driven…

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    Philosophie des Designs

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    Gulbenkian. Photography by André Cepeda

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    Home Stories. 100 Jahre 20 visionäre Interieurs

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    The Materials Book

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    Planet Earth: 21st Century

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    The Force of Non-Violence. An Ethico-Political Blind

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    An Apartment on Uranus

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    Lefebvre for Activists [dt./engl.]

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    Variations on Media Thinking

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    The Death of Urbanism. Transitions through the stages of…

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    Interior Design Since 1900 (World of Art)

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    Digital Cash: The Unknown History of the Anarchists,…

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    The Barolo Chapel. The last eclipse of the millennium. The…

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    Zur Architektur des Wohnens

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    Znak. Ukrainian Trademarks 1960 — 1980

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    Today Is The First Day

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    k-punk: Ausgewählte Schriften 2004-2016

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    The Enigma of Hour. 100 Years of Psychoanalytic Thought

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    Postmodern Architecture: Less is a Bore

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    Anthropology for Architects. Social Relations and the Built…

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    Sirens. The Study of Sound

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    Labels. Making Independent Music

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    Inui Architects

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    Pine Flat. (Afterall Series One Work)

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    A New Program for Graphic Design

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    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

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    2G 80. Fala Atelier

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    Night Sky With Exit Wounds

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    Botanical Inspiration: Nature in Art and Illustration

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    Alltag formen!: Bauhaus-Moderne in der DDR

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    Designing Programmes: Programme as Typeface, Typography,…

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    Pocket Folklore

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    Building Critique: Architecture and its Discontents

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    Biomorphe Architekturen

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    Flying Panels: How Concrete Panels Changed the World

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    Stop and Go. Nodes of Transformation and Transition

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    Of(f) Our Times: Curatorial Anachronics

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    What's the Use? On the Uses of Use

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    Art and Objects

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    The Terraforming

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    Stop and Go. Nodes of Transformation and Transition

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    Alle Macht der selbstorganisierten Wissensproduktion

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    FIRE: Safe & Sound

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    Artists Photographs

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    Visionary

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    How To Make A Happening CD

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    Polyphone Ästhetik: Eine kritische Situierung

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    Marke Bauhaus 1919-2019: Der Sieg der ikonischen Form über…

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    Being Material

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    Films for the Colonies. Cinema and the Preservation of the…

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    Auch eine Geschichte der Philosophie. Bd 1: Die okzidentale…

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    Tony Conrad. Writings

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    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

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    Seven Years. The Rematerialisation of Art from 2011 to 2017

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    The New Normal

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    Maschinen Fabriken Industrien

This Searing Light, the Sun and Everything Else: Joy Division: The Oral History

Jon Savage's oral history of Joy Division is the last word on the band that ended with the suicide of Ian Curtis in Macclesfield on 18 May, 1980. It weaves together interviews conducted by the author, but never used in the making of the film Joy Division (2007) which told the story of the band in their own words, as well as those of their peers, collaborators, and contemporaries.
Here are 15 or so vivid witnesses to the band's genesis, meteoric rise, and tragic demise, including Peter Hook, Bernard Sumner, Annike Honore, Deborah Curtis, Paul Morley, Tony Wilson, Rob Gretton, Martin Hannet ... It is the story of young men driven to create and cause rock n' roll havoc inspired by literature, radical ideas, and the wasteland that was post-industrial Manchester in the late 70s. It is as intense and funny and alive on the page as only an oral history can be, recalling masterpieces like Edie by Jean Stein and Meet me in the Bathroom by Lizzy Goodman. It is essential reading.
Joy Division emerged in the mid-70s at the start of a two-decades long Manchester scene that was to become much mythologised. It was then a city still labouring in the wake of the war and entering a phase of huge social and physical change, and something of this spirit made its way into the DNA of the band. Over the course of two albums, a handful of other seminal releases, and some legendary gigs, Joy Division became the most successful and exciting underground band of their generation. Then, on the brink of a tour to America, Ian Curtis took his own life. In This searing light, the sun and everything else, Jon Savage has assembled three decades worth of interviews with the principle players in the Joy Division story: Bernard Sumner, Peter Hook, Stephen Morris, Deborah Curtis, Peter Saville, Tony Wilson, Paul Morley, Alan Hempsall, Lesley Gilbert, Terry Mason, Anik Honore, and many more. It is the story of how a band resurrected a city, how they came together in circumstances that are both accidental and extraordinary, and how their music galvanised a generation of fans, artists and musicians. It is a classic story of how young men armed with electric guitars and good taste in literature can change the world with four chords and three-and-a-half minutes of music. And it is the story of how illness and demons can rob the world of a shamanic lead singer and visionary lyricist. This searing light, the sun and everything else presents the history of Joy Division in an intimate and candid way, as orchestrated by the lodestar of British music writing, Jon Savage.


Jon Savage
This Searing Light, the Sun and Everything Else: Joy Division: The Oral History
Faber & Faber, 2019, 9780571345373