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  • Pascal Gielen, Paul De Bruyne (Hg.)

    Being an Artist in Post-Fordist Times. Arts in Society

  • Tim Rieniets, Jennifer Sigler, Kees…

    Open City. Designing Coexistence

  • Fredric Jameson

    Valences of the Dialectic

  • C. Parnet, P.-A. Boutang

    ABÉCÉDAIRE – Gilles Deleuze von A bis Z (3 DVD)

  • Johan Kugelberg (Hg.)

    The Velvet Underground. New York Art

  • Elisabeth Bronfen

    Crossmappings. Essays zur visuellen Kultur

  • Stephen Willats

    Doppelgänger

  • N. Grob, B. Kiefer, R. Mauer, J.…

    Kino des Minimalismus

  • Lars Müller (Hg.)

    Der Wind, das Licht ECM und das Bild

  • Ulrike Felsing

    Dynamische Erscheinungsbilder im kulturellen und…

  • Michael Hardt, Antonio Negri

    Commonwealth

  • Buckminster R. Fuller

    Education Automation: Comprehensive Learning for Emergent…

  • Buckminster R. Fuller

    Ideas and Integrities. A Spontaneous Autobiographical…

  • Steven Henry Madoff (Hg.)

    Art School. Propositions for the 21st Century

  • Simon Lamunière (Hg.)

    Utopics. Systems and Landmarks

  • Gerald Raunig, Gene Ray (Hg.)

    Art and Contemporary Critical Practice

  • Knut Ebeling, Stephan Günzel (Hg.)

    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Franziska Morlok, Till Beckmann

    Extra. Enzyklopädie der experimentellen Druckveredelung

  • Architectural Association (Hg.)

    AA Book. Projects Review 2009

  • Florian Idenburg (Hg.)

    The SANAA Studios 2006-2008. Learning from Japan

  • Simon Reynolds

    Totally Wired. Postpunk Interviews and Overviews

  • Paul Stiff (Hg.)

    Modern Typography in Britain. Graphic Design, Politics and…

  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Scott MacDonald

    Adventures of Perception. Cinema as Exploration. Essays/…

  • Radical Philosophy

    157 - September/October 2009

  • Nina Chakrabarti

    My Wonderful World of Fashion. A Book for Drawing, Creating…

  • Claudia Basrawi

    Mittelmeer Anämie - Damaskus, Beirut, Kairo

  • Rob Young (Hg.)

    The Wire Primers. A Guide to Modern Music

  • Charlotte Klonk

    Spaces of Experience. Art Gallery Interiors from 1800 to…

  • R. Klanten, S. Ehmann, B. Meyer (Hg.)

    Papercraft. Design and Art with Paper

  • abc - art berlin contemporary

    def - drafts establishing future

  • Vince Aletti

    The Disco Files 1973-78. New York's Underground, Week…

  • Open 17

    A Precarious Existence. Vulnerability in the Public Domain

  • El Croquis 145

    Christian Kerez 2000-2009

  • Lutz Hieber, Stephan Moebius (Hg.)

    Avantgarden und Politik. Künstlerischer Aktivismus von Dada…

  • Wilfried Kuehn, Doreen Mende, Stephan…

    Displayer 03

  • Lutz Bacher

    Smoke Gets in Your Eyes

  • Design2context (Hg.)

    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

  • Petra Schmidt, Nicola Stattmann

    Unfolded. Papier in Design, Kunst, Architektur und Industrie

  • Mona Vatamanu, Florin Tudor

    Dissolving Absolute Structures

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Blätter für deutsche und internationale…

    Das Ende des Kasino-Kapitalismus? Globalisierung und Krise

  • N. Schüller, P. Wollenberg, K.…

    Urban Reports. Urban strategies and visions in mid-sized…

  • Arundhati Roy

    Listening to Grasshoppers. Field Notes on Democracy

  • Anne Verlhac (Hg.)

    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

  • Lars Spuybroek (Hg.)

    The Architecture of Variation (Research & Design)

  • Gerrit Terstiege (Hg.)

    The Making of Design. Vom Modell zum fertigen Produkt

  • Alexandra Gerstein (Hg.)

    Beyond Bloomsbury. Designs of the Omega Workshops 1913-19

  • Della Chuang

    Kyoteau. Bottled Memories

  • Wolfgang Kil (Hg.)

    Wolfgang Hänsch. Architekt der Dresdner Moderne

  • Ken Hillis

    Online a Lot of the Time. Ritual, Fetish, Sign

  • Stephan Trüby (Hg.)

    Hertzianismus. Elektromagnetismus in Architektur, Design…

  • Barkow Leibinger

    An Atlas of Fabrication

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • Stiftung Bauhaus Dessau (Hg.)

    Bauhaus Streit. 1919-2009. Kontroversen und Kontrahenten.

  • Jon Savage

    The England's Dreaming Tapes

  • Peter C. Bunnell

    Inside the Photograph. Writings on Twentieth-Century…

  • Kelly Coyne, Erik Knutzen

    The Urban Homestead. Your Guide to Self-sufficient Living…

  • Ian Wilson

    The Discussions

  • Jason Sperb, Scott Balcerzak

    Cinephilia in the Age of Digital Reproduction. Film,…

  • Momus

    Solution 11-167. The Book of Scotlands

  • Barbican Art Gallery (Hg.)

    Radical Nature. Art and Architecture for a Changing Planet…

  • Verein 100 Beste Plakate

    100 Beste Plakate 08. Deutschland - Österreich - Schweiz

  • Liam Gillick

    All Books

  • Cosmic Wonder Free Press

    Cosmic Wonder Light Source 3. Light Streams

  • Alastair Fuad-Luke

    Design Activism. Beautiful Strangeness for a Sustainable…

  • Oliviero Toscani, Olivier Saillard

    Workwear. Work Fashion Seduction

  • Shepard Fairey

    Obey. Supply & Demand. The Art of Shepard Fairey.

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Dominik Landwehr, Verena Kuni (Hg.)

    Home made electronic arts. Do-it-yourself Piratensender,…

  • Sara Maysles, Rebekah Maysles (Hg.)

    Grey Gardens (with DVD)

  • Samuel Charters

    A Language of Song. Journeys in the Musical World of the…

  • Tobias Huber, Marcus Steinweg (Hg.)

    Inaesthetik Nr.1. Politics of Art

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

  • Stephan Rabimov (Hg.)

    Depesha. Russian Lifestyle Magazine

  • Richard Reynolds

    Guerilla Gardening. Ein botanisches Manifest

  • Luigi Snozzi, Andrew Frear, Richard…

    Bau der Gesellschaft. Architekturvortäge der ETH Zürich

  • Christian Schittich (Hg.)

    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

  • Roland Hagenberg (Hg.)

    20 Japanese Architects. Interviews and Photos

  • Robert and Brenda Vale

    Time to Eat the Dog. The Real Guide to Sustainable Living

  • Matthias Noell

    Das Haus und sein Buch

  • Tim Waterman

    The Fundamentals of Landscape Architecture

  • Maia Francisco

    Atlas of Graphic Designers

  • Neil Brenner, Stuart Elden (Hg.)

    Henri Lefebvre. State, Space, World. Selected Essays

  • Jean Burgess, Joshua Green

    YouTube. Online Video and Participatory Culture

  • Lars Denicke, Peter Thaler (Hg.)

    Prepare for Pictopia. Katalog zur Ausstellung im Haus der…

  • Monika Szewczyk (Hg.)

    Meaning Liam Gillick

  • Nato Thompson (Hg.)

    A Guide to Democracy in America

  • Jan Wehrheim

    Der Fremde und die Ordnung der Räume

  • Robert Castel

    Negative Diskriminierung. Jugendrevolten in den Pariser…

  • Louis Althusser, Etienne Balibar

    Reading Capital

  • Susanne Pfeffer, Beatrix Ruf, Nicolaus…

    Annette Kelm

  • John Stezaker

    The 3rd Person Archive

  • Eva Egermann, Anna Pritz (Hg.)

    School Works. Beiträge zu vermittelnder, künstlerischer und…

  • Faitiche/Jan Jelinek (Hg.)

    Die Gesellschaft zur Emanzipation des Samples presents:…

Selected Maria Lind Writing

Selections and responses by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr
Working in a number of contexts and capacities has shown Maria Lind to be a curator who, over time, has engaged in a rethinking of the art institution and the formats and methodologies connected with it, taking art itself as a starting point. Following on the various endgames outlined by institutional critique, Lind has forged paths out of hegemonic institutional regimes precisely by identifying other ways of working through them, from both inside and outside.
For Lind, writing is integral to her curatorial work. It is where she accounts for her decisions, explains her intention, justifies her interest, toys with new possibilities and develops new ideas, and recognizes historical precedents. It is where the craft of curating, already pointed out towards a public, finds another channel of articulation.
Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.
The collection of essays spanning from 1997 to 2010 forms a tapestry of Lind's own interweaving interests, but also of those of a panel of readers invited by Lind to project their own concerns onto her corpus of writing. Essays on individual artists, monographic and group exhibitions, funding structures, new contexts and spatial paradigms, together comprise a rare opportunity to swivel a spotlight on its axis back towards a figure who always tries to aim it at what really matters.
Maria Lind is a curator and writer based in Stockholm. She was the director of the graduate program at the Center for Curatorial Studies, Bard College, 2008 to 2010. She was director of Iaspis in Stockholm 2005 to 2007 and from 2002 to 2004 was the director of Kunstverein München. From 1997 to 2001, Lind was curator at Moderna Museet in Stockholm, where she was responsible for Moderna Museet Projekt. She was co-curator of Manifesta 2 in 1998. Lind has contributed widely to magazines and other publications, as well as to numerous exhibition catalogues. She was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement.
Design by Liam Gillick


Brian Kuan Wood (Hg.)
Selected Maria Lind Writing
Sternberg Press, 2010, 978-1-934105-18-4