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  • Benjamin Bühler, Stefan Rieger

    Vom Übertier. Ein Bestiarium des Wissens

  • Jochen Brüning, Eberhard Knobloch (Hg.)

    Die mathematischen Wurzeln der Kultur. Mathematische…

  • Matthias Bruhn, Kai-Uwe Hemken (Hg.)

    Modernisierung des Sehens. Sehweisen zwischen Künsten und…

  • Horst Bredekamp, Gabriele Werner (Hg.)

    Bildtechniken des Ausnahmezustandes. Bildwelten des Wissens…

  • Horst Bredekamp, Pablo Schneider (Hg.)

    Visuelle Argumentationen. Die Mysterien der Repräsentation…

  • Cornelius Borck, Armin Schäfer (Hg.)

    Psychographien

  • Anette Bitsch

    "always crashing in the same car". Jacques Lacans…

  • Markus Miessen (Hg.)

    The Violence of Participation

  • Joachim Krausse (Hg.)

    Richard Buckminster Fuller. Bedienungsanleitung für das…

  • Mark E. Smith

    Renegade. The Lives and Tales of Mark E. Smith

  • Anthony Vidler

    Histories of the Immediate Present. Inventing Architectural…

  • Metahaven (Kruk, van der Velden,…

    White Night Before A Manifesto

  • Henri Lefebvre

    Critique of Everyday Life (Volume 2). Foundations for a…

  • Henri Lefebvre

    Critique of Everyday Life (Volume 1)

  • Alexander Hamedinger

    Raum, Struktur und Handlung als Kategorien der…

  • Stuart Elden

    Understanding Henri Lefebvre. A Critical Introduction

  • Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Michel Auder

    Michel Auder. Selected Video Works 1970 - 1991

  • Claude Levi-Strauss

    Das wilde Denken

  • Siegfried Zielinski

    Variantology 2. On Deep Time. Relations of Arts, Sciences…

  • Norbert Wiener

    Cybernetics or the Control and Communication in the Animal…

  • Margarete Vöhringer

    Avantgarde und Psychotechnik: Wissenschaft, Kunst und…

  • Erich Hörl, Michael Hagne

    Die Transformation des Humanen. Beiträge zur…

  • Mario Fusco (Hg.)

    The Happy Hypocrite. For and About Experimental Art Writing…

  • Peter Mörtenbeck, Helge Mooshammer (Hg.)

    Networked Cultures. Parallel Architectures and the Politics…

  • Rosalind Krauss

    A Voyage on the North Sea. Broodthaers, das Postmediale

  • Paul D. Miller (Hg.)

    Sound Unbound. Sampling Digital Music and Culture

  • Dirk Bronger (Hg.)

    Marginalsiedlungen in Megastädten Asiens

  • Saskia Sassen (Hg.)

    Deciphering the Global. Its Spaces, Scales and Subjects

  • Gerald Raunig

    Tausend Maschinen

  • Hans-Jörg Rheinberger

    Epistemologie des Konkreten. Studien zur Geschichte der…

  • Thomas S. Kuhn

    Die Struktur wissenschaftlicher Revolutionen

  • Friedrich Kittler, Ana Ofak (Hg.)

    Medien vor den Medien

  • Friedrich Kittler

    Aufschreibesysteme 1800 - 1900

  • Wolfgang Ernst, Friedrich Kittler (Hg.)

    Die Geburt des Vokalalphabets aus dem Geist der Poesie.…

  • Nils Lindahl Elliot

    Mediating Nature: Environmentalism and Modern Culture (…

  • Gaston Bachelard

    Der neue wissenschaftliche Geist

  • Stefan Andriopoulos, Bernhard J. Dotzler

    1929. Beiträge zur Archäologie der Medien

  • Esther K. Smith

    How to Make Books. Fold, Cut & Stitch Your Way to a One…

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • Marina Grzinic, Rosa Reitsamer (Hg.)

    New Feminism. Worlds of Feminism, Queer and Networking…

  • Marco d'Eramo

    Das Schwein und der Wolkenkratzer. Chicago: Eine Geschichte…

  • Andrew Pickering

    Kybernetik und Neue Ontologien

  • W.J.T. Mitchell

    Bildtheorie

  • Peter Gidal

    Andy Warhol. Blow Job

  • Merlin Carpenter

    Relax It's Only a Bad Cosima von Bonin Show

  • Jesko Fezer, Matthias Heyden

    Hier entsteht. Strategien partizipativer Architektur und…

  • Kyohei Sakaguchi

    Zero Yen Houses

  • Martha Rosler

    If You Lived Here. The City in Art, Theory, and Social…

  • Lloyd Kahn

    Home Work. Handbuilt Shelter

  • Jesko Fezer, Katja Reichard, Axel…

    Martin Pawley's Garbage Housing with Preconsumer Waste…

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Vice Magazine

    The Vice Photo Book

  • Robert Klanten, Lukas Feireiss

    SpaceCraft. Fleeting Architecture and Hideouts

  • Catherine de Smet, Emmanuel Bérard

    Wim Crouwel. Typographic Architectures

  • Paula Court

    New York Noise: Art and Music from the New York Underground…

  • James Elkins, Michael Newman

    The State of Art Criticism

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • John Fahey und Karl Bruckmaier

    John Fahey. Orange

  • Yona Friedman, Hans-Ulrich Obrist

    Yona Friedman. The Conversation Series (7)

  • Margrit Brehm, Axel Heil, Roberto Ohrt

    Paul Thek. Tales the Tortoise Taught Us

  • Brian O'Doherty

    Studio and Cube. On The Relationship Between Where Art is…

  • Guy Debord

    Comments on the Society of the Spectacle

  • Ruth Slavid

    Micro: Very Small Buildings

  • Norbert E. Yankielun

    How to Build an Igloo and Other Snow Shelters

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • Igor J. Polianski

    Die Kunst, die Natur vorzustellen: Die Ästhetisierung der…

  • Lisa Gitelman, Geoffrey B. Pingree (Hg.)

    New Media, 1740-1915 (Media in Transition)

  • Bernhard Siegert

    Passage des Digitalen

  • Alexander Böhnke, Jens Schröter (Hg.)

    Analog/Digital - Opposition oder Kontinuum? Zur Theorie und…

  • Wolfgang Schäffner, Sigrid Weigel,…

    Der liebe Gott steckt im Detail. Mikrostrukturen des Wissens

  • Slava Gerovitch

    From Newspeak to Cyberspeak. A History of Soviet…

  • Alex Steffen

    Das Handbuch der Ideen für eine bessere Zukunft.…

  • Lisa Diedrich (Hg.)

    Territories. Agence Ter. Die Stadt aus der Landschaft…

  • James Corner (Hg.)

    Recovering Landscape. Essays in Contemporary Landscape…

  • Peter Lamborn Wilson, Bill Weinberg (Hg…

    Avant-Gardening. Ecological Struggle in the City and the…

  • Daniela Colafranceschi

    Landscape + 100 words to inhabit it

  • Gilles Clement, Philippe Rahm

    Environ(ne)ment. Approaches for Tomorrow

  • Clare Cumberlidge, Lucy Musgrave

    Design and Landscape for People

  • Jutta Nachtwey, Judith Mair

    Design Ecology! Neo-grüne Markenstrategien

  • Duncan McCorquodale

    Recycle. The Essential Guide

  • Manfred Hegger, Matthias Fuchs, Thomas…

    Energie Atlas. Nachhaltige Architektur

  • Sergi Costa Duran

    Green Homes. New Ideas for Sustainable Living

  • Ian McHarg

    Conversations with Students. Dwelling in Nature

  • Nik Heynen, Maria Kaika, Erik Swyngedow

    In the Nature of Cities. Urban Political Ecology and the…

  • Marina Alberti

    Advances in Urban Ecology: Integrating Humans and…

  • Heather Rogers

    Gone Tomorrow. The Hidden Life of Garbage

  • Allen Carlson

    Nature and Landscape. An Introduction to Environmental…

  • Donna Haraway

    When Species Meet

  • Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • Gregory Bateson

    Ökologie des Geistes. Anthropologische, psychologische,…

  • Mark Garcia

    Architextiles

  • Susanne Küchler, Daniel Miller

    Clothing as Material Culture

  • Caryn Simonson

    Textile Volume 6 Issue 3. The Journal of Cloth and Culture…

  • Quentin Hirsinger, Elodie Ternaux,…

    Materiology. Handbuch für Kreative. Materialien und…

  • Luis Fernandez-Galiano

    AV 115. Materiales de Construccion. Building Materials

Selected Maria Lind Writing

Selections and responses by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr
Working in a number of contexts and capacities has shown Maria Lind to be a curator who, over time, has engaged in a rethinking of the art institution and the formats and methodologies connected with it, taking art itself as a starting point. Following on the various endgames outlined by institutional critique, Lind has forged paths out of hegemonic institutional regimes precisely by identifying other ways of working through them, from both inside and outside.
For Lind, writing is integral to her curatorial work. It is where she accounts for her decisions, explains her intention, justifies her interest, toys with new possibilities and develops new ideas, and recognizes historical precedents. It is where the craft of curating, already pointed out towards a public, finds another channel of articulation.
Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.
The collection of essays spanning from 1997 to 2010 forms a tapestry of Lind's own interweaving interests, but also of those of a panel of readers invited by Lind to project their own concerns onto her corpus of writing. Essays on individual artists, monographic and group exhibitions, funding structures, new contexts and spatial paradigms, together comprise a rare opportunity to swivel a spotlight on its axis back towards a figure who always tries to aim it at what really matters.
Maria Lind is a curator and writer based in Stockholm. She was the director of the graduate program at the Center for Curatorial Studies, Bard College, 2008 to 2010. She was director of Iaspis in Stockholm 2005 to 2007 and from 2002 to 2004 was the director of Kunstverein München. From 1997 to 2001, Lind was curator at Moderna Museet in Stockholm, where she was responsible for Moderna Museet Projekt. She was co-curator of Manifesta 2 in 1998. Lind has contributed widely to magazines and other publications, as well as to numerous exhibition catalogues. She was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement.
Design by Liam Gillick


Brian Kuan Wood (Hg.)
Selected Maria Lind Writing
Sternberg Press, 2010, 978-1-934105-18-4