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  • Joseph Vogl

    Kapital und Ressentiment. Eine kurze Theorie der Gegenwart

  • Kim Charnley

    Sociopolitical Aesthetics. Art, Crisis and Neoliberalism

  • Sammlung Wemhöner (Hg)

    Hasenheide 13

  • AA62

    AA62. LACATON & VASSAL

  • Ursula Müller, Berlinische Galerie

    Anything goes? Berliner Architekturen der 1980er Jahre

  • IDEA Magazine

    IDEA 393. MANGA bridges the world: The actualities of manga…

  • Joost Grootens

    Blind Maps and Blue Dots. The Blurring of the Producer-User…

  • Urs Stäheli

    Soziologie der Entnetzung

  • Roberto Simanowski

    Das Virus und das Digitale

  • Ole Nymoen, Wolfgang M. Schmitt

    Influencer. Die Ideologie der Werbekörper

  • Rolando Vázquez

    Vistas Of Modernity. Decolonial Aesthesis And The End Of…

  • Jayna Brown

    Black Utopias. Speculative Life and the Music of Other…

  • Ursula Schwitalla (Hg)

    Frauen in der Architektur. Rückblicke, Positionen,…

  • Knut Ebeling, Annette Maechtel, Heimo…

    Never mind the Nineties. Eine Medienarchäologie des…

  • Kathi Hofer

    "Grandma" Prisbrey's Bottle Village

  • Sandra Bartoli, Silvan Linden (Hg.)

    AG8: Berliner Bäume. Eine Bestandsaufnahme

  • Silvia Federici

    Revolution at Point Zero. Hausarbeit, Reproduktion und…

  • Nick Pinkerton

    Goodbye, Dragon Inn

  • Philipp Oswalt with Anthony Fontenot

    Berlin. City Without Form

  • Hans Drexler

    Open Architecture Nachhaltiger Holzbau mit System

  • Joachim Kleinmanns

    Eine Haltung, kein Stil. Das architektonische Werk von Rolf…

  • Keller Easterling

    Medium Design. Knowing How to Work on the World

  • Experimental Jetset

    Experimental Jetset. Superstructures. Notes on Experimental…

  • Andrés Jaque, Marina Otero Verzier,…

    More-than-Human

  • Claudia Mareis, Nina Paim (Hg)

    Design Struggles. Intersecting Histories, Pedagogies, and…

  • Moisés Puente (Hg)

    Kersten Geers. Without Content. 2G Essays

  • Moises Puente, Antje Stahl, Nikolaus…

    2G 81. Brandlhuber+

  • Georges Perec

    Die dunkle Kammer. 124 Träume

  • Kristin Ross

    Luxus für alle. Die politische Gedankenwelt der Pariser…

  • Victor Deupi, Jean-Francois Lejeune

    Cuban Modernism. Mid-Century Architecture 1940–1970

  • András Szántó

    The Future of the Museum

  • Tom Holert

    Politics of Learning, Politics of Space. Architecture and…

  • Eva von Redecker

    Revolution für das Leben. Philosophie der neuen…

  • Nina Prader, John Z. Komurki (Eds.)

    Druck Druck Druck. Print Communities from Berlin and Beyond

  • Herausgegeben:Bundesministerium des…

    70 Jahre Kunst am Bau in Deutschland

  • Philippe Askenazy

    Share the Wealth. How to End Rentier Capitalism

  • Andreas Malm

    How to Blow Up a Pipeline

  • Liam Campling and Alejandro Colás

    Capitalism and the Sea

  • Gerald Raunig

    Ungefüge. Maschinischer Kapitalismus und molekulare…

  • Niki Kubaczek, Monika Mokre (Hg.)

    Die Stadt als Stätte der Solidarität

  • Floris Alkemade, Michiel van Iersel,…

    REWRITING ARCHITECTURE. 10+1 Actions. Tabula Scripta

  • Manuel de la Pena Suarez

    Structuralism and Experimentation in the Architecture of…

  • SPACE10

    The Ideal City. Exploring Urban Futures

  • Anaïs Wiedenhöfer & Lena Wolfart

    Everyday Urban Design 4. Genossenschaftliche…

  • A & P Smithson Hexenhaus-Archiv,…

    Alison & Peter Smithson. Hexenhaus. A House for a Man…

  • Emmanuelle Chiappone-Piriou (Ed.)

    Superstudio Migrazioni

  • Tim Ingold

    Eine kurze Geschichte der Linien

  • Renate Boere

    Beyond Design. Making Socially Relevant Projects Successful

  • Christoph Herndler, Florian Neuner (Hg.)

    Der unfassbare Klang. Notationskonzepte heute

  • Fredric Jameson

    The Benjamin Files

  • Adam Štěch

    Modern Architecture and Interiors

  • Gabrielle Kenndy (Hg)

    In/Search Re/Search. Imagining Scenarios Through Art and…

  • Diedrich Diederichsen, Oier Etxeberria…

    Cybernetics of the Poor

  • Paul Hegarty

    Annihilating Noise

  • John Beck

    Landscape as Weapon. Cultures of Exhaustion and Refusal

  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

    Not at Your Service. Manifestos for Design

  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

  • Precarity Lab

    Technoprecarious

  • Céline Condorelli

    Céline Condorelli. Zanzibar

  • Annette Maechtel

    Das Temporäre politisch denken. Raumproduktionen im Berlin…

  • Cornelia Sollfrank, Felix Stalder,…

    Aesthetics of the Commons

  • Ariella Masboungi (ed.)

    Berlin. The Genius of Improvisation

  • Mark Wigley

    Konrad Wachsmann’s Television. Post-architectural…

  • Hans-Rudolf Meier

    Spolien. Phänomene der Wiederverwendung in der Architektur

  • Erich Hörl, Nelly Y. Pinkrah, Lotte…

    Critique and the Digital

  • Bradley Quinn

    The Fashion of Architecture

  • Florian Rötzer

    Sein und Wohnen. Philosophische Streifzüge zur Geschichte…

  • Andreas Dornbracht (Hg.)

    Statements V. Veronique Branquinho, Jeremy Scott, Raf…

  • Philipp Stamm

    Schrifttypen – Verstehen Kombinieren Schriftmischung als…

  • Gemma Villegas

    Fanzine GRRRLS. The DIY Revolution in Female Self-Publishing

  • Andreas H. Apelt, Ron Jagers

    Hinter der Stille. Berlin-Prenzlauer Berg 1979-1989

  • Giseke, Löw, Million, Misselwitz,…

    Urban Design Methods

  • Kengo Kuma

    Kengo Kuma. My Life as an Architect in Tokyo

  • Elske Rosenfeld, Suza Husse (Hg.)

    wildes wiederholen. material von unten. Dissidente…

  • Lukas Feireiss, Tatjana Schneider,…

    Living the City. Of Cities, People and Stories

  • Stefan Rettich, Sabine Tastel (Hg.)

    Die Bodenfrage. Klima, Ökonomie, Gemeinwohl

  • Caspar Stracke (Ed.)

    Godard Boomerang. Artists on Godardian Conceptualism

  • Caspar Stracke, Keith Sanborn (Eds.)

    The Current Thing

  • Kai van Eikels

    Synchronisieren. Ein Essay zur Materialität des Kollektiven

  • Johnny Golding, Martin Reinhart, Mattia…

    Data Loam. Sometimes Hard, Usually Soft. On the Future of…

  • Hendrik Weber

    Italic. What gives Typography Its emphasis

  • Tibor Joanelly

    Shinoharistics. An Essay About a House

  • Thomas Moynihan

    X-Risk. How Humanity Discovered Its Own Extinction

  • Bert Rebhandl

    Jean-Luc Godard. Der permanente Revolutionär

  • Heide Schlüpmann

    Raumgeben - der Film dem Kino

  • Antonio Lucci, Esther Schomacher, Jan…

    Italian Theory

  • Harun Farocki

    HaFI 013: Zur Geschichte der Arbeit. Dokument, Material…

  • Rebekka Ladewig, Angelika Seppi

    Milieu Fragmente. Technologische und ästhetische…

  • Bonaventure Soh Bejeng Ndikung

    In a While or Two We Will Find the Tone

  • Michelle Christensen, Jesko Fezer,…

    Lechts und Rinks. Auseinandersetzungen mit dem Design der…

  • Jesko Fezer, Anita Kaspar, Andreas…

    Displaying Political and Cultural Concerns. Kooperative für…

  • IDEA Magazine

    IDEA 392. Type Design Now Experimental Type Designers and…

  • Francois Laruelle

    The Last Humanity. The New Ecological Science

  • Jessica Morgan, Dorothea von Hantelmann…

    Resource Hungry. Our Cultured Landscape and its Ecological…

  • Kathrin Röggla

    Bauernkriegspanorama

  • Andreas Malm

    Wie man eine Pipeline in die Luft jagt. Kämpfen lernen in…

SMAREAZY 001 12"EASTER, Champagne 121212 / Children for Atmopshere, Don't Dub Your Hands Away.

The first Release of the new Smareazy label, a Smaragd Bar spin off.
Smareazy 001 features current Smaragd personnel Stine Omar, Max Boss (http://easterjesus.com/) (of Easter, Cyan Kid) and Andy Grier (of Thieves Like US with his new outfit Children For Atmosphere):
A. Easter · Champagne 121212
Written and performed by Stine omar and Max Boss, taken from the Album
“The Softest Hard” (RTN045), Raminton 2012
B. Don‘t Dub Your Hands Away · Children For Atmosphere
Written and performed by Andy No Andy and Salsa Stick, Mixed with Milo, Previously unreleased
SMRZ 001, 12” Vinyl, 45 RPM
Cover Photography: Kristin Loschert
Design: Till Sperrle
Mastering: Helmut Erler, Dubplates & Mastering
Versand: Deutschland 4 Euro und EU 8 Euro, Welt: Auf Anfrage!
Shipping: Germany 4 Euro, EU 8 Euro, World: Please ask!
Possibly it is the smallest and sparsest bar in Berlin. Formerly a narrow passage way, it keeps the drinking crowd in its shady space. Smaragd, a name and a sign inherited from previous owners, comes with an original tune, something one could call an anti-religious Gong, the sound a popping cork makes when hitting a single hi-hat fixed below the ceiling. This gesture belongs to the unscripted ceremony. Musicians sell the drinks. Artists and writers select the records. Momus once sang standing on the window sill. When working behind the bar, Stine Omar and Max Boss, the two members of EASTER and Andy Grier of Children for Atmosphere bust the caps once in a while. So the bartenders build the line up of the first release on SMAREAZY. At the same time everybody is friends, acquaintances, neighbours and customers. Maybe this record is sound and image of a face to face social network? A micro economy of its own kind? A small world where talking, listening and drinking go hand in hand. So the record carries the equanimous 'hymn' of Smaragd, a mindful celebration: "Champagne 121212" by EASTER. A song performed in their unique tone and articulation. It's spoken, though it's a song, it's about a cheerful drink, though it's melancholic music, it's an old habit, though young people perform it, it's representing the rich, though it is the privileged poor who pour it down. In a way Smaragd invented its own logic of music compilation, which derives from coincidences. What does the music sound like exactly? A side and B side epitomized the musical aesthetic of Berlin post-Techno and generic Start-up hustle. There remains more to say about these beautiful and vague atmospheres. The record SMAREAZY 001 is the beginning of a new label. More releases will follow. (Vera Tollmann)


Stine Omar, Max Boss, Andy Grier
SMAREAZY 001 12"EASTER, Champagne 121212 / Children for Atmopshere, Don't Dub Your Hands Away.
Smareazy, 2013, SMRZ 001